C. Michael Forsyth, author of Sir Arthur Conan Doyle & Harry Houdini in The Adventure of the Spook House, will be presenting a talk on "Houdini, Conan Doyle and African Adventure" at the Jeff Maxwell Branch Library in Augusta, Georgia on Tuesday, June 16, 2015 at 5:30 pm.
The talk is free, but registration is suggested by calling (706) 793-2020. The library is located at 1927 Lumpkin Road, Augusta, GA, 30906.
Theatrical distribution for TCM's restoration of Houdini's The Grim Game is now being handled by Park Circus, a company who arranges screenings of classic films on behalf of studios and owners. That means the movie is available to screen at any venue by making the proper arrangements.
The Grim Game is part of Park Circus rich collection of silent films, which also includes The Master Mystery. The distributor represents over 20,000 titles for screenings around the world.
You can enquire about screening The Grim Game by filling out a request form at the Park Circus website. License and other fees apply. The company currently offers the film as a DCP (Digital Cinema Package).
The Grim Game had its world premiere in Hollywood back in March. It will be shown on TCM later this year, but no air date has yet been announced. There is no news yet of a DVD release.
The Magic Castle has quietly retired their Houdini aquarium. The aquarium was made for the AMA as part of an episode of the reality show Tanked in 2012. It resembled Houdini's Water Torture Cell.
True be told, the aquarium was problematic from the start. When the exotic fish were not eating each other, they feasted on the Houdini mannequin. The straitjacket was also not waterproof and began to rapidly decay. Eventually, the mannequin was removed. There was talk of replacing it, but that never happened, and now the tank has pulled a similar, merciful vanishing act.
It was a fun idea, but even I could see the Houdini fish tank was a little tacky and didn't really fit with the Castle decor of vintage magic memorabilia. At the moment, the AMA is considering what to do with it. Member suggestions have ranged from taking it to the desert and blowing it up, to making it into a giant popcorn machine. (Okay, that last one wasn't a serious suggestion -- I don't think.)
Ironically, this Friday, Tanked will be running a "Best Of" show in which hosts Wayde King and Brett Raymer remember making the Magic Castle Houdini aquarium. Sounds like they need some reality.
Joe Notaro has uncovered the story of Ponzi Gwynne, a bantam rooster that worked with both Houdini and Hardeen. I've never heard this story before. The photo to the left shows Hardeen and Ponzi, who was billed as "the only talking rooster in the world."
Here are links to all three installments at Harry Houdini Circumstantial Evidence:
Houdini appears to have enjoyed working with chickens. In the book The Metamorphosis: The Apprenticeship of Harry Houdini, author Bruce MacNab uncovered the existence of "Banjo", a trained chicken Houdini used in his earliest days named by his mother.
Epic Rap Battles of History presents "David Copperfield vs. Harry Houdini." This is funny and very well done. Houdini is played by EpicLLOYD. Copperfield is played by Nice Peter. You can view the video on YouTube via the link below (it contains the actual video, most only have the song). The song alone is available on iTunes. You can also watch a behind the scenes making of video here.
Here are some behind the scenes photos taken by John C. Sherwood of Hatari's historic Milk Can escape at the 2015 Midwest Magic History Weekend. The American Museum of Magic allowed use of their authentic Houdini-Hardeen Milk Can for this one performance only. Looks at home on a stage, doesn't it?
John posted these to Facebook and now generously allows me to share them here. I've include John's captions below.
Just before showtime at the Franke Center, Hatari contemplates how he might escape from Houdini's Milk Can. Four minutes to curtain ... !
Phillip Hagerty conjures the ectoplasmic presence of Harry Houdini on Saturday afternoon to advise us what to tell Hatari prior to his escape attempt from Harry's old Milk Can. As usual, HH was mum, so we figured it out ourselves just in time to please a demanding Marshall audience!
The news you've been waiting for: Yes, Hatari (right) successfully extricated himself from Houdini's securely padlocked Milk Can on Saturday night. There were screams and thrills and no small amount of apprehension, but this New Jersey gentleman knows how to handle himself when confronted by the Unknown. Hatari (Joe Patire) is my new favorite escapologist, and the Franke Center and the American Museum of Magic thank him for his contribution to an eventful week of miracle-making!
Here's some Sunday reading for you. Larry Harnisch's excellent L.A. history and crime blog The Daily Mirror (which seems t have taken a shine to Houdini these days) has posted the full interview with Houdini from the October 1925 Haldeman-Julius Monthly. One thing I especially like is it gives a very detail description of what it was like to step inside 278. Here's a taste:
It was with a real thrill that punctually at eight o'clock on a soft midsummer evening––the fourth of August to be exact––E. H.-J. and I drew up before 278 West 113th Street––the brown stone house which, near Eight avenue, is Houdini's New York home. The door was opened by a demure little woman who asked us if we had an appointment. Upon being assured that we had, she ushered us, in business-like fashion, into a long room rather too full of furniture, books, and bric-a-brac and lit by a single very beautiful antique, nail-pounded Egyptian lamp in which, without destroying the illusion, the soft glow of electricity had been substituted for the flames of candles.
In spite of the chandelier the room seemed quite dark, also a bit stuffy, but the little lady––a secretary I surmised her to be––in leisurely fashion, raised shade and window, letting in with one rush of flood of early twilight, abundant fresh air, and the noisy shouts of the many children who surged at play on the street. The racket had an incongruous sound in that hushed, orderly, not to say stiff, museum-like room.
The piece also give a nice description of Houdini himself:
He is, truth to tell, an enchanting person. Yet I find it difficult to translate his charm and dynamic or rather magnetic vitality into words. There is a rare delightfulness in his personality which is far easier to feel than to define. In his makeup there is a dash of Puck and it would not be in the least difficult to believe that he had been brought up by the elves or trolls. Yet nothing could be more clear-cut that the workings of Houdini's versatile mind.
TCM's restoration of Houdini's The Grim Game will screen at the historic Stateside at the Paramount theater in Austin, Texas, on Sunday, July 19, at 7pm. This screening will be unique in that composer/pianist Reuel Meditz will accompany the film with his own original score.
The Grim Game was originally released by Paramount Pictures, so a screening in a historic Paramount theater seems fitting. The Stateside was built in 1935 and sits adjacent to the Paramount Theater where Houdini appeared in 1916. That theater recently held an event in which a Houdini hologram addressed the audience.
Tickets for The Grim Game can be purchased online or by calling the box office at (512) 474-1221. For more information visit the Austin Theater Alliance website.
Recently I had the great pleasure of attending the Midwest Magic History Weekend in Marshall, Michigan. The event was organized by David Charvet in conjunction with the American Museum of Magic, which is located in Marshall. It proved to be a full 5-days packed with magic history, good friends, and Houdini (of course).
May 26
My multi-day Houdini odyssey began the night before I left for Marshall with a screening of Young Harry Houdini at the Magic Castle in Hollywood. This "Castle Perk" was hosted by Steve Valentine; in attendance was star Wil Wheaton. Wil hadn't seen the movie since it was first broadcast way back in 1987, and said of all the film and TV work he's done, this is the one project he thinks about most often. He also said there is family lore that his great grandfather, Frank O'Conner (director of Religious Racketeers), did some ghostwriting for Houdini. It was a terrific perk and great way to kick off a week full of magic!
May 27
On Wednesday I flew to Michigan, arriving in Detroit in the afternoon. I had done research and part of my weekend plan was to visit some famous Detroit Houdini locations. I was tempted to hunt those down right away, but I figured I'd stick to my plan and save them for the end of the trip. Marshall was still an hour and a half away by car.
Arriving in Marshall, I met up with Houdini mega-collector Arthur Moses and Derek Kennedy. We enjoyed dinner and gossip at the historic Schuler's Restaurant & Pub. I must say, I wasn't prepared for the sheer beauty of Marshall. It's an historic town with beautifully preserved Victorian homes and a main street from the 1900s. It was like time travel! I'm not sure if Houdini himself ever visited Marshall (it's equidistant between Chicago and Detroit), but if he did, the streets he walked still look exactly the same.
DAY 1 - May 28
The weekend officially kicked off on Thursday, May 28, with noon registration at The Franke Center For The Arts in Marshall, a beautiful old church converted into a theater space. Everyone agreed this was an excellent facility for the convention, and the theater size was perfect for the approximately 150 attendees.
After getting my registration materials and taking a quick pass around the dealers room, I decided to walk over to the American Museum of Magic and get an early look (the next day would be the official tours). The American Museum of Magic was founded by magic collector and historian Robert Lund on April 1, 1978. It's famous in the world of magic, and ever since I first become interested in Houdini, I've longed to visit. Now here I was at the front door.
I was warmly greeted by the museum staff who were very excited to have the convention in town. The museum and its Research Center (located across the street) were open free to all convention attendees. Museum administrator Keli Hindenach and her son, Alex, really rolled out the red carpet for me. I purchased some Houdini paperbacks in perfect condition that the museum had recently discovered in a box that had remained untouched probably since the 1980s.
Of course, I spent a good amount of time in front of the museum's central Houdini display. There before me was the Houdini-Hardeen Milk Can (more about that later), a spirit trumpet, a pack of Houdini's Needles ("with his DNA on it") and a nice Coast to Coast advertising sign which I'm guessing was for his 1926-27 tour. But what I think is the most impressive item in the entire museum -- yes, even more so than the Milk Can -- was his overboard box. The staff and I spent a lot of time looking it over very carefully, comparing it to the photos on display. It indeed appears to be the same box Houdini used in both his 1912 and 1914 overboard box escapes in New York harbor. It's extremely heavyweight and there's something about the wood that seemed to hold the spirit of Houdini. I was mesmerized.
I then toured the rest of the museum, which is jam-packed with amazing artifacts from great magicians of all eras (it even has suits worn by Penn & Teller). I told the staff that I wrote letters to the museum when I was 15-16, and they said there was an excellent chance that Robert Lund had saved those letters in his files. Traveling across the street to the Research Center, Alex brought me out a file marked: Cox, John. It was strange and moving to re-read my letters from so long ago. I especially loved that I had to wear gloves to handle the file.
It was then back to the Franke Center to set-up my "Houdini in Hollywood" talk, which I would be giving as part of the opening night events. It took a little doing to figure out how best to screen the "Top Secret" Houdini movie I had brought along to show. But David Charvet had brought in an excellent A/V staff, and soon everything was ready to go.
Following a nice reception with food in the Franke lobby, the night kicked off with a few words from Marshall's Mayor, Jack Reed. Then a video of Dan Waldron remembering his friend Bob Lund and the opening of the American Museum of Magic was shown. Susan Collins, the incoming chair of the museum board, then spoke. Diego Domingo then gave a talk about his first visits to the museum.
Next was Bill Spooner who presented a fascinating and funny talk about the infamous "Sex Detector." Then came David Meyer who blew my socks off with a slide show presentation on his 1900-05 Houdini scrapbook called: "What I bought when I was seventeen." Every image he showed was new to me! Even Arthur Moses was drooling beside me. (This weekend I learned just how much unseen Houdini material is still out there.)
After a short intermission (and popcorn), it was my turn to give my talk. Knowing this was a savvy crowd, I modified the talk and tried to show film clips they might not have seen before. Based on the many nice compliments I received throughout the rest of the weekend, I think the talk went really well.
Photo by Wayne Wissner.
My original plan was to screen Terror Island or an episode of The Master Mystery following my talk. But a few weeks before the convention, I decided to go for broke and contacted TCM's Charles Tabesh and distributor Park Circus to see if there was any way I could show the new TCM restoration of The Grim Game. To my great pleasure, they gave me permission to do so!
I kept this largely a secret -- it was not mentioned in any of the convention materials -- and I revealed it as dramatically as I could during my talk. So the first night closed with The Grim Game on the big screen, which was only the third public screening ever. Everyone seemed to enjoy the film. In fact, more than a few people over the course of the weekend told me the movie had changed their minds about Houdini's appeal as a cinema star.
The Grim Game in Marshall. (Photo by Wayne Wissner.)
DAY 2 - May 29
Friday kicked off with official tours of the American Museum of Magic. While I had gone through the museum the day before, it was a blast to be there with magic luminaries such as: William Kalush, John Gaughan, Mike Caveney, David Ben, Julie Eng, and many others. The museum had opened a storage closet where they kept Doug Henning's original Zig Zag Girl illusion. The museum is unable to publicly display the prop because the paint is peeling, and it was a thrill to see this important piece of magic history (you know I'm wild about Doug!). Attendees later gathered in the Research Center to discuss the health and future of this great institution of magic.
The afternoon talks at the Frank Center began with host David Charvet interviewing Adele Friel Rhindress, who worked as Harry Blackstone's Elusive Moth in his big touring show. Adele did card flourishes she learned 67 years ago from fellow assistant, Del Ray, and she was an absolute joy both onstage and off. (She sent me a nice text after my talk saying how much she enjoyed it.) Bill Smith then presented a fascinating and funny talk about working with Harry Blackstone, Jr.
Keith Stickley, a.k.a. Dr. Scream, gave a talk on the history of "Spook Shows Past and Present." During the talk a gorilla suddenly burst from behind the curtains and chased one of his assistants who let off one of the best and most bloodcurdling screams I've ever heard. Just a taste of what was to come that night.
The last speaker of the afternoon was the great Mike Caveney, who presented a riveting talk on "America's Zig Zag Scandal" of the late 1960s. Hearing Mike lecture is always a highlight of any gathering.
After a quick rest and dinner, it was back to the Franke for the Friday night events. First up was Gabe Fajuri who presented a talk on the history of Abbott's Magic Company, which we would be visiting the next day. He then moderated a nostalgic discussion about Abbott's with Tim Wright, Gordon Miller, and current owner Greg Bordner. Magician and author Al The Only then gave a moving talk on the The Magic Graveyard in Colon, Michigan.
The evening concluded with Dr. Scream's Spook Show Revival. It had all the classic spook show elements: magic (including a nice Cremation illusion); lovely girls (Dr. Scream's own "Devil Dolls"); and a signature "Blackout" in which spooks and bugs invaded the audience in the dark. In the tradition of the spook show, a film was then shown, Monsters Crash the Pajama Party, which has to be seen to be believed.
After the show, I got a quick photo with the Devil Dolls, because a man cannot live on magic alone!
DAY 3 - May 30
The third day opened with a trip to Colon, Michigan, the "Magic Capital of the World." Colon is home to the famous Abbott's Magic Company, which has been in continuous operation since 1934. It was great to see the store and workshop, and a hoot to watch Tim Wright perform vintage Abbott's magic tricks as a store pitchman.
Abbott's supplied props to the Tony Curtis Houdini movie in 1953, and there were several posters for the film on the walls, including two large U.S. 2-sheets that I had not seen before. These were even new to Arthur Moses who could not find them in the pressbook. (I posted pics of these in my live tweets.) Abbott's also built props for the 1966 London stage production, Man of Magic, including a working recreation of the famous De Kolta expanding die, which was never used in the production.
Outside I also noticed that Abbott's had an authentic Siberian Transport Prison Van, still in amazing condition! At least that's what I think it was.
Oh, maybe not...
We then visited nearby Lakeside Cemetery ("The Magic Graveyard"), which holds dozens of magicians, including the great Harry Blackstone Sr. and Blackstone Jr. While Thurston tends to be celebrated as the second most famous name in magic, I've always believed that title actually belongs to Blackstone. Robert Lund is also buried here, and I love that his headstone reads: "Among Friends."
Al The Only tries on his plot for size. Perfect fit!
Following lunch at the beautiful River Lake Inn, we headed back to Marshall. After resting up (during which time the Milk Can was transported to the Franke Center, which I'm sorry I missed), we all gathered at the 176-year-old Trinity Episcopal Church for a dinner served by the generous Rev. Anne Schnaare. It was delicious home cooking (I'd forgotten how much I like Swiss Steak), and I was honored to be sitting at a table with John Gaughan and Edward and Adrian Dawes.
It was now time for the big show! Mike Caveney emceed what was billed as "The International Stars of Magic." This was open to the public and there was a full house. The show kicked off with Gene Anderson performing his amazing paper cutting act. David Ben and Julie Eng of Magicana then performed classic and elegant magic.
After a short video explaining the history of Houdini's Milk Can escape, the curtains opened to reveal the Houdini-Hardeen can from the collection of the American Museum of Magic. As advertised, the museum had given special permission for the historic prop to be used this night, which just happened to be the 70th anniversary of Hardeen's last performance of the escape on May 30, 1945. The escape was performed by Hatari (Joseph Patire), and I was thrilled to be invited on-stage to help lock the can. (Read more about this historic performance here.)
Hatari in the Houdini-Harden Milk Can. (Photo by Wayne Wissner.)
After intermission, Skilldini (Tim Wright) did his brilliant magic comedy act. I always enjoy seeing Tim when he performs at the Magic Castle, so it was a real treat to see him here. Throughout the evening, emcee Mike Caveney performed tricks, including a routine with a young volunteer from the audience that was truly hysterical. David Charvet, assisted by Lisa Patire, closed the show with some classic magic.
Following the show, the performers signed autographs in the Franke lobby. We then all gathered in the dealers room for dessert reception.
May 31
While the big show was the official end of the weekend, it was not over for those who stayed on for an extra day (including me). From the stage of the Franke Center, Potter & Potter held their auction of "Old and Rare Magic Books." It was exciting to be there with all the heavy hitters, both in the room and on the phone (two phone bidders took most of big ticket items). One lot I was watching was a rare Russian Houdini book, which sold for an estimate busting $7000. (Read more about that here.) The highest price realized was an astounding $45,600 for a copy of Discoverie of Witchcraft, considered to be the first book on magic.
Before I left town, I made one last stop at the museum archives. Alex had told me he found some more Houdini material that I could look through if I liked. Yes please! Waiting for me was a table filled with file folders, and I plunged in. I came across some real treasures that even the museum didn't know they had. One discovery is of major historical significance, but I will leave it to the museum to reveal it when and how they want. Before I left, Alex made me copies of a few rare photos and letters, some of which I will be sharing here on WILD ABOUT HARRY. (Watch for: "The photo Houdini didn't want you to see.")
My heroes Alex and Keli Hindenach of the American Museum of Magic.
It was late afternoon when I left Marshall, but I still had time for my planned photo safari of Houdini's Detroit before I had to catch my flight home.
My first stop was the site of Grace Hospital, where Houdini died on October 31, 1926. The old Grace Hospital was torn down in 1979 and replaced with the Harper Professional Building at 4160 John R St., which is part of the larger Harper University Hospital complex. It struck me that, unless the streets have changed, Grace probably sat in what is now the parking lot.
After taking a few pics, I slipped inside and had a look around. In the main lobby of the larger hospital I chatted with a friendly and helpful security guard. He told me that a Staff Only area had on the wall some historical information about the building being Grace and Houdini's death. I quipped, "This is the only place he never escaped." That cracked him up, and something tells me that's not the last time that joke will be told there.
Just a few blocks away is the building that once housed Wm. R. Hamilton's Funeral Home where Houdini was embalmed. That building is still standing at 3957 Cass St., although it appears to be abandoned and may not be standing for long. Recent pics of the funeral home show it from Cass St. But if you walk around the corner, you get a better perspective on the building and can see what was most likely the main business entrance in 1926.
I was running short on time, so I decided to skip the Garrick Theater, which stood on the site of what is now the David Stott Building at 1150 Griswold St. Instead I made a dash for the MacArthur Bridge, which in Houdini's day was the wooden Belle Isle Bridge. This is where Houdini made his 1906 bridge jump, but the location has become more famous as being the supposed site of his fabled entrapment under the ice.
I was now in big trouble time-wise, so I only had time for a quick photo of the bridge before I had to race back to the airport and catch my flight home (I just made it).
The Midwest Magic History Weekend was one of the best magic conventions I've ever attended, and these five days proved to be an amazing Houdini vacation for me. Congratulations to organizer David Charvet and the American Museum of Magic. I'm very honored to have been included in this magical event.
William Lindsay Gresham's important 1959 biography, Houdini: The Man Who Walks Through Walls, is now available for the Amazon Kindle. The book has been out of print since 1975.
Houdini: The Man Who Walked Through Walls, first published in 1959, is a fascinating look at the life and career of magician and escape-artist Harry Houdini (1874-1926). Author William Gresham interviewed many people who knew Houdini personally, adding greatly to the book's accuracy and authoritativeness, and he also reviewed all of the available books, and newspaper and magazine articles on the magician. Gresham explains many of Houdini's illusions, and debunks some of the many myths surrounding the performer. Houdini's interest in the supernatural is examined, as are his efforts to expose the many fraudulent mediums and spiritualists of the time. Included are 8 pages of photographs.
Art gallery Feather and Bone will host a pop up gallery this summer during the 3rd Annual Mile of Music festival in Appleton, Wisconsin. The gallery is looking to showcase works of art related to Houdini and is seeking submissions. Here are the particulars:
"We are seeking artists to create a Houdini inspired piece! Any medium, any style, and any interesting, odd or unusual part of his life that you find fascinating -- take the subject and run with it! Work may be representational or non-representational and may focus on Houdini the man or concepts associated with him, such as Spiritualism, magic, Vaudeville, escapism, and anything else you can think of."
The deadline for entry is July 10, 2015. Artists whose work is accepted will be notified by July 13, 2015. All work will be on display during the Mile of Music Festival, August 5-9, 2015 in downtown Appleton, WI.
For more information on how to submit your work, visit the "Houdini in Art" page at The Art Guide.
A big thank you to Colleen Bak (our girl in Queens) for finding this one.
There has been a change of venue for the June 13th screening of Houdini's The Grim Game in Scranton. The film will now screen at The Houdini Museum instead of the Leonard Theater as previously announced. Members of the Houdini family, including his grand nephew, Jeff Blood, will be in attendance.
The event will include a VIP cocktail party reception with hors d’ourves and an open bar. Posters and memorabilia from The Grim Game and Houdini's performances in Scranton a century ago will be on display before and after the screening.
The Houdini Museum is located at 1433 N. Main Ave, Scranton, PA. Tickets can be purchased by calling (570) 342-5555. No tickets will be sold at the door.
Simon Nicholson's second Young Houdini book, The Demon Curse, is released today in hardcover in the U.S. by Sourcebooks. The book was recently released in the UK in paperback.
Young Harry Houdini is a master magician, an impressive performance artist who dazzles crowds with his daring feats. But when Harry and his friends Billie and Arthur are called to New Orleans by the mysterious Order of the White Crow, the trio is faced with magic of an entirely different kind.
Whispers of voodoo and demonic spells rip through the streets as the city's mayor continues to suffer from a strange, zombified coma. What's more, the town is turning blame on the local fisherman-the very community that helped raise Billie. But it soon becomes clear there are other evils at play, and the three friends know something even more sinister is afoot.
To save the city from this truly terrifying evil, Harry will be forced to pull off his most spectacular escape yet!
Young Houdini: The Demon Curse can be purchased at Amazon.com. No word yet on a Book 3.
TCM's restoration of Houdini's The Grim Game will screen at the historic Stateside at the Paramount theater in Austin, Texas, on Sunday, July 19, at 7pm. This screening will be unique in that composer/pianist Reuel Meditz will accompany the film with his own original score.
Recently I had the great pleasure of attending the Midwest Magic History Weekend in Marshall, Michigan. The event was organized by David Charvet in conjunction with the American Museum of Magic, which is located in Marshall. It proved to be a full 5-days packed with magic history, good friends, and Houdini (of course).
After getting my registration materials and taking a quick pass around the dealers room, I decided to walk over to the American Museum of Magic and get an early look (the next day would be the official tours). The American Museum of Magic was founded by magic collector and historian Robert Lund on April 1, 1978. It's famous in the world of magic, and ever since I first become interested in Houdini, I've longed to visit. Now here I was at the front door.
Houdini: The Man Who Walked Through Walls, first published in 1959, is a fascinating look at the life and career of magician and escape-artist Harry Houdini (1874-1926). Author William Gresham interviewed many people who knew Houdini personally, adding greatly to the book's accuracy and authoritativeness, and he also reviewed all of the available books, and newspaper and magazine articles on the magician. Gresham explains many of Houdini's illusions, and debunks some of the many myths surrounding the performer. Houdini's interest in the supernatural is examined, as are his efforts to expose the many fraudulent mediums and spiritualists of the time. Included are 8 pages of photographs.
