Showing posts with label Leopold Weiss. Show all posts
Showing posts with label Leopold Weiss. Show all posts

Tuesday, January 2, 2024

Milk Can poster sets new auction record at $180,000

Let's kick off 2024 with the big news that happened during my holiday break. 

An original Houdini Milk Can poster sold at Potter & Potter's "Select Secrets" magic auction on December 9th for $180,000 (including buyer's premium). That is a new record for a magic poster. The auction description says this poster originally came from 278 and is one of only five known to exist.

This is easily one of my favorite Houdini posters. It just perfectly captures the drama of this famous escape. In Houdini: A Mind in Chains, Bernard Meyer suggests the imagery is womb-like. Sure, I see that. What I also see are Houdini's brothers doing the locking. The man in the goatee and glasses certainly appears to be Leopold Weiss. I'm betting the other men are Nathan and Bill. Has anyone else ever noticed this?

Another auction lot of note was a copy of The Unmasking of Robert-Houdin inscribed to Terror Island director James Cruze during the production of the film. That went for a not unreasonable $3000.

Want more? You can watch video of the historic sale of this poster as a member of my Patreon below.

Monday, August 29, 2022

Gladys and Leopold headstones return to Machpelah


Fantastic news today! The headstones for Houdini's brother Leopold and sister Gladys have returned to the family plot in Machpelah Cemetery in Queens. This is thanks to Dorothy Dietrich and Dick Brookz of the Houdini Museum in Scranton, PA, who worked with David Jacobson at the cemetery to make this happen.

The original headstones were badly damaged by vandals in 1994 and have remained absent all these years. These are new headstones in the style of the originals. They look great! While the headstones are in place now, a formal dedication will be held at a later date.


Gladys and Leopold were the last family members to be interred at Machpelah. Both were cremated. Gladys died on December 31, 1958 and was buried January 21, 1959. Leopold committed suicide on October 6, 1962. His ashes were buried on February 3, 1963.

You'll recall that Dorothy and Dick also restored Houdini's bust to the exedra in 2011. They have continued to be caring custodians of the Machpelah plot. In fact, Dorothy was recently named chairman of the S.A.M. Houdini Gravesite Committee.


Tuesday, April 2, 2019

Poster for Houdini's Water Torture Cell play to be auctioned

Potter & Potter's upcoming auction of "The Magic Collection of Ray Goulet" will include a likely one-of-a-kind Houdini rarity. It's a broadside for his 1911 playlet, "Challenged" or "Houdini Upside Down". This was the short play Houdini performed only one time for the purpose of licensing his yet-to-be-revealed Water Torture Cell. The poster, which I've never seen before, reveals some fresh details about the play, including that Houdini's assistants and brother Leopold were part of the cast. And it's signed! Below is an image and the full auction description.

A SIGNED HOUDINI RARITY

Houdini, Harry (Ehrich Weisz). Hippodrome Southampton. Houdini “Challenged”. Southampton: What’s On in Southampton, [1911]. Letterpress poster advertises a matinee performance of “Challenged” or “Houdini Upside Down” at the Southampton Hippodrome. Inscribed and signed by Houdini in the central right blank space: “To my friend John Mulholland/Houdini.” 30 x 20”. Browning, restored losses at folds affecting parts of the text, a few chips and creases. Laid down to Japan. The only known example of this broadside. 
Houdini devised and wrote the script for “Challenged” with the goal of protection in mind – that is protecting his Water Torture Cell from infringement by copycat escape artists. Under British law, theatrical productions appropriately staged, scripted, registered, and performed before a live audience could be protected from infringement by imitators. Consequently, after assembling his cast (enumerated in details on this poster and including his three trusted assistants, James Vickery, Jim Collins, and Franz Kukol), the props, and booking the theatre in which to perform, Houdini staged the “playlet,” just once, on April 29th, 1911 in Southampton. 
According to Houdini scholar Patrick Culliton, the show may have been staged for an audience of just one, as the one guinea price of admission was an outrageous sum at the time. Interestingly, the Water Torture Cell is here described as an “aquarium,” and part of the poster suggests that Houdini will also be locked in a rubber bag which will then be tossed in the tank, from which he will escape. In his regular vaudeville and music hall turns, the bag was not part of the act. 
The broadside is inscribed and signed by Houdini to the scholarly magician and editor of The Sphinx magazine, John Mulholland, a fellow New Yorker, dedicated magic collector, and a sometime visitor to Houdini’s home as a young man, where he undoubtedly learned to appreciate the value of rare and precious magical artifacts.

The auction estimate is $15,000 - $25,000. But for something this unique and important to Houdini history, the sky could be the limit.

"The Magic Collection of Ray Goulet" will take place on April 27, 2019. For more details visit Potter & Potter Auctions.

UPDATEHoudini "Challenged" poster sells for $18,000.

Related:

Thursday, November 8, 2018

Mystifier, Third Quarter 1995

Continuing my issue by issue look back at the Mystifier, the newsletter of the Houdini Historical Center that ran from 1991-2003.


The Third Quarter 1995 Mystifier begins with an article by curator Benjamin Filene about Houdini's first partner Jacob Hyman and his continued use of the "Houdini" name during his own solo career. The matter came to a head in February 1903, as covered in the Springfield Republican:

The paper reported that Hyman, performing as "Houdini" had, as usual, challenged members of the audience to bring him handcuffs from which he would break free. When a pair was produced and locked onto his wrists, however, he could not extricate himself –– and for good reason. The handcuffs had been submitted by Dr. Leopold Weiss, Harry Houdini's brother. Weiss and his lawyer had come from New York expressly to foil Hyman. The Republican reported that Leopold "is said to have threatened to follow [Hyman] and bring him unopenable handcuffs until he drops the name Houdini."

The newsletter continues with an article about Dorothy Young's appearance at the 57th Houdini Club of Wisconsin Convention, held that year in Appleton. It also includes a very nice photo of Houdini with Dorothy and his other females assistants in 1925 (one that I've not seen reproduced elsewhere).

Wisconsin researcher Larry Wilden returns with "sequel" to his terrific look at Houdini in Milwaukee from First Quarter '95 issue. This time Larry covers Houdini's appearances in the city in 1912 and 1923. But he also includes a terrific gem about Houdini's boyhood from a 1912 interview:

During his engagement, Houdini was the darling of the press, granting numerous interviews, and conducting tours of his boyhood haunts. He told reporters about stealing eggs with his brother Theo and cooking them over a makeshift fire on the roof of the Plankinton House hotel. He also recalled selling issues of the Milwaukee Sentinel featuring stories of the disastrous Newhall House fire in 1883.

A report on the production of a new Houdini documentary by Gene M. Gamache and Coyote Pictures follows. The crew came to Appleton to interview Dorothy Young. The Museum shop also announces a new "Free Houdini" puzzle created by the The Magic Box Company, and a Houdini Historical Center watch.

Sid opens his "Backstage" column reviewing the Houdini Club of Wisconsin Convention. He also shares an item from Variety about Ray Stark's big budget Houdini movie beginning production in Spring 1996. This news was submitted by yours truly, and Sid adds:

John, who has an insider's view of movie making, cautions that "all news of a Houdini movie must be taken with a grain of salt. I've been disappointed in the past." [And I was again.]

Sid then announces that the Official Houdini Seance will be held in Holyoke inside the very building that once housed a police station where Houdini broke out of manacles in 1895. (Sid always characterized this as Houdini's very first police challenge, but it was not.) He wraps up with the news that Ken Silverman is finishing up his biography with an eye towards a Fall 1996 release. "It will be the most definitive book ever written about Houdini, with lots of previously unknown information." True enough!

Mystifier
Volume 5, Number 3
Third Quarter, 1995
6 pages

Contents:
Other Houdini
Dorothy Young Unveils Houdini
Houdini's Return to Milwaukee
Houdini Documentary Filmed
Museum Shop
Backstage with Sid Radner


Related:

Tuesday, September 4, 2018

Guest blog: Leopold and Sady Weiss: Why Houdini Wasn’t Happy

Today I have a fantastic guest blog by historian and author Jack Sanders about the marriage and divorce of Houdini's brother, Dr. Leopold Weiss, and his wife Sadie (or Sady, as she became). This is groundbreaking research--which Jack has also posted to his blog Old Ridgefield--that adds much fuel to the speculative fires about the Weiss family drama and Houdini's dislike of his sister-in-law. Jack also finally settles the question of who actually owned the famous estate in Ridgefield, Connecticut. Enjoy.

Leopold and Sady Weiss:
Why Houdini Wasn’t Happy
by Jack Sanders 
For decades stories have circulated about Houdini’s visits to his brother in Ridgefield. Some reports have gone so far as to maintain the world-famous magician practiced his underwater escape tricks in a pool at the grand Sunset Hall estate on Old West Mountain Road. However, there is evidence Houdini wouldn’t have set foot in that house, which belonged not to his brother, but to his hated sister-in-law. 
"Sady" Weiss in 1927.
The brother was Dr. Leopold Weiss, a pioneer in the field of medical radiology. The sister-in-law was Leopold’s wife, Sadie — later Sady, a Manhattan fashion executive who owned Sunset Hall for six years. Born in 1877 in Appleton, Wisc., Leopold David Weiss was the youngest of six children of Rabbi Mayer Weisz and his wife, Cecilia, natives of Budapest. One of the five Weisz brothers, Ehrich, went by the name of Harry Houdini. 
Dr. Weiss, who was called Leo, became what some reports say was the first radiologist in New York City. He started his practice from Houdini’s brownstone in Harlem shortly after the turn of the 20th Century.

The Weiss family members were close and often gathered together. But in 1917, the family was in turmoil. 
Sadie Glanz Weiss had divorced her husband, Nathan Weiss — brother of Leopold and brother of Houdini — and 10 days later, she married Leopold. 
Houdini was heartbroken as well as furious over what he considered scandalous mistreatment of Nathan. 
“The precise details of the family drama are not entirely known, but Houdini's displeasure took many forms, including cutting Leo’s head out of family portraits and forbidding his burial in the Weiss family plot,” said John Cox, a longtime student of Houdini. 
Accounts do not specifically mention Leo’s being disinherited, but do say that Houdini’s will specified that none of his estate should “ever directly or indirectly go to Sadie Glantz Weiss, the divorced wife of my brother Joseph Nathan Weiss, and the present wife of my brother, Dr. Leopold Nathan Weiss.” 
Sadie Weiss, who by 1928 was spelling her name Sady, was a New York City fashion designer and executive. The daughter of Hungarian parents, she was born in New York and married Nathan Weiss in 1899 when she was about 22 years old.  
In 1912, she and her sister, Anna Bruck, established the Bruck-Weiss Millinery, which by 1918 was “the largest exclusive millinery shop to be found on either side of the Atlantic,” according to a contemporary trade publication. The firm owned a 10-story building just off Fifth Avenue, and occupied most of the floors, selling not only hats, but other articles of clothing for wealthy women. 
“The interiors are finished in old ivory, after the period of Louis XVI, with reproductions of needlework tapestry, and festooned crystal chandeliers of the same period,” the “Illustrated Milliner” reported. “Rich Chinese rugs ornament the beautiful parquet floors, while the curtains are of extraordinarily fine Belgium laces…” 
Sady, who was referred to in the press as “Madame Weiss,” believed women should have a clothing philosophy. “Until a woman has a well-established idea in her mind of just what clothes she can wear, she is unsettled, drifting,” she said in a 1928 interview published in newspapers across the country. “A clothes philosophy is almost as important in a woman’s life as a career.” 
In November 1924, Sady Weiss bought the Ridgefield mansion of James Stokes, a place today called Sunset Hall. A Manhattan banker who was a pillar of the YMCA movement, Stokes had built the huge, 10-bedroom house on Old West Mountain Road in 1912 and died six years later. Sady Weiss purchased the place from a niece who had inherited it. Houdini’s brother Leopold was not mentioned in the deed or in any deeds involving the property. 
Sady Weiss held on to the house until 1931, when she sold it to Ruth Cutten.

Meanwhile, the same year Sady bought Sunset Hall, Houdini wrote his will, excluding her from any inheritance. 
On Oct. 31, 1926, Houdini died of peritonitis from a burst appendix. 
Thus, there were less than two years when Houdini could have visited Sunset Hall — between December 1924 and his death on Halloween, 1926. 
For all this period, he is known to have hated Sady Weiss and was reported to be estranged from his brother as well. 
Why then would he have visited Sunset Hall — Sady’s house?
Houdini scholar Cox has also found evidence that Leopold may not have thought much of his brother Houdini. An interview with a woman who knew Leopold’s office nurse revealed that Dr. Weiss did not speak well of his brother. She reported Leopold had said Houdini “was an embarrassment to the family because he was a magician.”

Cox wondered about this. “Possibly Leo felt entertainment was a lowly profession compared to his own,” he wrote. “Or maybe the hard feelings between the brothers went both ways. But it’s fascinating to hear what Leo had to say because, until now, we’ve only heard Houdini’s side of the feud.”

Compounding the mystery of whether or why Houdini would visit Ridgefield is the account of Richard E. Venus, former Ridgefield town historian. In a Dick’s Dispatch column in The Ridgefield Press in 1987, Venus wrote that Houdini and his wife, Bess, “spent many weekends at his brother’s Ridgefield home. I recall seeing him as he stopped in the local stores on a Saturday morning. On one occasion, I sold Houdini a Ridgefield Press.” 
Adding still more to the mystery is the fact that Sady and Leopold themselves were not on the best of terms during the 1920s, according to testimony during their 1932 divorce proceedings. 
The divorce battle was ugly. Leopold, who brought the suit against Sady, charged that she would spend weekends at Sunset Hall and another country home she had in Ossining with either of two boyfriends 20 years younger than her. Sady’s butler told Leopold he often served Sady and her lover breakfast in bed. One boyfriend was named “Locke Lorraine,” according to the suit. 
Leopold also:
  • Maintained that he gave Sady the money to establish Bruck-Weiss, and that in return she agreed to pay him $8,000 a year for life, but did so for only three years.
  • Claimed he was broke now and wanted not only the promised payments, but also half of the $115,000 she got from selling Sunset Hall. (That selling price equals about $2.1 million in today’s dollars). 
Sady in response charged that:
  • Leopold “persuaded her to get a divorce” from Nathan Weiss, and then turned around and refused to marry her unless she gave him $100,000 and half her interest in Bruck-Weiss.
  • Soon after they were married, he started abusing her and threatened to ruin her clothing business. “To keep the peace she agreed to give him $8,000 a year for life and did pay him that for three years,” said a newspaper report of the divorce proceedings.
  • Leopold finally walked out on her in 1930, despite the fact that throughout their marriage, she had supported him with her money. 
    After their divorce — whose settlement is unknown — Sady lived on West 59th Street in Manhattan until her death in 1935 at the age of 54. 
    Leopold continued his radiology practice until 1949 when he retired because of increasing blindness — due, it’s been suggested, to his exposure to x-rays. He eventually began running low on money and on Oct. 5, 1962, Dr. Weiss jumped off the roof of his apartment building, killing himself.

    “Leo left all his worldly goods to his long-time, former nurse, Marguerite Elliott,” John Cox reported. “But Marguerite’s husband forbad her from accepting, so all that was left of the last living Weiss sibling was thrown out.” 
    Even though Houdini had supposedly banned him from the family plot in Machpelah Cemetery in Queens 38 years earlier, Leopold was buried there.

    The whereabouts of Sady’s remains are unknown.

    If you have any more information on Sady, Leopold, or Ridgefield history in general, contact Jack via his blog Old Ridgefield or website Ridgefield History. You can also find him on Twitter @jacksanders and on Facebook at Old Ridgefield.

    Thank you Jack!

    Related:

    Friday, August 24, 2018

    Houdini vs. Captain Smith and the Success

    Houdini's escape from the convict ship Success on June 4, 1913 is not one of his more widely known challenge escapes. This could be because no photos from the stunt have survived. Nevertheless, this is one of his great escapes, and it's a story worth telling in detail. And while no photos exist, film footage does! But I'll get to that.


    The Success was a former Australian convict ship commanded by Captain David H. Smith. In 1911, it came to the United States to tour as a floating museum and tourist attraction. For fifty cents, visitors could view shackles and torture devices on deck, and go below to see cells containing wax figures of prisoners in restraints. There was also the infamous "Black Hole" in the stern of the ship; two solitary confinement cells two-feet square in which a prisoner "could neither sit down nor stand upright." Captain Smith offered $100 to any woman who could remain confined in the Black Hole for a specified period of time. A student nurse from Somerville won the contest and gained local fame by remaining a remarkable 30 hours.

    In the summer of 1913, the Success arrived in New York City and docked at 79th St. and Riverside Drive. It was opened daily 10 A.M. to 10 P.M., and proved to be a popular attraction.

    Meanwhile, an ocean away, Houdini was boarding his own ship, the North German-Lloyd liner Kronprinz Wilhelm. He was headed home to New York where he was set to open at Hammerstein's Victoria on June 2. Here he would present the American debut of his latest invention, The Chinese Water Torture Cell.

    Always keen for publicity, Captain Smith sent a cable to Hammerstein's proposing a challenge. The cable was relayed to Houdini at sea. This resulted in the following spirited exchange:

    ON BOARD CONVICT SHIP "SUCCESS"
    79th St. and Riverside Drive.
    New York City, Wednesday, May 21, 1913.
             Dear Sir:--Hearing you are bringing Houdini back from Europe for a special two weeks' engagement, I hereby challenge your star to escape from one of the cells on board the historical Convict Ship "Success."
             If you will allow me to manacle him, lock him into one of the cells, I am ready to wager that he will not escape.
    (Signed) D.H. SMITH, Captain.
    Radio Mid-Ocean
    ON BOARD N.D.L. KRONPRINZ WILHELM
    Friday, May 23, 1913
            Accept challenge any time mutually agreed upon to undergo test. Want no favors, but demand fair play.
    (Signed) HOUDINI.
    HOUDINI, N.D.L. KRONPRINZ WILHELM (Via Wireless)
    New York City, Saturday, May 24, 1913
            Will give you fair play. Come to Convict Ship "Success," 79th St. and Riverside Drive, Wednesday, June 4, one-thirty P.M., prepared to undergo test, which I feel certain will be the most difficulty one you have ever undertaken.
    (Signed) CAPTAIN SMITH.

    The merging of these two New York summer attractions was inspired, and the challenge was well advertised. On Wednesday, June 4, Houdini arrived at the appointed time, as had a large crowd to witness the contest. The wager between Captain Smith and Houdini was set at $1000. A much later account in the Lewiston Journal claimed Houdini first escaped from shackles and a straitjacket while hanging from the ship's yard arm, but I've found no evidence to support this.

    Captain Smith first brought Houdini to the Black Hole. But Houdini refused. "I wouldn't go in your Black Hole for $1000," he said. Instead, Houdini was locked in one of the "refractory" cells on the lower deck. Here the heavy cell doors were made of ancient teakwood and six inches thick. He was also manacled and secured to a ringbolt attached to the hull.

    The New York Evening Telegram reported that it took Houdini one hour and forty-five minutes to escape, then:

    In some mysterious way he gained his freedom through one of the portholes of the old ship, and the first news of his escape came from the hundreds aboard and ashore when, with a cry of triumph, Houdini, broken chains and fetters still clinging to legs and arms, dived into the waters of the Hudson and swam about until picked up by a boatman.
    Captain D.H. Smith, who commands the Success, was as discomfited over the escape of Houdini as the latter was elated.

    As I said, there are no photos from this day (that I'm aware), but there is film! Newsreels were on hand to record the event, and this footage, which has never been shown in any documentary or made available on any DVD, is housed at the UCLA Film & Television Archive. I recently had a chance to watch it along with Joe Notaro, who first revealed the existence of this footage on his blog, Harry Houdini Circumstantial Evidence. Unfortunately, UCLA does not allow photos, so (like Joe), I'll just have to describe what I saw.

    The footage runs approximately two and a half minutes and starts off with various shots of the Success itself. We see a reenactment of prisoners being marched up the gangway. We also see a variety of restraints and torture implements on deck, including a Spanish Maiden (check out Houdini Escapes and Magic page 313 for a similar case).

    Following a static card explaining the $1000 challenge, we see Houdini and Captain Smith posing with a group of men. Houdini is wearing a dashing hat (which can be seen here), and is grinning broadly--so much so his upper lip seems to fold over his teeth--a true Cheshire Cat grin. He looks sensational and you can really feel his charisma coming off the screen.

    Wax figure in a Success cell.
    We then see Houdini, having escaped, swimming in the water fully clothed. What's interesting is he's dragging along one of the wax convict figures, as if he broke out his "cell mate" as a joke. I've not found any mention of this wax figure in any newspaper accounts of the stunt. Again, he's smiling broadly the entire time.

    Houdini then pulls himself up on a dock, barefoot in sopping wet clothes. Jim Collins stands off to one side with some other unidentified men. Houdini looks powerful and fit as he hitches up his pants and tucks in his shirt. (I'm struck by how he looks very much the same as he does in the 1909 Rochester footage.) Hardeen then briefly steps into frame, waving Houdini forward with a quick jerk of his arm as if saying, "Let's go!"

    The final shot shows Houdini posing in an open top car with a large group of men, including Hardeen. Houdini is still wet and grinning broadly. But what's most striking in this shot (and it took Joe and I a few viewings to catch this) is that Houdini's brother Dr. Leopold Weiss is at the wheel of the car! This is the only film footage I've ever seen of Leopold. There the film ends.

    This footage offers a remarkable document of this fantastic escape, and of the Success itself. It's also likely the last film footage of Houdini before his mother's death just several weeks later, which was said to have changed him noticeably. So I feel like this escape, and this film, captures Houdini at the zenith of his powers and personal happiness. He feels youthful and exuberant, even standing still he beams. But maybe that's because he just won $1000.

    The Success would continue to tour the U.S. for many years. In 1915 it arrived in San Francisco for the Panama–Pacific International Exposition (where Houdini did an overboard box escape). Below is film of Roscoe "Fatty" Arbuckle and Mable Normand visiting at the ship during the exhibition and being shown around by, presumably, Captain Smith himself.



    Years later the Success was branded a hoax -- that it was never truly a convict ship. The ship finally met its end by fire near Port Clinton, Ohio, on July 4, 1946.

    Today the site of the Success challenge is the 79th Street Boat Basin, operated by the New York City Department of Parks and Recreation. It's still home to boats and even the occasional floating museum ship, just like Success.


    Hope you enjoyed this look back at the Success challenge and the description of the rare UCLA film footage, which I hope can be made available for all to see one day. (If you're interested, the exact catalog listing is HERE.)

    But this was not the only film Joe and I watched that day. Check out: A Master Mystery revelation at UCLA.

    Wax figure image is from Richard Norgard's blog The Sailing Ship Success. 79th Street Boat Basin pic courtesy of Tom Frueh.

    Related:

    Saturday, August 18, 2018

    Houdini's Rochester bridge jump


    Houdini's jump from the Weighlock Bridge in Rochester, New York, on May 7, 1907 is best known for being the earliest surviving film footage of Houdini in action. And that's about all it's known for. However, this jump had a lot of very interesting aspects that have gone largely unrecorded in biographies. So let's tell the full story!

    Houdini came to Rochester for a one week engagement starting May 6, 1907 at Cook Opera House. According to the Rochester Democrat and Chronicle, he was there in part to settle a bet with Al C. Buckenberger, manager of the Rochester baseball club. As the story ran, the previous winter Houdini had boasted that he could jump manacled from the Weighlock Bridge and free himself underwater. Buckenberger bet him $1000 he could not. Weather conditions at the time made the test impossible. Now Houdini was there to make good on the wager, despite "still not ideal" conditions. Interestingly, the papers reported that Houdini would not only be handcuffed, but also "sewn into a sack like Monte Cristo."

    Houdini had spent a week in preparations for the jump at his home in New York City. The year before he had gotten a cramp when he jumped from the Belle Isle Bridge into the freezing Detroit river. Now he was resolved to prepare his body for the cold. He began taking a series of ice baths, working his way down to a temperature below 40 degrees. ("Gee it's cold," he recorded in his diary.) His baths where overseen by his physician brother, Dr. Leopold Weiss.

    "Houdini must be in splendid condition or he would never attempt such a performance," a Rochester doctor told the newspaper. "A sudden jump into this icy bath means a tremendous shock to his nervous system. He'll be shakin', and he'll need a beer when he comes upon the land, unless I am greatly mistaken."

    The papers also reported that Houdini's mother was "greatly concerned at the prospect of her son's hazardous performance" and that "she decided to come to Rochester with him, and will be on the scene when he jumps from the bridge." This is a rare mention of Houdini's mother attending an outdoor stunt. But there is a famous photo of Houdini and Mama on a Rochester street, with Houdini kissing her on the cheek. (Houdini later misdated the photo as 1908.)


    Cook Opera House did a fine job promoting the stunt, running continuous ads both large and small in the papers. One dramatic ad ran the length of an entire page.

    The day before the stunt, Houdini visited the bridge with reporters and did a practice jump without handcuffs. This, he explained, was so he could test the water temperature and depth. "He got plenty of information about the bottom," the papers reported the next day. "When he climbed out he was covered in mud up to his knees." Because of this, Houdini decided to abandon the idea of being sewn into a sack (if he was ever serious about it). "I hardly think I shall be able to use a sack, as the deep mud would make it almost impossible to extricate myself from it," he explained.

    This practice test is a curious thing, but it appears to have been a regular feature of Houdini's early bridge jumps. Before jumping into the Allegeg from the Seventh Street bridge a week later, he also did a practice jump.

    The day of the jump a reported 10,000 onlookers gathered along the canal. Police kept people from crowding onto the narrow bridge itself, saying it was too dangerous. Houdini arrived at 12:30 and stripped down to a pair of white shorts. He was then manacled by a police officer with two pair of handcuffs. He climbed to the top of the bridge truss, and jumped. Fifteen seconds later he was free and swimming to shore, balancing the handcuffs on top of his head so he could swim with both arms.

    For all the hype, the escape itself received a somewhat modest report in the Democrat and Chronicle under the headline "Handcuffed, Leaps into Canal." The paper didn't run any photographs, but on that score, Houdini had made his own arrangements.

    Houdini had employed Eastman Kodak to film the escape. The company appears to have used two cameras, one on the bridge with Houdini during his shackling, beautifully capturing Houdini in his prime, and the other from a distance to film the jump. (Or it's possible the cameraman relocated for the jump as there is no other cameraman visible on the bridge in the long shot.) The speedy film developing was a magic trick in itself, and on the night of May 9th, the film was shown to audiences at Cook Opera House.

    Incredibly, the film has survived. And here it is:



    The exact location of Houdini's jump is a little hard to fathom today. "Weighlock Bridge" was not a formal name, but more of a description -- the bridge over the weighlock. But the weighlocks are still there, and newspapers accounts say the bridge being near Court Street, so the below is a likely candidate.

    View on Google Maps.

    Houdini finished out his week in Rochester with challenge escapes. He then moved on to Buffalo where, no doubt, he exhibited his escape footage. In fact, Houdini would continue to film his outdoor stunts and show them before his act for the remainder of his career. So Rochester was a true first in that regard.

    But for Houdini personally, the Rochester escape was most memorable for one reason. That night he wrote in his diary, "Ma saw me jump!"

    Related:

    Sunday, August 5, 2018

    Dick Cavett lives in former home of Leopold Weiss


    A profile of Dick Cavett in The New York Times reveals that the famous talk show host now lives in the former home of Houdini's brother, Leopold Weiss. The Ridgefield Connecticut estate is known as Sunset Hall and is listed on the National Register of Historic Places.

    The house, a 1912 Georgian, towers atop a leafy hilltop past an ornate iron gate. Mr. Cavett, who never knew a name not worth dropping, seems pleased at its celebrity lineage: the film and television star Robert Vaughn and Harry Houdini’s brother both lived there. Houdini, he said, “used to practice his underwater escapes in manacles and chains in the pool,” a fact that delights him, because he was an avid magician as a child.

    Houdini and Leopold had a famous falling out in 1917. Leo eventually sold the house and ended his days in an apartmet in Inwood, New York.

    UPDATE: Don't tell Dick Cavett, but it sounds like Houdini wouldn't have been caught dead in this house. And it sounds like Leo wasn't all that welcome either! Read: Guest blog: Leopold and Sady Weiss: Why Houdini Wasn’t Happy.

    Related:

    Friday, June 22, 2018

    To Gladys from Bess Houdini

    Fifteen years ago Bill Bremer, a postcard collector in Texas, unearthed a cache of 36 postcards sent to Houdini's sister, Carrie Gladys Weiss. All this week I am sharing select cards from this remarkable collection. [Read the full story of Bill's find here.]

    Today I wrap things up with three incredible cards from Bess Houdini herself. This is appropriate as today is Harry and Bess's anniversary (I didn't even plan it that way). There is so very little written by Bess during Houdini's lifetime that anything in her hand is gold, and these cards have some great content. So let's get at 'em.

    The first card is from Kansas City on Sept. 8, 1915. It's addressed to Gladys at 315 West 98th St. in New York, where she and Leopold now resided. The card was written while Houdini was on a coast to coast vaudeville tour that year.

    Kansas City - MO
    9-8-15
    Lots of love to you both. I wish I was in Flatbush where I belong
    Ever your sister
    Bess

    When Bess speaks of "Flatbush," she is taking about home. Harry and Bess had moved out of 278 and in with the Hardeens in Flatbush the previous year. So she appears to be homesick. Or maybe her comment here has something to do with the date. Sept. 8, 1915 was the day Houdini performed what is believed to be his first suspended straitjacket escape. So perhaps her wish to be elsewhere is a sign of her nervousness that day?

    Bess seems to have found peace a month later in Seattle, Washington, where she sent this card on October 20, 1915.

    Hello Gladys
    I've got a lovely little flat here and am some busy.
    Lots of love to all
    Bess

    It's interesting that she says I've got a lovely little flat, not we. This card was sent while Houdini was playing the Orpheum Theater at 3rd & Madison in Seattle.

    In Bill's collection there is a third card from Bess, this one sent to Leopold from Denver, Colorado, on December 30, 1915.

    Dear Doc
    Merry Xmas and a very Happy New Year.
    Harry is doing his outside stunt to-morrow (Thurs.) and Friday this state goes dry, two historical events. Say isn't it too bad Bro. Bill doesn't live here now.
    Lots of love
    Bess

    Bess seems to have recovered from any nervousness about Houdini's suspended straitjackets escapes, at least enough to be able to quip that his upcoming escape (from the Denver Post building on Dec. 30) was a "historical event." Of course, she turned out to be right about this!

    Her mention of the state going "dry" refers to a prohibition on alcohol that Colorado and six other states (Iowa, Oregon, Washington, Idaho, Arkansas, and South Carolina) instituted on December 31, 1915. Bess mentioning brother Bill in this context is likely a joke as Bill was said to be quite a drinker (his nickname was "Lobster Bill").

    Please join me in thanking Bill Bremer for sharing with us his incredible find. Below are links to all the posts.

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    Tuesday, June 19, 2018

    To Gladys from brothers Leopold and Nathan

    Fifteen years ago Bill Bremer, a postcard collector in Texas, unearthed a cache of 36 postcards sent to Houdini's sister, Carrie Gladys Weiss. All this week I am sharing select cards from this remarkable collection. [Read the full story of Bill's find here.]

    Today we have a two postcards sent to Carrie Gladys from her brothers Leopold and Nathan Weiss. The first card from Leo was sent from the White Mountains in New Hampshire and is postmarked Sept. 1, 1912. Leo addresses it to Gladys at 278, where she and Leo were living at the time. As you can see, "Doc" enjoyed his nature hikes.


    This next card from Nathan is the only correspondence I've ever seen from him. It's sent from Jacksonville, Illinois, and postmarked April 8, 1914. This one is addressed to Gladys at 250 West 54th St. in New York. This appears to have been her workplace, Zieglers Magazine, a monthly periodical written in Braille for the blind. (The E. Matilda Ziegler Foundation still exists today). Not sure what the reference to Nesselrode Pudding is all about. I suspect Gladys was a fan!


    Tomorrow I'll share postcards to Gladys from the "Monarch of Manacles" himself...

    Related:

    Friday, July 14, 2017

    The owners and occupants of Houdini's 278


    The big news of the last month is that Houdini's famous New York brownstone at 278 W 113th Street in New York City is on the market for the first time in 26 years. Having looked at the house inside and out, top to bottom, today I take a look at the history of the house and its various owners and occupants. Including a few ghosts!

    At the time of its construction, "278" (as Houdini called it) was located in what the New York Times described as a "genteel enclave" of Harlem. Indeed, both Central Park and Morningside Park are within a few blocks, and it's said the area was populated with affluent German speakers. But exactly when 278 was built isn't entirely clear. Real estate websites such as Zillow show the date as 1890. But the earliest real estate listing for the house (and several others on the block) appears in the New York Herald on April 5, 1896. Interestingly, it reads "restricted."

    New York Herald, April 5, 1896

    The first occupants of 278 appear to have been Thomas K. Moore and his wife M.E. Moore. They are the ones selling in 1896 and may have been the original builders. The house is still on the market in May 1897. (You can see that listing here.) On May 2, 1899, the house was purchased my Moses Kahn, his wife Henrietta Kahn, and Theresa Goldsmith with a $10,000 mortgage from Seamens Bank.

    The 1900 census shows David Lubin, a Polish inventor and agriculturalist, living at 278 with his wife, Flora, and their four children. It's likely the Lubins were renters. On January 28, 1902, a fire broke out on the second floor, resulting in $75 worth of damage to the building and $135 damage to the contents. The Lubins are still in the house as late as 1903.

    278 in Houdini's day.
    In 1904, Houdini bought the house for $25,000 cash (purchase price $20,000 plus $5000 still due on the mortgage). Houdini boasted it was "the finest private house that any magician has ever had the great fortune to possess." But he was really purchasing 278 as a new Weiss family home, and especially as a luxurious new home for his mother. It was a big step up from their previous dwelling at 305 East 69th Street. During these years, Harry and Bess were continually on tour, so 278 was open to any Weiss or Rahner in need of a room. Houdini even once referred to it as "my apartments."

    278 also became the home and workplace of Houdini's brother Dr. Leopold Weiss (well before the brothers had their famous falling out). Leopold was New York's first radiologist, and he set up his practice in the house. In 1907, Leo survived an attack by an intruder wielding a razor. The papers reported on the incident and later the capture of the assailant, Frank Thomas. But none of the newspapers mentioned Harry Houdini as the owner of the house.

    In July 1913 Houdini's mother died. Her death devastated him. Several months later, Harry and Bess moved in with the Hardeens in Flatbush and put 278 up for sale at a "sacrifice" price of $18,000. Below is the listing in the August 23, 1914 New York World.

    New York World, Aug 23, 1914.

    Why did Houdini want to sell? Most biographies say the house just contained too many memories of his mother. This sounds perfectly valid. But Houdini collector Jon Oliver (who owns furniture from 278, including Houdini's bed) says Harry Hardeen Jr. told him the real reason was that mama's body had remained in the parlor for a full week that it took Houdini to return from Europe, and the smell made the house uninhabitable. This might explain why the house never sold. Instead, he rented it out to student members of Sigma Alpha Mu, a Jewish fraternity at nearby Columbia University.

    Either the house had a good airing out or Harry was finally able to shake his grief, because after four years with the Hardeens [read: The Flatbush years], Harry and Bess moved back into 278 in February of 1918. In July, Houdini transferred ownership of the house to Bess. Because of this, some newspapers mistakenly reported that Houdini "has just purchased a new home in Harlem."

    Houdini then made 278 the home and "Houdini Central" that it had never really been before. At one point, Bess's mother Balbina Radner moved in permanently. The house also saw a succession of live-in maids and no shortage of animals. Visitors spoke of the trick front door that opened from the hinges, and also the fact that Houdini had wired the house for sound so he could amaze visitors with his "mind reading" prowess. Stacks of books and files filled every available space. Houdini once said, "I actually live in a library."

    In fall of 1926, as Houdini was embarking on his tour, he reportedly stood outside 278 in tears. When Joseph Dunninger, who was driving him to the train station, asked him what was wrong, Houdini replied that he had seen his house for the last time. He was right. Houdini died that Halloween.

    Six months after Houdini's death, Bess sold 278 to her neighbors, John and Filippina Bonanno for just $3000. A mortgage was arranged that had the Bonannos making twice yearly payments to Bess with 6% interest. While Bess had (amazingly) cleared the house of Houdini's collections, donating them to the Library of Congress and the New York Public Library, she left furniture and Houdini ephemera (including a Milk Can) in the basement. This appears to have been fine with the Bonannos, and everything remained there well after Bess's death in 1943.

    Rose Bonanno, who knew Houdini when she was a child, was a good custodian of Houdini history. She did not make radical changes to the house, keeping as much of the original woodwork and period fixtures as possible. The house even remained on D.C. current well into the 1980s. In 1953, she welcomed Houdini producer George Pal to the house, whom she felt bore a resemblance to Houdini. Dunninger and Blackstone were also visitors.

    Rose also allowed Houdini séances to be held in the house. During one séance in 1949, Rose claimed to receive a phonecall from Houdini who instructed the sitters to look at "Paper Magic, page 118, Fig. 12." (There is no Fig. 12 on page 118.) A photo of the last séance, done as a live Halloween broadcast in the early 1970s, appeared in Walter Gibson's The Original Houdini Scrapbook.


    Rose kept up her twice yearly payments (in June and December) to Bess's sister, Marie Hinson, who had inherited the mortgage. With each payment, she included a friendly note. In one she wrote that she recently read Houdini The Untold Story by Milborune Christopher. "It is not a bad misinformed book," she told Marie. "He wrote nice things about him."

    But her letters also sadly track the downfall of the area. In 1972 she wrote:

    "We are all fine and always working hard to keep the house up but the neighborhood is in a deplorable condition. It's more like a slum, everyone back and front of houses, houses boarded up and windows broken and plenty of fires."

    When Rose died on September 19, 1978, her brother, Rev. Charles Bonanno, inherited the property, but was unclear where the mortgage stood. "You see my sister died so sudden that I am not familiar with her debts and income," he wrote to Marie, now 92.

    With the help of Marie's son, Vincent, Charles paid off the remainder of the mortgage ($750) on July 10, 1979. Now in a nursing home himself, he was eager to sell, but found it difficult. "On fifth avenue it would be worth a good deal but not in Harlem," he complained to Marie. "The section is very poor full of drug addicts and muggers." Indeed, the area had become so bad, the man who watched after the property would cover the front steps with lime to keep the junkies off them.

    At one point Charles reported that he might have a possible buyer from the world of magic.

    "Got a call from Rochester from a Mr. Peter Ruff (Houdinii) uses Harry's name with a extra "i" to his name, wants to buy the house if the price is right. I don't know what to say as I have no idea what to charge for it, have you ?? Hope I get a buyer soon as I can't hold out too long with the tenants in it taking advantage of my absence from the house and doing what they want."

    Charles eventually sold the house in April 1980 to Louis Moise. At this time the basement was finally cleared and its contents and auctioned off in a general estate sale in New Jersey. Houdini buffs in the know walked away with countless treasures, including posters and portraits of Houdini's mother and father. (Read: The greatest Houdini auction ever.)

    But treasures remained. In 1985, magician and Houdini buff Dixie Dooley paid a remarkable visit to the house (covered in his book, Houdini Question Reality). At this time, the house had a tenant named Mr. Wilkes. Wilkes did not allow Houdini fans into the house, but on this stormy night he made an exception for Dooley. In fact, not only did he allow the magician to see the entire house, but in a story that makes all Houdini fans green with envy, he gave Dixie posters, a printing block, an overboard box and a spirit table, all of which had somehow been lingering in the house all these years. Wilkes refused money for the items. The fact that Dixie promised to "treasure them" was good enough for him. He then told Dixie that the spirit of Houdini was a regular visitor. "One night he turned the lights on and woke me up from a sound sleep," said Mr. Wilkes.

    In 1991, Fred Thomas purchased the house from Louis Moise. Thomas claims he had no idea it was Houdini's former home until his neighbors told him so. But Thomas shut out Houdini fans and historians, saying, "People are always outside taking pictures of the house. I've developed a callousness." A profile of him in the Daily News was headlined: "Hey, Houdini fans, leave this poor man alone."

    Thomas lived on the first two floors (Garden and Parlor) and turned the top two floors into rental apartments. It's said during the renovations a stash of valuable Houdini silent movie posters were discovered in the walls. He also added a call box to the front of the house, which robbed it of any potential status as a historical landmark. (A historic plaque was eventually installed as part of the Cultural Medallion Program). In 2000, Thomas took out a $100,000 mortgage on the house, which was paid off in 2010.

    During Fred Thomas's ownership, the only glimpse of the inside of 278 came when one of the apartment units came up for rent or a resident threw a party. The all-important parlor level, where Houdini had his trophy room and library, remained closed off to all. But Thomas's investment paid off as the area dramatically improved.

    278 today.
    Today 278 is on the market for $4.6 million, ironically returning to its relative value in 1904. On June 18, 2017, there was a one time only open house that finally gave Houdini fans a chance to see inside [covered in detail here]. Happily, much of the house has remained intact, especially the parlor. It's still very much the house Houdini inhabited.

    The sale of 278 is being handled by Douglas Elliman Real Estate. As of this posting, I've not heard of a buyer. But let's hope whomever becomes the next owner of 278 honors its historic connection to the world's greatest magician, and will continue to preserve those parts of the house that have remained unchanged and still hold that Houdini magic.

    A very big thanks to Tom Interval and Bill Mullins for uncovering the pre-Houdini history of 278 and sharing their research. Thanks to Fred Pittella for allowing me to share his 1914 real estate listing. And a very big thank you to John Hinson for providing me with the original mortgage and correspondence between Marie Hinson, Rose and Charles Bonanno.

    UPDATE: HOUDINI'S 278 IS SOLD!

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    Friday, May 5, 2017

    "Houdini's old haunt" going up for auction May 19


    The New York Post reports that the former Ridgefield, Connecticut home of Houdini's brother Dr. Leopold Weiss is going up for auction on May 19. The 10-bedroom home is known as Sunset Hall and is listed on the National Register of Historic Places. It was recently on the market with an asking price of $4.75 million.

    It's debatable how often "Houdini used to chill" (as The Post puts it) at this property. He and his brother Leopold had a famous falling out in 1917. Leo eventually left this house as his fortune and health declined. He ended his days in an apartmet in Inwood.

    You can check out more photos of this house at www.6sqft.com. Happy bidding!

    UPDATE: Historic Ridgefield estate sold one day before auction.

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    Wednesday, September 21, 2016

    The final cut

    Click to enlarge.
    We seem to be in the season of Dr. Leopold Weiss, with the recent discovery of a family Bible and other revelations about the estranged brother Houdini called "Doc." So today I thought I'd share this article from The Bridgeport Telegram dated November 16, 1926, just a few weeks after Houdini's death.

    As we know, Houdini and Leopold had a falling out when Leo married Sadie Glantz, the Hungarian ex-wife of another brother, Nathan. The precise details of the family drama are not entirely known, but Houdini's displeasure took many forms, including cutting Leo's head out of family portraits and forbidding his burial in the Weiss family plot.

    Even after death, Houdini struck, as this article records. Houdini's Will stipulated that the dreaded Sadie, and by extension, Leo, would receive nothing from his estate. Ironically, Leo's own estate at this time may have been larger than Houdini's, which was ultimately declared insolvent.

    Leo's life did not play out so well after Houdini's death. A census taken in 1935 shows him still married to Sadie; but at some point, she vanishes from his life, either by death or divorce. Leo retired from his lucrative practice as a radiologist in 1949 due to increasing blindness (some say caused by repeated X-ray exposure). In 1962 he committed suicide by leaping from the roof of his apartment building in the Inwood area of Manhattan.

    Leo left all his worldly goods to his long-time former nurse, Marguerite Elliott. But Marguerite's husband forbid her from accepting, so all that was left of the last living Weiss sibling was thrown out.

    But Leo scored one victory in the end. Even though Houdini had excommunicated him, he was buried in the family plot in Machpelah cemetery, though today his gave is unmarked due to vandalism. Whatever happened to Sadie in life or death is unknown.

    Leopold and Sadie Glantz Weiss.

    UPDATEGuest blog: Leopold and Sady Weiss: Why Houdini Wasn’t Happy.

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