Showing posts with label Cecelia Weiss. Show all posts
Showing posts with label Cecelia Weiss. Show all posts

Monday, July 17, 2023

The mother scrapbook and a year of discovery

Today is the 110th anniversary of the death of Houdini's mother Cecelia Weiss. It's also the one year anniversary of a remarkable experience I had with what's called "the mother scrapbook."

The great John Gaughan owns this rarity and last year he allowed me to take it home and "live with it" for several days. Turns out I had it on the anniversary of mama's death. I now mark this as the start of a remarkable year of coming to know Houdini in a deeper way. From this scrapbook to the Harry Ransom Center to Houdini's travel diary to David Copperfield's museum and the Houdini voice tapes to the collection of Bruce Averbook in Cleveland. It's been an incredible year of discovery and it all started here.

So on this dual anniversary, I thought I'd redirect you back to the post I did about the enigmatic mother scrapbook. Just click the image below to open it back up.


P.S. I fully intend to have another year of discovery.

Friday, July 29, 2022

The secret origins of Houdini the debunker


One of the more engrained Houdini myths is that his interest in spiritualism and crusade against fakes began with his mother's death in 1913. It didn't. But I've already tackled that in a post HERE. The question I want to tackle today is what did motivate him to begin exposing spiritualistic fraud?

Turns out Houdini answered that himself in an interview with the Dayton Daily News on September 26, 1925. It's a story that opens a door to a wider speculation, which I will get into in a moment. But first, here's that interview with the key paragraph excerpted:

    Houdini, born in Appleton, Wis., has been actively experimenting with spiritualism since he was 17, soon after his father died.

    "My father left his insurance papers in an usual state," said Houdini. "Innocent then, my mother and I went to a spiritualist.

    "Three of the four mediums enabled us to talk with my father. He said he was perfectly happy. It seems strange to me that my father, knowing our pinch circumstances, would say any such thing.

    "That's what started my suspicions and caused me to expose this cruel deception to the world."

So there we go. Houdini smelled a rat as early as the 1892. But for me this explanation has embedded within it something even deeper.

What I find most interesting here is his mother's participation. It begs the question: Did Cecelia Weiss believe in spiritualism? Could she even have been an ardent believer? 

If so, this would explain the conflicting nature of Houdini's obsession with the subject. On one hand, he was committed to protect his mother by sussing out the frauds that he saw prying on grieving windows like herself. But was he also driven to redeem his mothers belief by finding the real thing. Hence, Houdini's search for a real thing was every bit as strong as his hunt for fakes.

I really think this could be a key to Houdini's psyche and I have thought this for some time. But evidence is scant. Because just as we have a Germany problem, we also have a "Mama problem." 

Houdini was buried with all his mother's letters forming a pillow under his head, so no conversation between them survives. Therefore, we really don't know all that much about the most important person and most influential relationship in Houdini's life. How many of those letters discuss spiritualism, I wonder?

Food for thought!

Saturday, May 21, 2022

Earliest known professional photo of Houdini sells for $78,000

The earliest known professional photo of Houdini and his brother, Theo, sold today for a whopping $78,000 (including 20% buyer's premium) at Potter & Potter's "Houdiniana and Magic Memorabilia" auction. The photo captures "The Brothers Houdini" at the start of their careers and was taken by Feinberg in New York. The auction dates it as 1892/3. There are at least three other known images from this photo session, but this is the only original I've ever seen. A treasure indeed and a new record for a Houdini photo.

The auction contained many other rarities from the family of Houdini's brother, William Weiss, and the collection of Manny Weltman (which you might recall I mentioned here). One of the stranger items was a carved cigarette holder presented given to William by Houdini. The auction says this rarity demonstrates "not only their close relationship, but Houdini’s generosity and self-love." But I can't help but think it might have been a gag gift. I can see his brother saying something like, "Every time I open the paper I see Harry's ass." So Houdini gives him this. Well, someone paid $20,400 for that view today.

SOLD for $20,400.

Speaking of Bill Weiss, his inscribed portrait sold for $660. An hitherto unknown photo of Houdini inscribed in 1904 took in $21,600. A portrait of a very young Theo Weiss sold for $3600. A photo of the young Cecelia Weiss with her mother and sister dated 1874--the auction listing speculates she may be pregnant (with you know who)--sold for $2400. This was the first appearance at auction for any of these rarities.

Inscribed Houdini ($21,600) and brother Bill ($660).
Young Theo ($3600) and Cecelia Weiss ($2400).

But the biggest seller in the auction was a spiritualism and magic scrapbook given to Houdini by Henry Ridgley Evans in 1924. This came from the Manny Weltman collection and was one of the items that failed to meet the reserve in the Weltman Swann auction in 2002. Today it blew away the auction estimate of $30,000 - $60,000 and landed at a wild $102,000 (including premium).

SOLD for $102,000.

However, the item that most bewitched me personally was a framed engraved print showing Moses transforming a staff into a serpent before a Pharaoh. This was obtained by Larry Weeks from the Houdini family and once hung inside Houdini's home. This blew past its $400-800 estimate and landed at $6,600. Happily, the winner was our friend Lee Terbosic. Congrats Lee! Now the hunt is on for a photo of this hanging inside 278.

SOLD for $6,600.

Afraid the only thing I came away with was the auction catalog. But it's a beauty!


Congrats to all the winners and to Gabe Fajuri at Potter & Potter for another wildly successful Houdiniana auction.

Tuesday, September 28, 2021

Phantasm Mama

Inspired by last week's post about "Hidden Houdinis", magician Ash Adams sends over this shot from the 1979 horror cult classic Phantasm. Look at this tombstone closely. Hello Mama!


So is this a deliberate nod to Cecelia Weiss? Maybe not. This appears to be part of the exedra that was used in the 1976 television biopic The Great Houdinis. According to Ash, the production rented the tombstones from 20th Century Fox. The Great Houdinis was filmed largely on the Fox lot, although the graveyard scenes were shot at Home of Peace Memorial Park in East Los Angeles (you can tour that with me here). So the selection of this tombstone might have just been a happy accident.


I've always wondered what happened to The Great Houdinis mockup exedra, especially the bust of Houdini/Glaser. Now we know that it went to the Fox property depart and was still there in 1979. Would love to think it might still be there today!

Below is the real exedra marker for Mama. This was her original standalone headstone from 1913 that was later incorporated into the exedra in 1916.


Thank you Ash!

Friday, May 29, 2020

The hidden meaning of Houdini's iconic suit

Last night I had the pleasure of joining Mike Caveney and Jonathan Levit "Behind the Bookcase" at the Academy of Magical Arts, where I shared some things I haven't yet posted to the blog. First and foremost was "the secret of Houdini's suit." So today I wanted to share with all and lay out my theory in full. Enjoy!


This is a famous photo of Houdini likely taken in early 1918. Here we see him in a black suit of clothes that appears in many other photos. And I mean many. In fact, I have not seen a photo or film clip of Houdini in everyday life taken between 1914 and 1918 in which he isn't wearing this same black suit. There's even a photo of him wearing it on a golf course!

So what's the story? Was this just a favorite suit? Or is there something else going on? I believe there's something else going on, and I have a theory of what that something might be.

Whenever Houdini does something inexplicable in his personal life, I always consider the possibility that it has something to do with his mother. Because it always does! At first I thought this was maybe a suit she bought for him. Or maybe it was one she simply thought he looked good in. That would probably be enough for Houdini to wear it everyday for four years. But as far as I can find, this suit first appears a few months after his mother's death. And that's the key.

This was a time when Houdini was displaying his grief in any number of ways. He even had new stationary and greeting cards made rimmed in a black boarder. I believe this suit was another part of his formalized grieving. I believe what we've been looking at all these years is Houdini in a mourning suit.

Mourning clothes are typically associated with women, but it was not unheard of for men at this time. Women's fashion dictated veils, etc., but the only real requirement for men was that it should be black. Also, in Jewish tradition, someone in mourning is not allowed to wear new clothes for a year. And that's another aspect of this suit that has always struck me as peculiar even before I landed on this idea. Houdini was fairly modern, even dashing, in his dress leading up this time. (Just look at him here.) But this is a very Victorian suit.

Houdini also had a specific hat that went with this suit with a thick hatband that can be seen in several photos. Turns out hatbands, typically made of crepe, were a feature of Victorian male mourning clothes. And according to The Vintage News, "widows were expected to wear special clothes to indicate that they were in mourning for up to four years after the death." Houdini appears to have worn this suit for, yes, a little over four years.

But I think the most convincing evidence is that he wore this suit to the 1916 dedication ceremony for the exedra he created for his parents at Machpelah cemetery. In a photo from the event we see others dressed formally in tail coats and top hats. But not Houdini. Obviously Houdini would have thought very carefully about how he dressed for such a sacred occasion, and it's unthinkable that he'd wear his old "everyday suit" if it didn't broadcast special meaning. Wearing this suit was making a statement which now seems abundantly clear. He was a man in mourning.

Below are a few choice images of Houdini in the black suit.

In the graveyard (1914).
In California with Jack London (1915).
At the exedra dedication (1916).
On the golf course (undated).
With Harry Kellar (1917).
Traveling to Hollywood (1919).

The last images I've found of Houdini in the suit are from his early days in Los Angeles in April 1919 when he came to work on The Grim Game. It may be telling that a young starlet commented in a fan magazine on the strange suit Houdini was seen wearing around Hollywood. So maybe he decided to it was time to give up the ghost. By May 1919 he is sporting a new suit and a youthful straw hat. This old suit appears to vanish.

But Houdini wore this suit for so long and in so many photos that it has become part of his iconography. It inspired Harvey Keitel's wardrobe in 1998's FairyTale: A True Story. It also appears in the 1976 biopic The Great Houdinis in the scenes following his mother's death. It's telling that the costume designer instinctively associated this look with mourning. The suit is not described in the screenplay, but in the novelization it says: "That coat he's wearing, she thought, that had to be thrown out. And that terrible hat. He looks like an immigrant. One more week without shaving, he'll look just like his father, the Rabbi."


So what do we think? Was this Houdini's mourning suit? Sound off in the comments below.

Related:

Monday, February 10, 2020

Fred Pittella follows Harry and Mama to Budapest


On a recent business trip to Germany, our great friend and Houdini collector Fred Pittella followed in the footsteps of Houdini and his mother by taking a side trip to Budapest, Hungary. Not only did Fred visit David Merlini's House of Houdini museum and the 7th district where Ehrich Weiss was born, he also stopped in at the still standing Royal Hotel (today the Corinthia Hotel). It was here in 1901 that Houdini famously rented the hotel's Palm Garden salon to hold a reception with relatives for his mother who came gowned in a dress made for Queen Victoria.

Fred sends us some photos and says, "You could just imagine Houdini walking down these stairs with his mother on his arm, all puffy chest a proud son."


"How my heart warmed to see the various friends and relatives kneel and pay homage to my mother, every inch a queen, as she sat enthroned in her heavily carved and gilded chair." - Houdini

While no photos of this famous reception survive (to my knowledge), it has been depicted in two Houdini biopics, The Great Houdinis (1976) and the Houdini Miniseries (2014).


Here's an image from Fred's collection capturing the real Harry, Mama, and Bess at this very time.


Thanks Fred!

Related:

Thursday, October 31, 2019

Did Houdini see his mother's ghost?


Here's a new story to conclude our special Halloween week of GHOST POSTS. I don't believe this is mentioned in any biography, and it's pretty wild. Did Houdini see his mother's ghost at the time of her death?

The following comes from the 1932 book Houdini and Conan Doyle: The Story of a Strange Friendship by Bernard M.L. Ernst and Hereward Carrington.

It is true that certain odd incidents occurred in his life, but these he was always inclined to "explain away" by that blessed word—coincidence! Thus, he narrated to the editors of this book how he saw a vivid apparition of his mother, the very night she died—he being in Germany at the time, and she in New York. (He was quite unaware of her illness.) This he acknowledged as really happening, but he put it down to coincidence—quite ignoring the fact that "coincidences" of the type had long since been mathematically proved far too numerous to account for in this manner.

Bernard Ernst was Houdini lawyer and close confidant and can be considered a trusted source. (Carrington less so.) So if Ernst says Houdini said this, then Houdini said this! What I wouldn't give to learn more details.

Hope you enjoyed my week of GHOST POSTS. Yes, this was a gimmick, but as you can see below, Houdini himself understood that the power of the word "Ghosts" to get ones attention. Especially on Halloween.


Remembering
HARRY HOUDINI
on the
93rd ANNIVERSARY 
OF HIS DEATH
October 31, 1926

Related:

Wednesday, July 17, 2019

'Pulling Back the Veil in Search of Cecelia' at The Breman Museum

Today marks the anniversary of Houdini's mother's death in 1913. So this seems like the right day to share that Rolando Santos will be presenting a lecture called "Harry Houdini: Pulling Back the Veil in Search of Cecelia" on July 28 at the The Breman Museum in Atlanta. This is the final lecture of their Inescapable: The Life and Legacy of Harry Houdini programing.


Inescapable: The Life and Legacy of Harry Houdini has been extended through August 18. For more information visit the Breman Museum's website, Facebook or Twitter.

Related:

Tuesday, June 11, 2019

Oversized Houdini family photo sells on eBay

This remarkable oversized photo of Houdini, Bess, and Cecelia Weiss recently sold on eBay for $2,399.50. While a familiar image, this photo, said to be original, is annotated with a date: "May 1901, Essen Rhur, Germany." This was when Cecelia first came to Europe after Harry's breakout fame. It was during the trip that Harry and Mama traveled to Budapest.

This photo comes from the collection of Henry Muller and the Houdini Magical Hall of Fame. Items from Henry's collection are being sold on eBay by a seller named printreaders64. There have been some interesting items at unconventional prices.

Related:

Sunday, March 24, 2019

The Houdini birth year conundrum

Houdini buffs have long discussed the question of Houdini's two birthdays. While Houdini celebrated it on April 6, his birth certificate shows he was actually born March 24 (today!). In a letter to Hardeen, Houdini admitted that he celebrated his birthday on April 6 because that's when their mother would write to him. "As SHE always wrote me on April 6th, that will be my adopted birthdate."

But there's another mystery around Houdini's birth that never seems to get discussed. It's the question of why Houdini for the first half of his life claimed he was born in 1873 instead of 1874. When I first started encountering this 1873 date, I would chalk it up to a misprint or isolated error on Houdini's part. But I now see there is consistency in Houdini both using this date and calculating his age during these years. So it appears Houdini really believed he was born in 1873.

This has some interesting implications. Houdini thought he was a full year older during his formative years. So when he made the decision to leave his tie cutter job and begin a career as a magician, he thought he was 18. But he was 17. When he married Bess in 1894, he believed he was 21. He was 20.

So when did Houdini learn the truth?

On his May 26, 1900 passport application, Houdini records his birth year as 1873. But on his application for renewal filed April 15, 1903, he writes 1874 for what appears to be the first time. So what happened between these dates? One pretty significant thing; he went to Budapest.

I think it's possible Houdini discovered his true birth year from records or from relatives during his weekend visit to Budapest with his mother in 1901. However, in his pitchbook, The Life, History and Handcuff Secrets of Houdini, and in his first book, The Right Way To Do Wrong, both published in 1906, he once again gives his birth year as 1873.

The Right Way To Do Wrong (1906)

But the bigger mystery in all this is why Houdini believed his birth year was 1873 in the first place.

Before I get too deep into the weeds, I need to acknowledge that it could be just an honest mistake. I know it's hard for us to conceive this kind of mistake today, but the Weiss family grew up in a very different world, one without easily accessible records, and dates would be what one recorded yourself or could remember. And when having a child a year, birthdays and even birth years could be confused. Or it could be Houdini, who we know was famously bad at recording dates, was even worse than we think!

But if it was an honest mistake discovered in 1901, why does Houdini continue to use the wrong date in his publicity material? This suggests there might be something more to this.

Now, I do have a theory that gets us into some pretty provocative territory. These are thoughts I've had for a while, but have not shared. This is pure wild speculation on my part, but hear me out.

Houdini's sister Gladys once stated that Houdini/Ehrich was named after an earlier baby who had died. This remarkable claim appears in a letter she wrote to Bess in 1936, reproduced in full in The Houdini Birth Research Committee's Report (1972). She writes:

There was an infant son Ehrich of our household, at that time. This babe through a fall, died and broke the hearts of both our parents. Both of them said, if ever another son were to be their blessing, his name would be Ehrich.

No other evidence of this earlier Ehrich has surfaced, and in the next sentence Gladys says Houdini was born in Appleton. So she might be doing some myth making here. But it seems odd for her to be doing so with Bess, and she also writes, "I'm sure you have heard mother tell you all this before." So this seems like information that was well known among family members.

So if we take Gladys' word for it, could this earlier Ehrich have been born in 1873? Could he have been born on April 6, 1873!? Could Houdini's mother have confused the birth years of the two Ehrichs? Or, and this is where it starts to get strange, could the heartbroken Cecelia have been such a believer in reincarnation (as Houdini later said he was) that she decided her new Ehrich was the old Ehrich and that he was spiritually "born" in 1873 and wanted to honor that.

In the same letter that Houdini admits to April 6 being his "adopted birthday", he writes: "It hurts me to think I can't talk it over with Darling Mother." Could his mother's clinging to the trauma of the earlier Ehrich and her strange transference onto Houdini be what they needed to "talk over"?

This also helps explain the pitchbook and The Right Way To Do Wrong. Having discovered the truth in 1901, Houdini recorded his real birth year in official records. But for the public record, one that his mother might read, it remained 1873 for HER. Tellingly, the 1914 edition of his pitchbook, published after her death, his birth year is updated to 1874.

Is your head swimming yet? Here's one final bit of Freud for you.

If there was an earlier Ehrich who died in an accident, might it explain the extreme attachment Cecelia had for her second Ehrich. Might it also explain Houdini's drive to become a "death defier" -- compulsively acting out his own death and resurrection to delight his mother and heal the grief caused by "his" original failure to escape death. Recall his famous diary entry after his Rochester bridge jump in 1907: "Ma saw me jump!" Might this be the key to Houdini's psyche?

Anyway, on his 145th birthday today (or is it 146?), I just thought I'd share my thoughts on yet another delightfully mysterious aspect in the delightfully mysterious life of the great Harry Houdini.

Happy birthday Harry!

Related:

Sunday, May 13, 2018

Here's to the moms

Here's a great image of Bess Houdini with her mother, Balbina Rahner, and mother-in-law, Cecelia Weiss, in 1909. The Houdinis took their mothers to Europe that year. By all accounts the two moms, who were both German-speaking widows with seven children, got along extremely well.

Happy Mother's Day.

Photo from Houdini His Legend and His Magic by Doug Henning.

Related:

Monday, March 13, 2017

Potter & Potter photo reveals Mama (still) in Europe

The catalog for Potter & Potter's Spring Magic Auction is now available as a free PDF or printed copy for purchase from their website.

As promised, the auction contains a fair amount of Houdini material, including this original unpublished photo of Houdini, Mama and Bess taken in "Berlin Germany June 1901." This image challenges the long accepted belief that Cecelia Weiss's first trip to Europe was from April to May 1901. Either Houdini has this wrong or we do!

One of the reasons this matters is that biographers struggle to pinpoint the date of the famous "queen for a day" reception at the Royal Hotel in Budapest, which reportedly took place during Mama's first visit. Most have relied on the not very reliable Kellock biography and wedge it between Houdini's closing in Hamburg (end of April) and his opening in Essen Ruhr (beginning of May). But if this photo is accurate and Mama was still around after Houdini's Essen Ruhr engagement, it opens up new possibilties for the Budapest trip. Unfortunelty, the Royal Hotel, which still exists today, has no record of Houdini's visit.

Potter's & Potter's Spring Magic Auction takes place at 10:00 am on Saturday, April 8th at their Chicago gallery and online via LiveAuctioneers. As previously reported, the auction will also include Bess Houdini's famous "Royal Crown Brooch" (link below).

Related:

Friday, March 3, 2017

Houdini in 1901


When England's Queen Victoria died on January 22, 1901, the 26-year-old Houdini was performing his second record breaking engagement at the Alhambra Theater in London. The Queen's death brought an end to the 64 year "Victorian Era" that had transformed England into a great empire. If Houdini had any reaction to this historic moment, it has gone unrecorded by biographers. But he did buy a dress said to have been designed for the Queen before her death. He thought it would look good on his mother.

This post is now retired. But you will be able to enjoy the story of Houdini in 1901 in my upcoming book. 

      Tuesday, March 8, 2016

      Diana Quick is Cecelia Weiss in Houdini & Doyle

      Here's some Houdini & Doyle casting news that has been keep under wraps until now. Houdini's mother, Cecelia Weiss, will appear in the series played by 69-year-old Diana Quick, a popular British stage and television actress best known for her role as Lady Julia Flyte in the series Brideshead Revisited.

      Quick joins the ranks of Angela Clarke (Houdini '53), Ruth Gordon (The Great Houdinis), Rita Zohar (Young Harry Houdini), Grace Zabriskie (Houdini '98), and Eszter Ónodi (Houdini Miniseries) in playing Houdini's "sainted" mother.

      But the series might be using Cecelia's character in a unique way. As I reported back in November, she may also appear as a young woman played by 29-year-old actress Bo Martyn. Whether this will be in flashbacks or maybe something more supernatural remains to be seen.

      Houdini & Doyle episode one, "The Maggie’s Redress", airs this Sunday at 10:15 PM on ITV and ITV Encore in the UK. The series will air on FOX in the U.S. and Global TV in Canada starting May 2.

      Related:

      Tuesday, February 23, 2016

      Death in Asbury Park


      In July of 1913, Houdini departed New York for a Scandinavian tour that would see him perform for the first time before the King of Sweden in Stockholm. After bidding an extended goodbye to his mother at the dock -- and promising to bring her back a pair of woolen slippers, size six -- he set sail on the German ocean liner Kronprinzessin Cecilie.

      His brother Hardeen stayed closer to home, accepting an engagement in Asbury Park, New Jersey. Thinking his mother would enjoy a vacation by the sea, Hardeen brought along Cecelia Weiss.

      Asbury Park is a seaside community located on New Jersey's central coast. Developed in 1871 as a resort, the city features a mile-and-a-quarter stretch of oceanfront. In its heyday, as many as 600,000 people a year vacationed in Asbury Park. In 1912, The New York Times estimated that the summer population could alone reach 200,000.

      Opening day ad for Hardeen at the Lyric, July 14, 1913.

      Hardeen opened at the year-old Lyric Theater on July 14, 1913. The Lyric was located at 214 Cookman Avenue. It featured vaudeville and even early movies -- "The Lyroscope Animated Photo Plays." Here Hardeen did his usual act; escaping a straitjacket, accepting challenges, and closing with the Milk Can. On July 15, he leapt manacled from the Asbury Park Fishing Pier.

      The following day Hardeen escaped from a packing crate made by The Tusting Piano Co. But unbeknownst to the audience, the real drama was playing off-stage. The next day, July 17, the Lyric ran a special Announcement in the Asbury Park Press that said it all:

      Special announcement on July 17, 1913.

      Upon their arrival in Asbury Park, Cecelia Weiss had suffered a stroke that left part of her body paralyzed. She was tended to in Room 18 at the Imperial Hotel by Dr. James Ackerman, who put her on the critical list. Hardeen phoned his brother Leopold and sister Gladys who quickly arrived from New York. After escaping from the Tusting packing crate at the Lyric, Hardeen rushed back to Cecelia's bedside. She struggled to communicate a message for Houdini, but was unable to speak. She died at 12:15 AM on July 17.

      Hardeen sent a cable to Houdini notifying him of their mother's death. Thinking it was simply a welcoming message from "the folks", he delayed opening it. After performing his Water Torture Cell at the Circus Beketow in Copenhagen before an audience that included the royal princes (Houdini did his act in Danish), he finally read Hardeen's cable at a press reception and fell unconscious to the floor.

      Houdini and Bess quickly reboarded the Kronprinzessin Cecilie for its return voyage to New York, leaving Jim Collins behind to deal with the show. In Denmark, breaking a contract was a serious offense, and Collins was jailed until the situation was explained to the theater manager.

      Following her death, it was reported that Mrs. Weiss has been taken by "Undertaker Burtis" on the 1:10 train to Brooklyn. The funeral had been planned for the following Sunday, but was delayed until Houdini returned. Houdini arrived several days later to find his mother laid out in the parlor of 278. He had brought along the woolen slippers she asked for and placed them in her casket.

      Cecelia's death devastated Houdini. On the one year anniversary, Leopold drove Houdini and Hardeen back to Asbury Park to photograph Room 18 at the Imperial Hotel (what happened to those photos, I wonder?). That night Houdini wrote in his diary: "Things have never been the same, since, and I know that they can never be the same again."

      The Imperial Hotel is, presumably, long gone (at least I couldn't find any information about it, past or present, online). But the Lyric Theater remained a fixture on Cookman Avenue until the 1960s. Renamed Park Cinema, it became a pornographic movie theater in the 1970s and '80s. It also appeared in the Robert DeNiro film City by the Sea (2002) and in The Sopranos.

      The building was finally demolished along with the rest of the block in 2005. Today the site of Hardeen's Lyric Theater is an empty lot.




      For more on Asbury Park, check out A Seaside Ghost Town Trying to Rise Again by Christopher Clay.

      Thanks to Ron Armstrong for providing additional details.

      UPDATE: Our friend Perry Reed has discovered a postcard image of the Imperial Hotel at the website side-o-lamb.com.

      Related:

      Saturday, February 13, 2016

      Houdini and the American Gaiety Girls

      David Saltman at The Houdini File has an interesting post today about Houdini's short-lived and ill-fated experience managing a burlesque troop, The American Gaiety Girls, in the 1890s. David explains the interesting connections back to the extended Weiss family and also shares an early family portrait showing a young Cecilia Weiss.

      The American Gaiety Girls is a subject I've yet to tackle here, so click on over to The Houdini File and enjoy:

      THE HOUDINI FILE: NO BIZ LIKE FAMILY BIZ

      Monday, November 30, 2015

      Final two episodes of Houdini & Doyle feature "Young Cecilia"

      The final two episodes of Houdini & Doyle have begun production in Toronto, Canada. The series wrapped the first 8 episodes in the UK and will complete the 10-episode series in Southern Ontario.

      According to IMDb, these last two episodes feature a character named "Young Cecilia" played by 29-year-old actress Bo Martyn. Now, I know nothing about this role nor the plots of these episodes, but is it possible Martyn is playing the young Cecilia Weiss, Houdini's mother? Maybe she's playing her in flashbacks in a parallel storyline? Or maybe her presence as a young woman is a bit more supernatural in nature (executive producer David Hoselton describes the series as an "Edwardian X-Files"). For the record, Cecilia Weiss was 32 when she had Ehrich.

      It's also possible this is just a character named "Cecilia" who has nothing to do with Mrs. Weiss. But why then call her Young Cecilia? This implies there is an Old Cecilia. I don't know. I'm thinking Bo Martyn might be joining the ranks of Angela Clarke, Ruth Gordon, Rita Zohar, Grace Zabriskie, and Eszter Ónodi as our new Mama.

      Bo Martyn was born on the island of Swinoujscie in Poland on September 27, 1986. She grew up in Canada where she attended York University and studied improv at The Second City in Toronto. She is a distant relative of silent film star Pola Negri.

      Houdini & Doyle stars Michael Weston as Houdini and Stephen Mangan as Sir Arthur Conan Doyle. The series will air next year on ITV Encore (UK), Global TV (Canada), and FOX (U.S.).

      UPDATE: Martyn's credit has now been changed to "Young Woman."

      Related:

      Friday, October 16, 2015

      It's getting spooky...

      While preparing my upcoming CFI talk on Houdini Among The Spirits, I noticed something odd in this photo of Houdini at his mother's gave circa 1913. Maybe it's just the amount of time I've been spending with the spirits, or maybe it's the spirit of Halloween, but I see something a little spooky here. Can anyone else spot it?



      Hope to see some familiar faces at my lectures this Sunday, October 18th. Below are times and locations.

      Houdini Among The Spirits
      Sunday, October 18, 2015
      11:00 AM: Center For Inquiry, 4773 Hollywood Blvd. 
Los Angeles, CA 90027.
      4:30 PM: Costa Mesa Community Center, 1845 Park Ave. Costa Mesa, CA 92627.


      For more info visit the details page at the CFI Los Angeles website and the CFI Costa Mesa website. Facebook event page HERE.

      UPDATE: Center For Inquiry welcomes Houdini (report)

      Related:

      Sunday, May 10, 2015

      Houdini's baby shoe

      Here's a Mother's Day treat from the collection of Jon Oliver (the man who sleeps in Houdini's bed). This is Houdini's baby shoe. This is from a pair presumably saved by his mother and then passed to Houdini. After Houdini's death, they went to Bessie's family. This appears to be the right shoe. David Copperfield has the left one in his collection. Oh baby.


      Happy Mother's Day.

      Thank you Jon.

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