Showing posts with label Charlie Chaplin. Show all posts
Showing posts with label Charlie Chaplin. Show all posts

Sunday, February 1, 2026

John Bengtson has passed away

I'm very sad to learn that the great John Bengtson has passed away. John was a giant among film historians and THE man when it came to finding silent movie locations. He was an incredible researcher and sleuth, and a true inspiration. He shared his discoveries in several books and on his YouTube channel, Silent Locations. He was also a very nice guy who was incredibly generous with his time and knowledge. In 2015, he hunted down several locations from Houdini's The Grim Game. I'll share links below. As a specialized historian, he seems irreplaceable. His work lives on through his books and videos, but he will be missed. 

Friday, September 9, 2022

Treasures of the Harry Ransom Center

Last month I spent an incredible six days at the Harry Ransom Center at the University of Texas in Austin, which holds the largest public collection of Houdini research material in the world. Today I'm excited to share what I saw on my first day.

You might be wondering how such a large Houdini collection wound up in Texas? As I chronicled in a recent post (Exploring Houdini's Austin), in 1927 Messmore Kendall purchased the bulk of Houdini's private papers and his theatrical collection to add to his own massive collection. After Kendall's death, his entire collection was purchased by Karl Hoblitzelle for the Harry Ransom Center in 1958.

The Ransom Center also holds Houdini material from the Albert Davis and the Morris N. Young collections, and they are still making acquisitions. (Such as their famous ball and chain in 2016.) In fact, if you are looking to sell or donate a Houdini item or collection to an institution where it will be well protected and forever accessible, the Harry Ransom Center should be at the top of your list.

It's also good to say up front that anyone "with a photo ID and a sense or curiosity" can see the treasures I'm about to show. I wasn't special. The Harry Ransom Center is open to the public and their website has excellent finding aids for the Harry Houdini Papers, Harry Houdini Collection, and Magic Collection. However, the collection is massive! So massive I could not see it all in six days. But with the help of the amazing Eric Colleary, Cline Curator of Theatre & Performing Arts Collections, I saw a lot. So let's get into it!


My Houdini discoveries happened before I even entered the building on that first morning (which, for the record, was August 8, 2022). Famous signatures and key holdings are etched into the building's decorative glass. Of course, I had to seek out Houdini, and I'm happy to report he is well represented. I was off to a good start.


Inside I met up with the aforementioned Eric Colleary who gave me a private tour of the Center and the stacks. You know, I've always only thought of the Ransom Center just in terms of Houdini. But the Houdini collection, as big as it is, is only a very small part of their massive holdings. The Ransom Center is filled with other treasures! There's even a Gutenberg Bible on display in the lobby. I got a peek at a few unique treasures, such as Charlie Chaplin's bow-tie and Sir Arthur Conan Doyle's handwritten manuscript for A Scandal in Bohemia.


The first Houdini treasure I saw was his 1910 Aviation trophy. Eric and I had bonded over this back in 2019, so this was a perfect way to start. The plaque is larger than I thought, which was a common theme of everything I saw this day. I was also able to look very closely at the date and can report that it has not been modified as was long claimed by my pal and mentor Manny Weltman. Sorry Manny!


Books were not going to be a focus of my research, but the Ransom Center's got 'em! Below is Eric with Houdini's own copy of The Discoverie of Witchcraft. They also have the original receipt from Maggs Bros. in London, showing Houdini purchased the book on August 4, 1917 for £23 (marked down from £25).


We then passed through the Preservation & Conservation Department. There I met Andrea Knowlton, Senior Book Conservator at the Harry Ransom Center. Among her current projects is Houdini's 1897 Magic Made Easy catalog. This was a treat to see, and it's great to know the Ransom Center is taking steps to ensure this mega rarity will be around forever.


Eric and I spent a good amount of time in their oversized flat items stacks, because it's here one finds their incredible collection of Houdini posters. We started with two posters from his 1920 UK tour that I've never seen. The condition is so flawless it felt like I was time traveling. And there was more...


Much more! How about three 1913 playbills from Cardiff, marking the first appearance of the Water Torture Cell in England. And in case you're wondering, the Ransom Center does not sell or trade their duplicates. The collections they acquire remain intact.


Here's one for you Mirror Handcuff fans. This newsstand poster announces the headlines for March 18, 1904, the day after the famous challenge. This is one Houdini kept himself.


The earliest poster in the Ransom Center (as far as I recall) is this mega rarity advertising Harry and Bess in a "Spiritualistic Entertainment." This was printed in St. Joseph, Missouri, possibly in 1898, and is a treasure indeed.


While the Ransom Center holds some familiar and famous posters, such as Houdini's Milk Can and Circus Busch Water Torture Cell, here's a poster you never see. I never even knew this was a full size (40 inch) poster until Eric laid it before me. This was made by Atelier J. Zier in Leipzig, likely in 1901 (the only time Houdini played that city). This one really grabbed me and I'm considering it for the frontispiece of my book.


The Ransom Center also has a complete collection of posters from Houdini's The Man From Beyond. I've shared some of these elsewhere, but here's one that's too big to share or even see in full. This massive six-sheet would ship in sections and be pieced together on a billboard. Below is just a single panel. But what a panel! The colors and stone lithography are breathtaking.


Below is a poster not found in The Man From Beyond pressbook. This was made by Hegeman Printing Co. of New York and may have been for the film's general release. (The white area is presumably where theater information would be printed or written.) It's more of a bread and butter one-sheet, but that's what makes it so special and rare.


It was now time to get down to "work," and Eric made me an incredible offer. I could do my research in the Ransom Center's comfortable and well appointed Reading Room. Here you put in your requests for materials via the online Finding Aids and their crack staff retrieves them from the stacks for you. This is what it looks like.


Or, if I didn't mind a less glamorous setting, I could work with him up in the stacks themselves. There I could pull down boxes of Houdiniana at will. Eric and I could also chase down leads on the spot and gab. No choice there. Stacks for me! You know, some people go to Hawaii for their vacation. This is me in paradise.


Now, I came to the Harry Ransom Center with the primary goal of building on my chronology and mining as many dates from the collection as I could find. Letters are gold in this regard, so my plan was to read through all their Houdini correspondence, even if that meant sacrificing things like photographs. But instead of starting at Container 1, I decided to plunge into Container 8, which I knew held a file of letters written by Houdini to Bess.


I couldn't have chosen a better way to start. This file could be the greatest treasure in the entire Harry Ransom Center. These letters are filled with warmth and wit, showing Houdini to be playful, loving and very human. The first two postcards so knocked me out that I must have spent 45 mins reading, re-reading, consulting my chronology, reading again, laughing, and then reading to Eric. And then came a 12-page handwritten stream of consciousness love letter from 1924. Incredible!

When I looked up from that one it was 5 PM. Closing time. Hours had passed and I had gotten through only three pieces of correspondence. Suddenly, six days (now five!) felt like a very short amount of time. And did I really have the discipline to limit myself to correspondence with so many other Houdini treasures all around me?

It was only the beginning.

Can't wait for more? Members of my Patreon can view 17 preview images from my next post: More Treasures of the Harry Ransom Center. Click the image below to go.

Tuesday, March 22, 2022

A new Houdini-Chaplin encounter


While there are several stories about Houdini and Hollywood luminaries like Buster Keaton, Fatty Arbuckle, and Gloria Swanson, his only encounter with Charlie Chaplin, as far as I know, are a handful of photos taken in 1915. That's why I was very excited to find the below. 

This is from a January 16, 1916 article in The Weekly Dispatch in which a London theatrical agent, Mr. A. Braff, talks about meeting Chaplin in Los Angeles. Part of that involved a trip to the Orpheum...

The Weekly Dispatch, Jan. 16, 1916.

What makes this especially interesting is this would have been during Houdini's December 1915 run at the Los Angeles Orpheum. During that same engagement he spotted heavyweight champ Jess Willard in the audience and also invited him onstage. Of course, Willard was famously far less cooperative than Charlie.

Clipping: Newspapers.com. 
Photo: Houdini His Legend and His Magic.

Saturday, November 13, 2021

The Chaplin-Keaton-Lloyd (and Houdini) Alley video

Exciting news for silent movie buffs and fan of Hollywood history. The famous alley off Cahuenga Blvd in Hollywood has now been officially named the Chaplin-Keaton-Lloyd Alley. The below video, made for last month's Silent Movie Day gives a rundown of all the famous silent films shot in the alley, including Houdini's The Grim Game!


The recognition and naming of the Chaplin-Keaton-Lloyd Alley was thanks to the efforts of silent movie historian John Bengtson and Hollywood Heritage. (John is also the guy who identified the alley in The Grim Game.) You can watch a video of the September 29, 2021 dedication ceremony HERE.


Monday, March 29, 2021

Houdini stops off in Lowell (update)


On November 18, 1918 Houdini made a quick personal appearance at the Merrimack Square movie theater in Lowell, Massachusetts. He was on his way to Boston for the premiere of The Master Mystery that very night. Here's a terrific account of his appearance from The Lowell Sun that also serves up a couple Lowell-related mysteries.

The Lowell Sun, November 19, 1918.

Note that Houdini says he had made three previous visits to Lowell. I can identify two of those. The first was in 1896 when Houdini played with the American Gaiety Girls in Lowell for three days in late March (23-25). The second is when Houdini played the Lowell Opera House for the week of February 12, 1906 (my sourcing on this is a little loose so this isn't a lock).

The article also mentions a jailbreak from the Market street police station "five or six years ago." I don't have any record of this. Possibly it happened during that third yet undiscovered appearance? But a jailbreak would also fit with his 1906 appearance as that was his standard publicity stunt at that time. * Hardeen also played Lowell on occasion.

It's surprising the Sun article doesn't mention The Master Mystery as Houdini was there expressly to promote it playing at the Merrimack. And what a day at the Merrimack that was! Not only could you see the first episode of The Master Mystery and Houdini in person, but you also got Charlie Chaplin and William S. Hart movies!


The Merrimack Square Theater was located at 146 Paige Street from 1909 to 1953. You can see a photo of the theater as it appeared in 1950 HERE. Today the site is a parking lot.

 
* UPDATE: I've now confirmed that Houdini did indeed do a jailbreak during his 1906 appearance in Lowell. You'll be able to read about in my upcoming book, Handcuff King: The Conquests of Harry Houdini, 1900-1909.

Related:

Sunday, September 20, 2020

The Chaplin-Keaton-Lloyd (and Houdini!) alley

Our great friend John Bengtson who runs the phenomenal blog Silent Locations has mounted an official campaign to name the the famous alley off Cahuenga near Hollywood Blvd. the "Chaplin-Keaton-Lloyd Alley". This is in tribute to the three masters of silent comedy who each used the alley in their films. Of course, Houdini also used the alley for a quick shot in The Grim Game. It was actually John Bengtson who made this discovery. 

This video further explains the alley. You can help by leaving a thumbs up on YouTube.

Charlie Chaplin’s The Kid (1921), Buster Keaton’s Cops (1922), and Harold Lloyd’s Safety Last! (1923), were filmed in the heart of Hollywood at a humble alley south of Hollywood Boulevard. Each inducted into the National Film Registry of the Library of Congress as “works of enduring importance to American culture." This six-way constellation of timeless movies and iconic stars is absolutely unique in Hollywood history. The alley deserves a name - Chaplin Keaton Lloyd Alley. The north-south alley already has a great name, EaCa Alley, but the cross arm at the top deserves a name too. 
Download a pdf Chaplin Keaton Lloyd brochure HERE. 
Learn more at Silent Locations. 
Houdini in the Chaplin-Keaton-Lloyd Alley in The Grim Game (1919).

Good luck John!

Thursday, September 12, 2019

LINK: Houdini solves a Charlie Chaplin mystery!

John Bengtson of the fantastic Silent Locations blog (and books) has a great post today about how my recent post about Houdini's 1915 straitjacket escape from the Los Angeles Express building helped him solve a Charlie Chaplin location mystery. As always, his research is meticulous and a joy to read, so I encourage you to click the headline link and go!

Below are links to John's amazing work uncovering several locations from The Grim Game. And speaking of Houdini in Los Angeles, tomorrow I'm planning to share another recent discovery from the microfilm archives of the Los Angeles Public Library.

Related:

Saturday, June 22, 2019

Visiting the site of the Houdinis Silver Wedding Anniversary


It was 100 years ago today that Harry and Bess Houdini celebrated their Silver Wedding Anniversary with a gala dinner at the Alexandria Hotel in Los Angeles. The event was attended by 200 guests, including luminaries such as Roscoe Arbuckle, Buster Keaton, Cecil B. DeMille, Jesse Lasky, and Will Rogers. On making her entrance to the ballroom, Bess was so overcome she swooned. Houdini had to dash to get her a glass of wine to brace her up. He joked that it reminded him of "my old running days." After dinner the guests danced until midnight.

While I knew the Alexandria still stood downtown (today it's apartments), what I didn't know was that The King Edward ballroom where the Houdinis had their dinner also survives. So on this 100th anniversary, I paid a visit to The Alexandria Ballrooms and was given a tour by the very friendly and helpful Charlene Bustos. As you can see, it has remained remarkably unchanged! All the distinctive crown moldings remain and even the floor is still the original hardwood.


Below is a shot from other side of the room. Note the fireplace and original doorways. Through which did the Houdinis make their entrance, I wonder?


Today the ballroom was being prepared for a Quinceanera. It was fun to think that, exactly 100 years ago, tables and chairs were being arranged for the Houdinis dinner. And somewhere upstairs Houdini was writing the following note for Bess to find after dinner along with diamonds in a silver setting.

My Soulmate Wife:
Our silver wedding today. No, dear Heart, we have had twenty-five silver weddings. You have been truly my wife, my all in life. If only my sainted mother were here now she would nod her head with pride.
We have starved and starred together. We have had our little tiffs, but your sunny smile and my good sense(?) always robbed them of bitterness. I love you, love you, dearest, and I know you love me. Your very touch, your care of me, dearest, and the laughter in my heart when you put your arms around me prove it. Think, dear Heart, twenty-five years! The years have flown. It seems only yesterday that I carried you away to take you for myself.
Sweetheart, I will give you this letter after the reception tonight. I am writing this whilst you and Jule are busy at the mirror making up, and as I glance at you and see the happiness in your eyes I bow my head in silent thanks to Almighty God that I am the lucky man to make you happy. May God keep you long for me my Precious Love.
Yours to the end of life and ever after.
EHRICH

One revelation is that the ballroom is located on the second floor, which is something I never gathered from the famous photo. Below is a photo from the outside of the building showing the four ballroom windows that look out over Spring Street.


It was also a treat to see the inside of the Alexandria itself. Built in 1906, it was the most luxurious hotel in Los Angeles for many years. In fact, I'm wondering if Houdini stayed at the Alexandria when he performed at the Orpheum just a few blocks away. The Alexandria also has a rich Hollywood history. Charlie Chaplin not only got married in The Palm Court ballroom, but in the lobby (below) he had a fight with MGM head Louis B. Mayer. It was also on the hotel's exterior that Harold Loyd shot his famous human fly sequence for Safety Last.

While today the hotel has been renovated, many beautiful original features remain, such as a grand stairway that would have been familiar to the Houdinis.


It's surprising that such an important and unchanged Houdini location seems to have flown under the radar for so many years. The good news is The Alexandria Ballrooms are available to rent. While they remain a popular venue for weddings and receptions, I'm thinking this famous space would be a desirable location for future Houdini documentaries, and, of course, an ideal setting for an Official Houdini Seance.

So while I might have been 100 years late to the party, I'm thrilled to have made it today, and to have experienced this unchanged space that still seems to hold the loving energy of Harry and Bess Houdini.

Thank you to Charlene Bustos for allowing me this special visit on this special day.


Related:

Friday, January 4, 2019

Wait, Houdini is in Holmes & Watson???

How the heck did I not know until now that Houdini is in the new film Holmes & Watson with Will Ferrell and John C. Reilly? The following was tweeted out by actor Ben Lee who plays Houdini in the movie. Goodness!


Now I guess I need to go out and see this. Yes, the reviews have been...not great. But I love Sherlock Holmes, IT HAS HOUDINI IN IT, and Brad Keefauver who blogs at Sherlock Peoria has been doing a series of posts arguing that the movie is actually pretty enjoyable from a Sherlockian point of view, so...


UPDATE: I finally got around to seeing this movie (it's streaming free on Tubi) and I thought it was petty funny. Really silly! But I was laughing. And by my count Houdini shows up three times in the movie. Including once in bed handcuffed to (Hardeen fan) Kelly Macdonald along with Albert Einstein, Sigmund Freud, Mark Twain, and Charlie Chaplin. Yep, pretty silly.

Thursday, August 3, 2017

Houdini and Chaplin share the page

A new children's biography covering the lives of Houdini and Charlie Chaplin has been published in Indonesian. Charlie Chaplin & Harry Houdini by Sahanjaya Dwi Suputra is available in print and eBook from the website Scoop. Sometimes books like this will have an English language equivalent, but it appears this one is original to the territory.


Houdini and Charlie Chaplin met in Los Angeles while Houdini was on his 1915 U.S. vaudeville tour. You can see the photo they took that day via the first link below.

Related:

Thursday, April 20, 2017

Handcuff King and The Tramp

An original photo of Houdini and Charlie Chaplin sold on eBay this week for $550. The photo shows the two men in Los Angeles in 1915 when Houdini was making a Vaudeville tour of the U.S. A great image of two entertainment giants of the time.


On page 117 of Doug Henning's Houdini His Legend and His Magic you can see a photo taken at this same time that includes Bess.

Congrats to the winner.

Related:

Wednesday, November 25, 2015

Houdini in the Cahuenga alley


One of the best sequences in The Grim Game is Houdini's suspended straitjacket escape and fall from a seven-story building. After he's saved by an awning, Houdini is seen dashing down a narrow street to freedom. It's the last shot before the fade out on the sequence.

Turns out there is a lot of history in this shot! Thanks to the amazing detective work of John Bengtson (Silent Locations), we now know Houdini is running down what is known as the East Cahuenga alley off Cahuenga Blvd. just south of Hollywood Blvd. Best of all, the alley is still there! This is one of the few remaining Grim Game filming locations where you can still walk (or run) in Houdini's footsteps.

Here's a photo I took last Sunday. The Jerk House sign, advertising a restaurant in the middle of the alley, is a recent addition.



The Cahuenga alley appears in several classic silent films, including Charlie Chaplin's The Kid (1921) and Harold Lloyd's Safety Last (1923). Buster Keaton also shot a famous stunt in front of the alleyway in Cops (1920). In the photo from Cops below you can see the construction of the Palmer Building behind the alley on Cosmo Street. That building still stands and is easily identifiable today.




In the script for The Grim Game, Houdini was supposed to scale a high wall to escape the asylum. Publicity photos of Houdini on the wall exist, but the scene is not in the final film. Instead, this shot of Houdini dashing down the alley and emerging onto Cahuenga boulevard was used to conclude the sequence.

This is pure speculation, but when the wall climbing sequence was either cut or abandoned, could this have been a quick pickup shot to fill the gap? The Cahuenga alley is not far from the location of the Famous Players-Lasky studio at Selma and Vine where The Grim Game was made.

You can read more about the history of the Cahuenga alley at John Bengtson's site: The Kid – Cops – Safety Last! Three comic masterpieces filmed at a common Hollywood alley you can still visit today. John says, "I can think of no Hollywood exterior that plays a greater role in silent movie history than this unique alleyway."

Related:

Saturday, November 7, 2015

The escape artist who died in my own backyard (apparently) UPDATE: Fake!

Today is the last day of the Los Angeles Conference on Magic History, so I thought I'd put this one up for attendees who might want to take a look at this bit of magic history for themselves (it's only a mile from the conference hotel). This came as a complete surprise to me.

I've lived in Studio City for six years now and I frequently cross a bridge at Colfax Ave. and Ventura Blvd. that spans the L.A. River flood control channel. I've never thought to stop and read the plaque that sits on the bridge until just a few weeks ago. I just about fell over when I did so:

Click to enlarge.

NORWOOD CHEEK BRIDGE -

Norwood was a silent movie star, vaudevillian magician, and escape artist. His most notable films were, "And In Bluebird", "Manchild", and "Bamboo Huts". His career flourished despite being eclipsed by Charlie Chaplin and Harry Houdini. No prints of his films remain. They were lost in a studio fire in 1919.

Norwood passed away on this bridge while attempting and upside down straight jacket escape. During the stunt, a sudden flash flood rushed through the Los Angeles river and he was struck by a boulder. He was able to release himself from the jacket, but his body was swept away and never found.

I've never heard of Norwood Cheek, nor have I ever heard of any escape artist being killed doing a suspended straitjacket escape, let alone in my own backyard! I've searched Ask Alexander, MagicPedia, and even IMDb and could find nothing on his films, magic career, nor his fatal accident. Nevertheless, there is his story written, literally, in stone. Wild.


If you're at the L.A. History Conference and would like to visit the bridge, turn left out of The Garland hotel onto Vineland. Take Vineland to Ventura Blvd. and turn right. Travel about a mile down Ventura Blvd. to Colfax Ave. and turn right. The bridge and plaque (which is fixed to a boulder in the middle of the sidewalk) will be right in front of you.

UPDATE: Alerted to the possibility that this could be a fake by friends far less gullible than me, I went back and had a closer look. Indeed, it is a fake plaque glued over the real one. What the purpose of this prank was I have no idea (I doubt it was done just to fool me). I also don't know how long this remained in place. But it's gone now. The great Norwood Cheek hoax plaque is now part of my collection.


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