WILD ABOUT HARRY
Where Houdini Lives
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- Wild About Harry Bookshelf
- Houdini His Life Story (1928)
- Houdini The Man Who Walked Through Walls (1959)
- Houdini The Untold Story (1969)
- The Life and Many Deaths of Harry Houdini (1993)
- Houdini!!! The Career of Ehrich Weiss (1996)
- The Secret Life of Houdini (2006)
- The Metamorphosis: The Apprenticeship of Harry Houdini (2012)
- The Witch of Lime Street (2015)
- The Life and Afterlife of Harry Houdini (2019)
Wednesday, October 14, 2026
Listen to 'Inescapable' by Cora Parago
Tuesday, October 13, 2026
Guest Blog: Margery and Houdini: The Story I Had to Tell by Maryka Biaggio
Margery Crandon and Harry Houdini: The Story I Had to TellMaryka BiaggioI write historical fiction about real people, and I’m always looking for characters who might be interesting enough to warrant a novel. So when my editor at Doubleday mentioned I might consider writing about Margery Crandon, a spiritualist who did battle with Harry Houdini, my curiosity was piqued. Then she sent me a complimentary copy of The Witch of Lime Street by David Jaher. And I was hooked.Here’s what most intrigued me about the story: In the summer of 1924, Harry Houdini, the most famous escape artist in the world, sat in a darkened Boston parlor across from a woman in her thirties. She was glamorous, charming, and rumored to have the ability to summon the dead. Her name was Mina Crandon. The public knew her as Margery, and she was arguably the most famous psychic in the world.
I dug into the research and learned a great deal about the world of spiritualism, which was experiencing a renewal of interest in the 1920s. I acquired several books about Margery Crandon and delved into her background. If I was going to write about her, I needed to understand what made her tick.
Nothing in Margery Crandon’s early life suggested séance-room celebrity. She was born in 1888 to a farm family in rural Ontario. She and her brother, Walter, were apparently very close. He called her Mina. To her, he was the older brother she could confide in when their strict father punished them. When Walter came of age, he left the farm to work as a railroad worker in Buffalo, New York. A few years later, Margery moved to Boston, where she found a job working in the theatre. Before long, the lively and restless Margery met her first husband, Earl Rand, with whom she had a son.
When Walter died in a tragic trainyard accident in 1911, Margery was heartbroken. His death and their enduring bond would become a part of her legend.
In 1917, Margery experienced terrible abdominal pain, and Earl rushed her to the hospital, where she underwent surgery, possibly for appendicitis. Her surgeon was Dr. Roy Crandon, a wealthy and respected doctor. They met again while Crandon worked as a military physician at a Boston hospital and Margery volunteered as a military ambulance driver. Margery was unhappy in her first marriage and divorced Rand. She then married Dr. Crandon. She was his third wife, and his two divorces had apparently been acrimonious, so Margery may have worried about his constancy and her future with him.
Nevertheless, her marriage to Crandon provided her with two things she craved and hadn’t found with her first husband—prosperity and social recognition. Dr. Crandon was a distinguished Boston surgeon and Harvard man, well-connected and considerably older than Margery. Margery relished her newfound socialite status and welcomed many guests to their stately Victorian mansion at 10 Lime Street. Overnight, the Ontario farm girl became a fixture of Beacon Hill society, with a fashionable address, a wealthy husband, and the social access that came with them.
Margery launched her career as a spiritualist in the early years of her marriage to Crandon. Dr. Crandon wholeheartedly supported this endeavor and even had a carpenter build a special table for séances. The reasons Margery began holding séances are lost to history, but some say she relished her husband’s astonishment and admiration for the wonders she produced. Soon a voice began speaking through her—brash, joking, and irreverent. It said it was Walter.
Margery became a celebrity in Boston circles, and invitations to her séances were much sought after. Boston luminaries and colleagues of Roy Crandon were common attendees. A typical evening began at the dinner table, where the cook prepared excellent fare, and the doctor broke out wine from his cellar, which he’d managed to collect despite Prohibition. After the guests had enjoyed their sumptuous meal, the party trekked up to the fourth floor to sit around the séance table in a darkened room.
Dr. Crandon maintained careful contemporaneous records of all Margery’s séances, noting the extraordinary phenomena observed there: bells rang; tables tilted, and objects drifted. Walter whistled, cracked jokes, and delivered commentary in a gruff male voice. A Victrola played “Souvenir” and “Yes! We Have No Bananas.” Most startling of all, a live dove appeared and thumbprints were left in wax, prints that failed to match those of any person in attendance.
Margery was no shabby carnival act. She was a glamorous socialite. Her admirers included a magazine editor who wrote glowing accounts of her powers, and the press could not resist a story with so many enticing ingredients: a society beauty, a brilliant surgeon husband, and a dead brother. Unlike most spiritualists of the time, Margery did not charge attendees, which many took as a sign of her honesty and authenticity.
Yes, I had now decided that I would write about Margery, but how to tell the story? Should I have Margery narrate her tale? Should an omniscient voice hover over the whole story, giving the reader the inside scoop? I tried both approaches, and neither really took hold. I just wasn’t satisfied with either way of recounting this fascinating tale.
Then, surprise of surprises, Walter began speaking to me. He provided me with the first line of the novel: “Truth is, I understand Mina better than the whole lot of them, meaning those meddlers who wanted to know how the ‘Witch of Lime Street,’ as some dubbed her, acquired her psychic powers.” And I was off to the races. I won’t say the whole novel came as easily as that opening line, but it just made sense to have Walter tell the story. After all, he was a great wit who regularly appeared at Margery’s séances, and his salty repartee never failed to entertain the guests around the table. He and Margery had a close relationship, and he had access to her most private thoughts. Walter had a vested interest in Margery’s success, but he also worried about her.
Spiritualism had become wildly popular in the 1920s, but it had its detractors. Into the fray stepped the respected magazine Scientific American, which set out to test spiritualists and resolve the raging public debate. They offered $2,500 ($50,000 in today’s money!) for any medium who could produce a visible psychic manifestation under controlled conditions. The first several mediums the prize committee tested proved to be frauds. Then Dr. Crandon entered Margery into the contest. The committee expected her to be the first serious entrant.
The committee members devised all manner of tests, and Margery’s performance astounded them. But one member of the committee, Harry Houdini, insisted he be allowed to conduct his own tests. And Walter worried that Houdini would not give Margery a fair chance. The battle between Margery and Harry Houdini became the climax of my novel, and Walter did not disappoint at this crucial juncture.
I’m sure prospective readers wouldn’t want me to give away the ending, so I won’t. But in all my novels, I aim to stay true to the historical record. And the history of the epic battle between Margery and Houdini was worth all the struggles I encountered as I wrote the novel.
Maryka Biaggio is an award-winning novelist with a passion for history and the human spirit. She writes historical fiction inspired by real people—figures whose lives illuminate the complexities of their time. She lives in Portland, Oregon. Her novel Margery and Me, published by Regal House, has been hailed by distinguished author Valerie Martin as “a wry, lively, and wicked-good novel.”
Purchase Margery & Me from Amazon.com or Amazon.co.uk, or directly from Regal House Publishing.
Thank you, Maryka!
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Monday, October 12, 2026
Two new works of Houdini fiction
Harry Houdini escaped every prison built to hold him. Death was supposed to be the exception.One hundred years after his final performance, fraudulent medium Cassie Sparkowski attempts a livestreamed séance—and accidentally brings Houdini back. But he is not alone. Behind him waits an endless darkness filled with the restless dead…and something far worse. As Houdini unlocks door after door between worlds, ghosts begin returning to the people and places they left behind. Some come home in love. Some come hunting for vengeance. All of them carry a piece of the darkness with them.
Now Cassie and FBI agent Bradford Carter must stop the greatest escape artist who ever lived before he completes his final act: opening the door that can never be closed.
I Am Houdini brings that man to life once more, just in time for the 100th anniversary of his death on Halloween 2026. I Am Houdini is a fictionalized historical drama inspired by the life, words, relationships, performances, investigations, and final years of Harry Houdini. Historical material and Houdini's own words are woven together with imagined conversations and scenes to tell the story not simply of the Great Houdini, but of Erich Weiss—the man behind the legend.This isn't just the story of Houdini's escapes.
It's the story of Harry, a man whose dramatic flair for life, determination, and relentless curiosity may inspire you to find your own way through life's impossible challenges and say:
“I Am Houdini.”
You can purchase I Am Houdini in hardcover or paperback at Amazon.com and Amazon.co.uk.
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Sunday, October 11, 2026
Centenary countdown: The accident in Albany
Friday, October 9, 2026
'Houdini: Back From The Dead' coming October 14
FOX NATION SET TO PREMIERE “HOUDINI: BACK FROM THE DEAD,” MARKING PLATFORM’S FIRST FULL-LENGTH PROJECT CREATED ENTIRELY WITH AI-GENERATED IMAGERYThree-Part Series Premieres Ahead of Halloween and 100th Anniversary of Harry Houdini’s Death
NEW YORK – October 8, 2026 – FOX Nation will premiere the new three-part series Houdini: Back from the Dead on Wednesday, October 14, announced Lauren Petterson, president of the platform. Marking FOX Nation’s first full-length, multi-episode production to rely entirely on AI-generated imagery, the series uses groundbreaking technology to bring the extraordinary life, daring feats and enduring legacy of Harry Houdini back to life, allowing the legendary magician to sit down and tell his own story. A trailer can be found here.
In commenting on the series, Petterson said, “FOX Nation is breaking new creative ground by using emerging technology to bring one of history’s most fascinating figures to life for a modern audience. We’re proud to showcase a new form of historical storytelling that allows viewers to experience Houdini’s remarkable life in his own words, while re maining rooted in extensive research and historical accuracy.”
Premiering ahead of the 100th anniversary of Houdini’s death on October 31, 1926, the series imagines the legendary magician performing one final impossible feat: returning from the dead to narrate his own story. Viewers will see Houdini step onto the set of a modern documentary interview, answering questions about his life, career, relationships, and greatest acts. His wife Bess, his mother, brother, friends, reporters, and business associates are also brought to life, speaking through words pulled from diaries, books, correspondence, and historical writings.
To achieve the series’ visual authenticity, the production licensed archival footage and more than 400 historic photographs, which served as source imagery for a team of AI artists. Actors portrayed the principal characters to capture authentic movement, cadence, and performance, while AI technology transformed their appearances to resemble their historical counterparts. The series’ scripts were written entirely by humans, with all historical claims supported by archival research and expert review.
Across three episodes, Houdini: Back from the Dead explores little-known chapters of the magician’s life, including a childhood accident in which he was shot in the hand; his relationship with his mother; a staged rivalry with his brother; his brief ambition to abandon the stage after becoming a pioneering aviator; his fascination with death and near-fatal attempt to escape from a grave; his complicated marriage to Bess; his relationship with author Charmian London; and his crusade against fraudulent spiritualist mediums that resulted in threats against his life.
Houdini: Back from the Dead is produced for FOX Nation by Red Rock Films. Red Rock Films specializes in responsible AI production and works with partners across the production process, including emerging creative technologies, workflow development, rights and clearances.
FOX Nation is a direct-to-consumer on-demand streaming service designed to complement the FOX News Channel experience with a members-only destination for its most passionate and loyal super fans. Launched in 2018, FOX Nation is available at foxnation.com and via app for iOS devices, Android devices, FOX One, Fire TV, Apple TV, Google TV, Android TV, Roku, Xbox One, FuboTV, Vizio TVs, and Samsung TVs, as well as DIRECTV, DIRECTV STREAM, YouTube TV, Comcast Xfinity, Cox Contour, The Roku Channel, DISH and SLING.
Check out the trailer below. And watch for the series to debut on FOX Nation October 14.
Thursday, October 8, 2026
'Inescapable' on CBC Radio, October 12
The Great Houdinis turns 50
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| Syracuse Herald Journal, Oct. 8, 1976. |
Want more? I've shared an extra on my Patreon that nicely captures the time below.
Wednesday, October 7, 2026
The Linking Ring honors Houdini on October cover
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Tuesday, October 6, 2026
Escaping Obscurity reviewed by David Byron
Ehrich Weiss did not keep this travel diary because he was already important, a person whose deeds merited chronicling, someone whose salad days should be documented for posterity and biographers. No, it’s just that printers like The Detroit Free Press routinely manufactured and sold these double-season showbiz diaries, and Houdini bought one and used it to track his bookings because that’s just what itinerant entertainers did, and he wanted to be a pro. Besides, promos from the printer itself insisted that such a date book was “indispensable to theatrical folk.” Precisely because it’s completely free of pretense and hype, this diary offers a vivid, uncontrived look at the genuine daily grind of the Not-Yet-Great Houdini.
Monday, October 5, 2026
Houdini: The Man Who Died Twice - The Murder Box Edition
Sunday, October 4, 2026
My Houdini window card turns 100
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Thursday, October 1, 2026
A rundown of October Houdini events 🎃
October 27
Wednesday, September 30, 2026
Dr. Larrian Gillespie absolves J. Gordon Whitehead
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