Showing posts with label 1926. Show all posts
Showing posts with label 1926. Show all posts

Wednesday, August 5, 2026

Houdini's Shelton pool test at 100


"If I die, it will be the will of God and my own foolishness." - Houdini

Today marks the 100th anniversary of Houdini's famous "Buried Alive" test at the Hotel Shelton in New York on August 5, 1926. It was a very different kind of Houdini stunt, as it did not involve any kind of escape. But it was every bit as miraculous, and it garnered Houdini some of the last headlines of his career. It all began with a man named Rahman Bey.

Rahman Bey was an Egyptian fakir who performed feats such as piercing his cheek with a needle, stopping his pulse, and having himself buried alive. Bey was promoted and championed by Hereward Carrington, Houdini's nemesis from the Margery committee, who also acted as his master of ceremonies. Carrington attributed Bey's abilities to mystic powers and his survival in his buried-alive coffin to "a cataleptic trance."

Bey's feats were nothing new to Houdini. They were the standard sideshow fare that he had exposed in his book Miracle Mongers and Their Methods. To prove Bey accomplished his feats by natural means, Houdini offered to repeat his signature stunt of being buried alive. He told the Evening World: "I guarantee to remain in any coffin that the fakir does for the same length of time he does, without going into any cataleptic trance."

Bey normally remained in his casket for 8-10 minutes. But spurred by Houdini's words, he stayed for a full hour while submerged in the swimming pool at the Hotel Dalton. The challenge was on.

Houdini went into training, shedding 13 pounds and working to get his lungs "accustomed to battle without air." With Dr. W.J. McConnell watching over him, he conducted practice tests in the back room of the Boyertown Burial Casket Co., which had provided Bey's casket. Houdini remained in his casket for an hour and ten minutes, but he did not trust the results. He suspected air had somehow seeped inside. So he repeated the test a few days later, submerged in water. What stood out for him during both tests was his increased irritability; but he otherwise felt confident he could duplicate Bey's feat.

Temperature readings from Houdini's second practice test.

Houdini's public test would take place at the Hotel Shelton on Lexington Ave. in New York City, which had a large indoor swimming pool. Houdini sent out invitations to press, friends, and scientists. Among the gathering was mentalist Joseph Dunninger, who can be spotted in some of the event photos, and Houdini's boyhood friend and fellow psychic investigator, Joseph Rinn. Even the hated Hereward Carrington was there to watch the demonstration.

The Boyertown Company provided a new casket that held 34.398 cubic inches of air (larger than Houdini's practice casket). Still, physicians estimated that a human being could only survive for three to four minutes as the container would rapidly fill with carbon dioxide. The coffin was equipped with an alarm bell and a telephone so Houdini could communicate with his assistant Jim Collins on the surface. Houdini's one major concern on arriving was that the pool area was overly warm.


Houdini stripped down to a pair of black shorts. He was then examined by Dr. McConnell, who measured his pulse, respiration, and blood pressure. Just after noon, Houdini lay down in the casket, and the lid was soldered into place. Portholes on the lid were screwed shut, making the casket air-tight. It was then lowered into the pool where it stubbornly remained on the surface until several men stood on the lid to sink it to the bottom.

Because of the warmth, Houdini was not as comfortable as he had been during his practice sessions, and his irritability was "pronounced." At regular intervals, his assistants would gently rock the casket to circulate the air inside. During one of these sessions, an assistant fell off, causing the casket to shoot to the surface and nearly overturn. Houdini feared the casket had sprung a leak. Because the lid had been soldered into place, a serious rupture could see him drown before he could ever be released. The incident left Houdini angry and gasping for air. He had only been sealed for a half hour.

Settling back to the pool bottom, Houdini concentrated on controlling his breathing. Collins relayed the time to him every minute. After 50 minutes, Houdini began panting and was unsure he could remain even for an hour. He repositioned himself at the foot of the casket, recalling from his test data that the air there was a little cooler. He began to taste metal in his mouth. He also felt wetness around his head and realized the coffin was indeed leaking. Finally, the bell rang, announcing to all that one hour had elapsed.


Having beaten Bey's time, Collins asked Houdini if he wanted to be brought up. But Houdini wanted to try and beat Bey's time by at least 15 minutes. The temperature in the casket was now 99.8 degrees. But Houdini found a second wind and remained well past his 15-minute goal. At one hour and twenty-eight minutes, he began seeing yellow lights. He wedged himself sideways, propping the phone against his ear as he began to feel drowsy. Fearing he might fall asleep, he told Collins to haul him up at the one-hour thirty-minute mark no matter what.

At the appointed time, the coffin was raised, and the portholes quickly unscrewed. Houdini said he could feel the rush of air lift him off his back. Tinsmiths then got to work peeling open the casket. Houdini emerged drenched in sweat and, according to some, looking "deathly white."

He had remained sealed for 91 minutes.


Houdini had gone to the brink. His pulse rate had soared, and the yellow lights he was seeing meant his brain was dangerously oxygen-deprived. According to some, he was within minutes of death. But despite feeling weak and with the metallic taste still in his mouth, that afternoon he went to the YMCA where he spent an hour playing handball and sprinting on an indoor track.

The next day, news of Houdini's feat was reported nationally. The Brooklyn Eagle hired an Egyptian to interview Bey. That's when it was discovered that the fakir did not understand Arabic. Rahman Bey, it turned out, was Italian.

Houdini thought the practical application of his methods could help people in need, such as miners who might become trapped in a collapse. He shared his training data with the U.S. Bureau of Mines. Houdini biographer William Lindsey Gresham tells of how, not long after the test, a family became trapped in their car after it had run off a bridge and into the water. The father instructed his wife and kids to breathe evenly and slowly and not panic, just like Houdini in the Shelton pool. When the car was hoisted out, the family was found alive and well.


Still, some speculated that Houdini might have cheated in his Shelton Test. Some thought the telephone wires could have concealed air hoses. Hereward Carrington suggested the batteries for the emergency bell might have contained oxygen-liberating chemicals and soda lime to absorb the CO2. But Houdini wrote to a friend that no tricks had been employed:
"There is a rumor going around that there is a gimmick to this thing. I pledge my word of honor there isn't a thing to it excepting to lie down and keep quiet."
Houdini repeated his test at the Worcester YMCA on September 28, 1926, this time remaining submerged for one hour and eleven minutes. He then gave a public demonstration at the Summerfield's Furniture store in Worcester using a new coffin with a glass top so the public could see him inside.

Trading on the publicity, Houdini introduced a "Buried Alive" escape into his full evening show for its 1926-27 tour. It was an escape he first developed in 1914 in which he was locked in a casket and buried under "one ton" of sand. The new poster he had made for the effect boasted: "Egyptian Fakirs Outdone!"

The Shelton casket remained poolside for some 20 years, advertised as "the casket Houdini was buried alive in." On February 7, 1956, James Randi undertook to prove once and for all that Houdini used no trickery in his test. Randi, who was younger and weighed less than Houdini, remained sealed in a similar casket in the Shelton pool for one hour and forty-five minutes.

The Hotel Shelton still stands at 525 Lexington Avenue. Today it is student housingThe pool was filled in in the early 2000s, but it's said the original tiled ladder in the corner where Houdini was submerged remains. A small reminder of Houdini's miracle at the Shelton pool...100 years ago today.

The Shelton pool in the 1950s.

Shelton Pool Test Special! In honor of today's anniversary, I am offering one copy of Escaping Obscurity: The Travel Diary of Harry Houdini, 1897-1899, for $91. That's a dollar per minute and 27% off the normal cover price. So if you haven't gotten the book yet, now may be the time to take the plunge! (SOLD)

This is an updated post first published on August 5, 2016.

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Friday, May 8, 2026

Houdini concludes his first "3 Shows in One" tour


It was 100 years ago today that Houdini completed the first tour of his full evening "3 Shows in One" in Harrisburg, Pennsylvania. This was the second half of a split week. The show played two days in Akron before moving on to Harrisburg for the final three shows. The below from the Harrisburg Telegraph gives a nice taste of the show.

Harrisburg Telegraph, May 8, 1926.

This piece also provides some clues about what Houdini's 1926-27 tour would have looked like. It says he is booked in Harrisburg for a February 1927 return, and that the tour itself is already booked through March. Of course, this was never to be. Houdini died two months into his second tour on Halloween 1926.

Built in 1908, the Majestic stood at 323 Walnut Street in Harrisburg. In 1936, it was converted to a movie theater and was renamed the Rio. It closed on October 25, 1954, and was razed in March 1955. Today, Strawberry Square occupies the site.


Want more? Click below to view an original poster from this brief but historically significant 3-day engagement in Harrisburg from Mike Caveney's Egyptian Hall Museum.


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Friday, April 10, 2026

Other deaths of 1926


I don't need to tell you that this year marks the 100th anniversary of Houdini's death in 1926. But who else is marking their centenary in the great beyond this year?

In The Clarence Courier for December 29, 1926, I found this "Necrology" listing all the notable deaths of the year. Starting in July, there is at least one recognizable name per month, including Rudolph Valentino, Todd Lincoln, Tom Thumb, Annie Oakley, Charles Ringling, and, of course, Houdini.


I'm guessing Houdini might be the only one on this list to have 14+ books written about him this year. Just saying.

On a lighter note, there were some notable births in 1926, including Jerry Lewis (March 16), Marilyn Monroe (June 1), Mel Brooks (June 28), and Jimmy Carter (October 1).

Sunday, March 8, 2026

The talk of Chicago

It was 100 years ago today that Houdini opened his "3 Shows in One" at the Princess Theater in Chicago for the start of what would be a remarkable 8-week run. For the occasion, I thought I'd rerun this post from 2022.


Here's one last post about Houdini at the Shubert Princess Theatre in Chicago in 1926. This 8-week run was longest single theater engagement for the 3 Shows in One and would prove to be Houdini's last appearance in the Windy City. Today I thought I'd share a collection of newspaper ads from the Chicago Tribune that pitched Houdini's show over the course of that record run.

This first ad from Match 4, 1926, shows the comedy play Young Blood with Helen Hayes preceding Houdini at the Princess. The Houdini show was playing the Bronx Theater in New York this week. Houdini flew by airplane to Chicago on March 7th. 

Coming!

Here's an ad for Houdini's opening night on Monday, March 8. You can bet he made sure the theater was ready, even if he had to do it himself!

Week 1

By the second week Houdini was "the talk of Chicago." I can believe it!

Week 2

Wonderful caricature artwork features on this ad for the start of Houdini's third week. If you've ever wondered what tickets cost back then, here you can see "600 Seats at $1 and $1.50 every night."

Week 3

More nice artwork for the start of Houdini's fourth week. "Have Houdini Give Your Friends a Spirit Message." I'm surprised spiritualism isn't played up more in these adverts.

Week 4

The famously prophetic Halloween artwork features on this fifth week ad. "Give yourself a treat. Bring the kiddies!" Any of those kiddies still around, I wonder?

Week 5

This week six ad takes aim at the pocket book. A .50¢ matinee? 300 seats at $1? No excuses now!

Week 6

Week seven saw a special added attraction -- reformed trumpet medium Annie Benninghofen.

Week 7

For his final week Houdini brought back some of his tried and true challenge escapes.

Week 8

Houdini's final two shows were on May 1st. He then traveled on to the Goodyear Theater in Akron, Ohio. Actress Eva Le Gallienne moved into the Princess with two Ibsen plays, The Master Builder and John Gabriel Borkman. Doesn't sound nearly as fun.

Last Day!

The Chicago Princess Theatre was located at 319 S. Clark Street. It converted to a movie theater at the end of the 1920s and closed in 1937. In 1941, the building was razed to make way for a parking lot. The Metcalfe Federal Building now stands on the site.

But let's not forget Houdini was here...for eight full weeks!


Clippings: Newspapers.com

Saturday, February 21, 2026

Under since 1921

I know politics isn't very funny these days, but here's something from a gentler time. I've seen a lot of Houdini political cartoons, but this is the only one I've seen that ties into a specific Houdini stunt. In this case, it's his Shelton Pool Test. Just goes to show how much that feat captured the public imagination. 

Rockford Register Star, Aug 28,1926.

The artist is actually making a second Houdini reference without knowing it. Old John Barleycorn (a reference to prohibition) is reading the temperance play, Ten Nights in a Barroom. Houdini played the lead in this play during his struggling years on more than one occasion.

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Friday, November 28, 2025

Did Blackstone kill Houdini?


How's that for a clickbait headline? See, I can play that game! Really, this should be headlined, "Houdini was headed back to Buffalo in 1926." But that's not nearly as provocative. But now that you're here, here's the story.

During his 1925-26 season of "3 Shows in One," Houdini played the Shubert-Teck Theatre in Buffalo, New York.  I recently discovered that Houdini planned to return to the Teck for his 1926-27 season. Check out the below from the Sept. 2, 1926 Buffalo News.

The Buffalo News, Sept. 2, 1926.

Going by the "tentative" schedule, this would have put Houdini at the Shubert-Teck during the week of October 18, following the close of Gay Paree. But that didn't happen. Instead, Houdini went to Montreal, and we all know what happened there! (If you don't, punch this link.)

But guess who did open in Buffalo on October 18? Harry Blackstone.

Buffalo Courier Express, Oct. 17, 1926.

Blackstone played the Lafayette Theater this week in conjunction with the movie The Four Horsemen starring Rudolph Valentino. He even accepted a challenge packing box escape from the Nash-Buffalo Motor Corp. 

The Buffalo Times, Oct. 21, 1926.

Did Houdini change his route to avoid a head-to-head with Blackstone in Buffalo? The Vagabond King, which had opened at the Teck on the 18th, was held over for a second week, suggesting the theater did have an open week on their schedule.

So did Blackstone kill Houdini?

It's also possible we have these backwards. It could be Houdini canceled his Buffalo appearance for reasons unknown, and Blackstone decided to swoop in and give Buffalonians the magic and escapes they had been anticipating.

Another one to investigate.

Want more? You can read the various newspaper clippings I gathered for this post as a "Scholar" member of my Patreon below.

Saturday, November 15, 2025

Houdini vs. The Spiritualists: A Battle on Capitol Hill

Here's a late-in-the-year treat. Our friend Chuck Romano from My Magic Uncle has published a new book, Houdini vs. The Spiritualists: A Battle on Capitol Hill. Below is a description:
A gripping account of the world's greatest magician, Harry Houdini, as he waged war against the spiritualists on Capitol Hill. Here magic met politics and illusion collided with truth.

In 1926, a dramatic conflict arose in the chambers of the United States Congress concerning not tariffs or taxes, but the regulation of fortune telling and the supernatural. What began as a seemingly obscure piece of legislation soon drew national attention as the famed magician and escape artist Harry Houdini stepped into the spotlight to lead a crusade against fraudulent spiritualists.

This book provides the complete transcript of the four days of hearings and offers a detailed examination of the proceedings and individuals involved. Its contents shed light on these extraordinary hearings, where belief and skepticism clashed, and Congress became an unexpected venue for one of the most unusual confrontations in American history.

Houdini vs. The Spiritualists: A Battle on Capitol Hill can be purchased at Amazon.com and Amazon.co.uk.

Thursday, November 6, 2025

Houdini's curious request

When Houdini died on Halloween 1926, his brother Theo Hardeen inherited his show and came out of retirement. Dash had a healthy career as a "Handcuff King" from 1900 to 1917. He then hung up the handcuffs to help run Houdini's ill-fated film factory. But now he was headed back to the stage. As far as I know, this poster was the first touting Hardeen as Houdini's successor. This appears in Ken Trombly's new book The Art of Magic.

Ken Trombly Collection

However, Hardeen's inheritance was not unconditional. Houdini's Will contained a curious stipulation that I rarely see discussed. Hardeen could only inherit the show if his sons were confirmed in the Jewish faith within three months. I recently came across an article in which Hardeen himself explained the reasons behind this.

The Herald Statesman, Nov 16, 1926.

Hardeen appears to have adhered to his late brother's wish, and he began his tour on January 17, 1927, in Bridgeport, CT. He continued to perform as "Houdini Legal Successor" until his own death in 1945.

While none of Hardeen's children or their offspring went into magic, we are fortunate today to have his grandson, George Hardeen, son of Harry Hardeen, looking after the legacy of Houdini and his grandfather. 

Friday, October 24, 2025

Houdini's last review


It was 99 years ago today that Houdini gave his final performance at the Garrick Theater in Detroit on October 24, 1926. Here is a review of that show that ran in the Detroit Free Press the following day. The reviewer, Philip N. O'Hara, was unaware of the drama that was unfolding backstage. But it's clear from his review that not all was right that night. A remarkable and, yes, somewhat spooky review in hindsight.


Houdini was booked for two weeks at the Garrick, but only played this one day. By the time this review appeared, he was at Grace Hospital fighting for his life.

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Monday, March 17, 2025

Latest dynamite from the Houdinarian Society

Dr. Larrian Gillespie at the Houdinarian Society website is continuing to do some groundbreaking research into the details of Houdini's final illness. As a trained surgeon and keen historian, Dr. Gillespie sees details in the record that have been missed, and she is making some dynamite deductions. But don't take my word for it; just click the images below and have a read for yourself!

Friday, March 7, 2025

Houdini and the windmill


Ever hear the one about Houdini and the Dutch windmill? The story first appeared (as far as I can find) in an article by Walter B. Gibson called "Houdini's Last Interview Revealed His Narrow Escapes." This ran in several newspapers in December 1926. Below is an excerpt from the Wichita Falls Times.

Wichita Falls Times, Dec. 5, 1926

This windmill story appears in Harold Kellock's Houdini: His Life Story and Milbourne Christopher's Houdini: The Untold Story. I suspect Christopher got it from Kellock, and Kellock got it from Gibson. Try as I might, I've never been able to find any evidence or independent source for this story, and most current biographies omit it.

So is the windmill story fiction, or just another example of the Germany problem (which encompasses the Netherlands)? If any of you research bloodhounds want something to track down, this would be a good one! It would have happened in May or June 1902 when Houdini was with the Circus Corty-Althoff in Holland.

It's worth noting that this Gibson article also contains what appear to be the first appearances of the stories about Houdini being tied to railroad tracks in Dresden, and being tied to the back of a horse in Nova Scotia in 1896. Those are also tales of outdoor stunts gone wrong that I've never been able to confirm.

Want more? You can read the full "Houdini's Last Interview" by Walter B. Gibson as a Scholar member of my Patreon. Fact or fiction, it's good stuff!


Top image A.I. generated.

UPDATE: For those who don't like my A.I. image, here's an illustration from the March 1928 Tales of Magic and Mystery. Thanks to Joe Notaro for this one.

Friday, February 21, 2025

The Garrick after Houdini


Houdini was booked at the Garrick Theater in Detroit for two weeks starting Sunday, October 24, 1926. As it turned out, he only did one show before entering Grace Hospital early on the morning of October 25. There, he would spend the rest of the week battling peritonitis before dying on Halloween the following Sunday.

But what happened at the Garrick during Houdini's absence? I find this kind of thing interesting, so let's have a look.

Houdini's hospitalization was unexpected, and the next day, Monday, October 25, the paper advertised him appearing at the Garrick that evening as usual. However, the theater was dark that night.

Detroit Free Press, October 25, 1926
Detroit Free Press, October 26, 1926.

The Garrick remained dark on Tuesday, October 26. Then Duse Mohamed Ali and his Oriental Theater Company moved from Orchestra Hall to the Garrick and played out the rest of the week.


Duse Mohamed Ali wasn't the only performer at the Garrick that week. The Junior League of Detroit presented "Old King Cole" during three afternoon performances on October 28th, 29th, and 30th. It appears these performances would have happened even during Houdini's run, as they were announced before Houdini's arrival in Detroit.


Houdini was originally booked for a second week at the Garrick starting October 31st. Of course, this was not to be. It appears the Garrick remained dark this entire week. The only advertisement for the theatre announced the coming of "The Garrick Gaieties" for the following week of November 7th, when Houdini would have moved on to Cleveland.


The Garrick Theater closed on August 11, 1928. Its last show was Gene Buck's dramatic play Ringside

Last week for Ringside and for the Garrick Theater.

The Garrick was torn down in early 1929 and replaced with the Cunningham building, which still stands today. In an account of its history in the Detroit Free Press, writer Len G. Shaw did not mention the Garrick as the site of Houdini's last performance, but that is certainly what it is remembered for today!

Detroit Free Press, Nov. 1, 1928

Want more? You can read Len G. Shaw's full history of the Garrick Theater as a "Scholar" member of my Patreon below.


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