Showing posts with label Magicians' Club. Show all posts
Showing posts with label Magicians' Club. Show all posts

Thursday, November 7, 2019

Houdini's Magicians Club portrait to be auctioned

An interesting piece of Houdini history is set to be sold in Haversat & Ewing Galleries latest magic auction November 8-9. I'll let the auction description speak for itself.

This fabulous framed portrait was given to Will Goldston by Harry Houdini for the London Magician's Club. The Magicians' Club of London was formed in 1911 by Harry Houdini, Will Goldston, Servais Le Roy along with other notable names in magic. 
On March 19, 1913 the gathering place for the organization was officially recognized with a large crowd and much pomp and circumstance. With the press at hand, the organization's president Harry Houdini formally declared the club as being officially open! The Clubroom is where the Houdini portrait was hung in 1913 and where it would remain for decades. The early photo of the room (below) clearly identifies the Houdini framed image on the right hand side of the wall. 
The Davenport Family acquired the famous portrait when they purchased Will Goldston's estate in 1949 and it has since been hanging at Davenport's Magic Shop. In original frame, does not contain glass. Portrait itself measures 26" x 19.5" - with frame 28.5" x22". This is a genuine and important piece of magic history, not to be missed. Est. $10,000-12,000

The auction includes several other nice Houdini lots from the Davenport Family/Will Goldston estate that can be viewed HERE.

UPDATE: Bidding topped out at $6,125.00, but the Reserve Price was not met.

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Monday, February 4, 2019

Mystifier, Second Quarter 1996

Continuing my issue by issue look back at the Mystifier, the newsletter of the Houdini Historical Center that ran from 1991-2003.


The Second Quarter 1996 Mystifier is made up largely of a very fine article by Edwin A. Dawes about Houdini and The Magicians' Club in England. Houdini was president of the club from its founding in 1911 to his death. The article is a treasure trove of information about the various Magicians' Club events that Houdini attended, including this gem about a 1920 dinner honoring Houdini officiated by The Great Raymond.

Will Goldston claimed in his book Sensational Tales of Mystery Men (1929) that Houdini detested Maurice Raymond and, when he learned that Raymond was the occupy the Chair at this particular function, at first refused to accept any presentation from him. It took Goldston's powers of persuasion to get Houdini to allow Raymond to officiate. Even then Goldston had to reprint the tickets to placate Houdini who insisted that "The Great Raymond" be replaced with "M.F. Raymond" because "he's not great at all."

According to Milbourne Christopher in Houdini The Untold Story (1969), the antipathy had been aroused years previously when Raymond ordered a Water Can escape from Ornum, a British manufacture, without seeking Houdini's permission. However, Raymond apologized and at the dinner presumably made ample amends by declaiming in his speech, "Harry Houdini was born, as I was, under the Stars and Stripes. He saw them a little ahead of me and he had been ahead of me ever since."

The newsletter continues with a photo of the newly installed "Harry Houdini Family" inscription on the Wall of Honor at Ellis Island in New York City. Getting Houdini's name on the wall was due to the efforts of HHC member Paul Rosen. Among the "New Members" are Lance Burton and Dean Gunnarson.

The newsletter only runs four pages this time, but tipped into each member's issue was a letter from HHC Executive Director Steven M. Wilson announcing that the Mind Over Magic exhibition, announced in the previous issue, is being postponed (indefinitely, as it would turn out). Wilson explains that "concerns began to surface about the many directions the project could take, and whether the exhibit was right for our audiences needs."

Sid Radner starts off his "Backstage" column with an amusing look at people he has encountered who have legally changed their names to "Harry Houdini." [We have a regular reader here named "Harry Houdini." Is he one of the folks Sid mentions?] Sid then announces that Houdini Comes To America by Ronald J. Hilgert will be the first HHC publication and will be limited to 300 signed copies.

Sid finishes with a promise to reveal details on Ken Silverman's upcoming book and the recently completed Houdini documentary in the next issues. He signs off with: "Houdini Lives!"

Mystifier
Volume 6, Number 2
Second Quarter, 1996
4 pages

Contents:
Houdini and the Magicians' Club
Houdini Family Named on Wall of Honor
Backstage with Sid Radner


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Sunday, May 20, 2018

LINK: An invitation to meet Houdini

This excellent article by Marco Pusterla at The Ephemeral Collector is about the formation and inaugural meeting of The Magicians' Club in London in 1911.

Houdini's presidency and involvement with that early magic fraternity (which pre-dates his presidency of the S.A.M.) doesn't get much attention in biographies, so this is interesting stuff. Click the headline to have a read.

Thanks to Joe Fox for the alert.

Saturday, January 12, 2013

The secrets of The Secrets of Houdini

Today I continue my examination of books about Houdini with images and insights from my own collection.

The Secrets of Houdini by J.C. Cannell is a remarkable and somewhat mysterious book. First published in the UK in 1931, the book does indeed expose some key Houdini methods and contains an impressive collection of rare photographs. The book is arguably superior to the officially sanctioned Houdini's Escapes by Walter B. Gibson, which was published in the U.S. the previous year. So how did this book come to be without the apparent involvement or blessing of Beatrice Houdini and Bernard Ernst?

1931 UK first edition hardcover.

Not all that much is known about the author, J.C. Cannell. According to MagicPedia, John Clucas Cannell was a journalist, author, amateur magician and also Vice-President of the Magician's Club in London. Cannell is only credited with two other works, In Town Tonight (1935) and Modern Conjuring for Amateurs (1938).

But reading The Secrets of Houdini, it's pretty clear that famed magic publisher and Magicians Club President Will Goldston had a hand in this book, even though his name does not appear as publisher or even as a contributor. Cannell makes reference to "his friend" Will Goldston within the first few paragraphs of his introduction (he says Goldston is a "spiritualist"?), and you don't have to go very deep into the book before you find a photo of Houdini and Goldston. I can't help but wonder whether Goldston was the true author of this book and used Cannell as a front? It's possible.

The Secrets of Houdini was first published in hardcover by Hutchinson & Co. in the UK in 1931. Hutchinson released a revised hardcover edition in 1932 promoted as the "First cheap edition." Added to the text was a dedication ("To my wife Dorothy") and a new "Author's Note" in which Cannell expressed surprise at the controversial reaction of the book:

Since this book appeared I have received a large number of letters from people who have read it, and their reactions to the exposure of the method and technique of a would-famous illusionist and professional deceiver interested me mightily. Some of the letter writers declared that I had struck a deadly blow at the popular belief in the supernatural by revealing the coldly materialistic explanation of this modern wizard, Houdini. Others affirmed that, in spite of my revelations their belief in the psychic powers of Houdini had not been shaken.

A paperback edition of "J.C. Cannell's famous book" was released by Hutchinson's Pocket Library in 1938. The title page notes that it's the "38th Thousand" printing(!). The Author's Note does not appear in this printing.

UK "cheap edition" and the 1938 paperback.

The Secrets of Houdini wasn't published in the United States until 1971. The first U.S. edition was put out by Gyrphon Books and was a facsimile of the UK printing. The two Gyrphon editions that I've been able to examine (my own and one in the Arthur Moses collection) have different bindings, but both state "Third Impression" on the title page, so it appears the facsimile was struck from the British 3rd edition.

This was followed by another hardcover published by Gale in 1974, also a facsimile of the Third Impression. As far as I know, neither the Gyrphon nor Gale editions were issued in dust-jackets, and neither contains the "Author's Note" (which tells us the Author's Note was unique to the UK second edition?).

1971 Gryphon editions (red) and the 1974 Gale edition (blue).

But the way most American readers (including yours truly) first discovered The Secrets of Houdini was via the Dover trade paperback first published in 1973. This edition added 24 new illustrations. Like Dover's other popular Houdini title, Houdini on Magic, it's still in print to this day. There have been dozens of printings of the Dover paperback over the years that offer subtle changes in the color of the cover art. And speaking of cover art, it was the Dover edition of The Secrets of Houdini that inspired a young David Blaine.

Original 1973 and current Dover editions.

The Secrets of Houdini was published in a new hardcover edition by Bell in 1989. This edition contained a new forward by Bud Masterson and is unique in that it restores Cannell's "Author's Note" -- the first time the Author's Note had ever appeared in any U.S. edition to my knowledge. The Bell edition also retouched some of the photographs and credits the poster and props on the attractive dust-jacket to "Flosso Hornmann Magic Inc., the world's oldest magic shop" (which had once been owned by Houdini).

In 2010 The Secrets of Houdini was made available as a print-on-demand in hardcover and paperback.

The 1989 Bell hardcover and the 2010 print-on-demand.

But perhaps the strangest "reprinting" of The Secrets of Houdini happened in 2012 when Amazon listed six new "books" by J.C. Cannell with titles like: Harry Houdini the True Escapist Extraordinaire and Houdini and the Art of Illusion and Disillusion. Some of these showed prices as high as $26 and page counts as low as 30 pages.

But this was just the good-old Secrets of Houdini carved up into sections and offered up under new titles, part of an epidemic of sneaky public domain reconfigurations that have sprung up in the digital age.


Thanks to Arthur Moses for his help sussing out details on the U.S. editions. Also thanks to John Bushey for the image and details about the 1932 "cheap" edition.

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