How did Houdini become the magical folk hero, the symbol of escape from the chains of oppression, poverty and rejection? What circumstances brought him into the final spotlight of world prominence? What was the force behind his aggressive personality? Can we really understand the mind of the driven master mystifier? In exhausting efforts to sculpture his own image, did he leave us the mystery of himself?You are invited to journey back in time, to a different way of life to grow up living as he did, searching for opportunity in an era we may have forgotten. His countless escapes and magic tricks on and off stage were but the surface of a whole world of happenings. We may never know all the hidden side of Houdini’s mind but in this book, I will attempt to reveal some workings of his inner self.
- Home
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- Houdini's Movies
- Les merveilleux exploits de Houdini à Paris (1909)
- The Master Mystery (1918)
- The Grim Game (1919)
- Terror Island (1920)
- The Man From Beyond (1922)
- Haldane of the Secret Service (1923)
- Velvet Fingers (1925-26)
- Medium Well Done (1937)
- Religious Racketeers (1938)
- Houdini Picture Corp.
- Film Developing Corp.
- Filming locations
- Unmade Movies
- Deconstructing Houdini '53
- Spiritualism
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- Beatrice Houdini
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- Margery
- J. Gordon Whitehead
- Edward Saint
- Jacob Hyman
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- Media
- Full Bibliography
- By Houdini
- Biography
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- Wild About Harry Bookshelf
- Houdini His Life Story (1928)
- Houdini The Man Who Walked Through Walls (1959)
- Houdini The Untold Story (1969)
- The Life and Many Deaths of Harry Houdini (1993)
- Houdini!!! The Career of Ehrich Weiss (1996)
- The Secret Life of Houdini (2006)
- The Metamorphosis: The Apprenticeship of Harry Houdini (2012)
- The Witch of Lime Street (2015)
- The Life and Afterlife of Harry Houdini (2019)
Tuesday, November 11, 2025
Unpublished Houdini book by William Rauscher will appear in 2026
Wednesday, July 3, 2024
William V. Rauscher (1932-2024)
William V. Rauscher (1932-2024)The Reverend Canon William V. Rauscher was a magician, a psychic researcher, a biographer, and an Episcopal priest who served as rector of Christ Church in Woodbury, New Jersey, for 36 years. For four years Bill served as president of Spiritual Frontiers Fellowship (SFF), an organization focused on the implications of psychic phenomena for religion. At its peak SFF had 6000 members.
Bill was a member of the International Brotherhood of Magicians, Order of Merlin Excelsior. He was also a collector of magic and owned and performed the Flight of Time, the last illusion invented by Harry Houdini. He wrote 17 biographies of magicians. Bill maintained friendships with psychics, debunkers, fraudulent mediums, and the sixth man who walked on the moon, Edgar Mitchell, of whom he wrote a biography. He had psychic experiences himself but also exposed fraud in Spiritualism. He played a key role in publication of The Psychic Mafia, a most amazing exposé in the history of Spiritualism.
Rauscher received five writing awards from The Linking Ring, the magazine of the International Brotherhood of Magicians (I.B.M.) and had been a member of the organization for 75 years. He was elected to the Society of American Magicians (S.A.M.) Hall of Fame. In 1996 the New England Magic Collectors Association honored him for his many contributions to the art of magic. In 1991 he received the Milbourne Christopher Foundation award for his contributions to magic, noting his performing and writing, and in 2007 he was honored with the Christopher Literary Award. In 2023 he received the Lifetime Achievement Award from the Magic Castle’s Academy of Magical Arts in Hollywood. That same year he was honored with the prestigious John Neville Maskelyne Prize for noteworthy contributions to the art or literature of magic from London’s Magic Circle.
Today we remember our friend Bill, an amazing person who touched the lives of so many.
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| Rauscher the Magician performing Houdini's Flight of Time. |
Houdini buffs will know Bill Rauscher as the author of The Houdini Code Mystery, Hardeen: Monarch of Manacles, and co-author of Arthur Ford: The Man Who Talked With The Dead. Bill knew Arthur Ford well. He also lectured on the Houdini Code and controversy.
I'm honored to have known Bill. He was always generous with his time and information. He was one of the rare Houdini truth seekers. He will be missed.
UPDATE: You can now read his full obituary in The Philadelphia Inquirer.
Related:
Friday, January 13, 2023
Houdini's nurse and a new case for murder?
William V. Rauscher is a name that most will be familiar with. He is a reverend, magician, paranormal investigator and the author of many books, including a biography of Arthur Ford, The Man Who Talked With The Dead, a recent book about Hardeen, and The Houdini Code Mystery. He even did a guest blog here on WILD ABOUT HARRY. Bill Rauscher is a legend in the world of magic and the paranormal. So when a mutual friend, Tom Ewing, suggested I give Bill a call to learn the details of an amazing meeting he had many years ago, I was happy to! Here's the story Bill told me.
Mrs. Bacon recalled that he had in addition to his ruptured appendix a ruptured pancreas.
Saturday, September 28, 2019
Dorothy Dietrich & Dick Brookz receive Milbourne Christopher Award
The Milbourne Christopher Awards were established by Maurine Christopher in 1989 to perpetuate her husband's memory and spotlight the best magic has to offer in performing, writing, publishing and invention.
Congratulations to Dorothy and Dick on this well deserved honor!
Tickets to the 2019 Christopher Awards can be purchased HERE.
UPDATE: David Haversat has shared a photo of the 2019 Milbourne Christopher Foundation Award Winners!
Steve Cohen, Daniel Roy, Dorothy Dietrich, Dick Brookz, Bill Herz
Related:
Tuesday, January 8, 2019
Bill Rauscher on Arthur Ford and the Houdini Code
I've never really tackled the Houdini Code and its controversy here on WILD ABOUT HARRY, but I wanted to put up something for this anniversary, so below is a full lecture by William V. Rauscher who wrote the book The Houdini Code Mystery and knew Arthur Ford personally. What he has to say about Ford and events of 1929 is pretty interesting. Enjoy.
Related:
- LINK: The Day Houdini (Almost) Came Back from the Dead
- Bess goes Beyond and Back
- August MAGIC believes in Rosabelle
Friday, January 19, 2018
William Rauscher's Hardeen book released
This book is a tribute to one of the world's greatest escape artists. He traveled the world defying police authorities to shackle his body in handcuffs and leg irons, or to lock him in the darkest jail cells, all of which could not hold him. He nightly escaped from a giant padlocked and water-filled milk can. During the day he freed himself from an ironbound wooden crate as it sank to the bottom of murky rivers and swift oceans. Metal "Crazy Cribs" used on the murderously insane could not hold him. The inescapable steel "Tramp Chair" was child's play to "The Monarch of Manacles."
Beyond escapes he performed on vaudeville stages, appeared in movies, was a Broadway star and experts considered him a wonderful magician. In fact, he was a much better magician than his brother, and well-liked and admired by the conjuring community.
Now, for the first time, best-selling author, magic historian, and magician William V. Rauscher brings you the revealing story of this wonderful entertainer who, for the first time, justifiably steps out from the shadow of his brother to take his rightful place in the pantheon of prestidigitators. Meet Theodore Hardeen-the sensation of two hemispheres-brother of Houdini!!
Click to purchase at 1878 Press Co.
Related:
Saturday, August 19, 2017
Hardeen biography coming in Fall
Author William V. Rauscher was close friends with Hardeen's successor Douglas Geoffrey ("Hardeen Jr."), and carried on performing some of the Hardeen/Houdini effects he inherited from Geoffrey. In 1973 he co-authored the book Arthur Ford: The Man Who Talked With the Dead (he knew Ford well). He also penned the book The Houdini Code Mystery in 2000. In 2015 Bill provided us with an excellent guest blog about the Hippodrome Theater.
I don't yet have information on how to purchase or pre-order Hardeen: Monarch of Manacles, but I'll update as soon as I do. This is going to be a must buy!
Thanks to David Haversat.
Related:
Friday, July 3, 2015
Guest blog: William V. Rauscher on Houdini and the Hippodrome
Houdini played many theaters during his illustrious career but none like the one he appeared in for 19 weeks beginning January 7, 1918, when he vanished Jennie the elephant on the stage of the colossal Hippodrome Theater in New York City.
In the history of conjuring great magicians have played many theaters throughout the world but the Hippodrome in size, technology, and sheer magnificence was beyond belief. People today are awed in Las Vegas when they see the Titanic sink on stage or watch the Christmas show at Radio City Music Hall.
At the Hippodrome they saw spectacle after spectacle that dwarfed today's theaters. If you're lucky enough to come upon a Hippodrome Theater program, it makes you wonder, "What was the Hippodrome like when Houdini performed there?" Few remember this enormous theater and even fewer realize its grandeur and elegance. It was advertised as the “Center of the Universe.” Leave it to Houdini to perform in the “center of the universe” and above all things to vanish an elephant. His appearance there made an impact at the time and it is still being discussed today. In size and effect alone the Hippodrome was probably the only theater that could accommodate such an illusion.
Two men deserve utmost recognition for creating and building the Hippodrome. They were the entertainment entrepreneurs Elmer "Skip" Dundy and Frederick Thompson. Described as "theatrical dynamite," they specialized in grand displays, lavish buildings and architecture and were entertainment giants. They thought and built big attractions such as Luna Park at Coney Island which opened in 1903. When they designed the Hippodrome Theater they thought beyond big – they thought gigantic.
Construction started in July 1904, and the architect was J. H. Morgan who created the building in the Beaux-Arts style with Moorish Revival themes. Dundy and Thompson wanted a theatre that would be the greatest in the world and they succeeded. It was to be the equivalent of a great theatrical temple and so it was.
The location was on Sixth Avenue between 43rd and 44th Streets. Exotic beyond belief, the planned seating capacity was 5,200. When finished, it had state of the art technology including hundreds of ingenious stage mechanisms. The electrical system was staggering and lit the theater with 52,000 light bulbs. There were 5,000 in the ceiling alone and another 9,000 lit the stage. A platform 30 feet high was required to work the light board.
The stage was 110 feet deep and 200 feet wide and each performance required 196 stage hands. The stage was equipped with hydraulics, counterweights, and traps that could be raised, moved or lowered. In the front of the stage beneath the covered floor was a glass tank 14 feet high and 60 feet in diameter. It held 8,000 gallons of water, could be flooded at a rate of 4,000 gallons a minute for water spectacles, and had the ability to be raised or lowered at will by a system of hydraulic pistons. It was so constructed that a bevy of chorus girls could descend the steps and into the water and never be seen again. A special air pocket allowed them to walk under the water and into the wings.
The main auditorium was designed in Roman style with red, gold, silver and ivory and the carpet offered the same colors. There were wall hangings, draperies and upholstery in red velvet with gold and silver embroidery and tassels. Carved stone and marble dignified the lobbies.
The opening night Hippodrome performance on April 12, 1905, and featured “A Yankee Circus on Mars” with a cast of 1,200 actors and dancers in beautiful costumes. Scenery for the Hippodrome was also grandiose and filled the stage. Overhead cranes shifted scenery that weighed up to ten tons. There were areas underneath the stage similar to a zoo for elephants, horses and other animals. It was twice the size of the Metropolitan Opera house and the orchestra pit accommodated hundreds of musicians. The great theater organ was created by the Wurlitzer Co.
As time went on financial problems escalated and the Hippodrome could no longer support the extravaganzas and spectacles it once presented. Many factors contributed to its demise. The coming of talking pictures, the decline of Vaudeville, the failings of Keith-Albee and Schubert management and troubles encountered by Dundy and Thompson. Producer Billy Rose was the last to try and bring back the heyday of the Hippodrome. He leased the theatre and presented its final spectacular production “Jumbo,” staring Jimmy Durante. The show played five months until the Great Depression brought it to an end. The Hippodrome closed August 16, 1932, and was demolished seven years later.
One great theatre capable of staging spectaculars still remains in New York. It opened on December 27, 1932, with a seating capacity of 5,933. It features an Art Deco interior with a sunburst ceiling and it is still capable of presenting grand productions. Known as "The showplace of the nation," theatergoers know it as the famous Radio City Music Hall. We can be sure that if Houdini were alive today he might be presenting the vanishing elephant there but probably with the help of the many hydraulic lifts that raise and lower the stage sections that might make the illusion even greater than it was in his day.
Just as Houdini stood on the stage of the Hippodrome and fired a pistol to make Jennie the elephant disappear, so to did the Hippodrome disappear to the sounds of demolition. When you think of Houdini and his elephant Jennie you might also fondly recall of the mighty Hippodrome. They are both wonders now gone and only memories.
Thanks to William Rauscher and Tom Ewing for allowing me to share this here at WILD ABOUT HARRY. If you have your own piece of Houdini research that you'd like to share as a "guest blog," please get in touch via my Contact Page.
Related:
Friday, July 5, 2013
Hardeen's Flight
Hardeen inherited the Flight of Time from his brother and continued to perform it in his act, including during his engagement with the Olsen and Johnson hit, Hellz-a-Poppin. A review of Hardeen's show at the Belasco Theater in New York on January 21, 1945 said of the illusion: "To the audience at large, this effect was perhaps the most startling of the entire evening."
Hardeen passed the Flight of Time onto his successor, Douglas Geoffrey a.k.a. Hardeen Jr., who performed it for many years. William Rauscher received the original apparatus from Geoffrey in 1977 and also performed it for a time (there's a nice photo of him performing the effect in the November 1993 Genii). Rauscher penned an article about the effect in Perennial Mystics (Vol. 11) in which he stated:
"Geoffrey personally taught me the method of performing the effect. It was a temperamental pieces of apparatus and needed a great deal of work. There were times when it failed. According to stories by Geoffrey, it also failed upon occasion even for Houdini. Houdini would simply say "Take it away!" Even though there were incidents of failure, Houdini considered the trick a winner."
In 2011 one of the original Houdini-Hardeen Flight of Time alarm clocks sold for $1600 as part of Potter and Potter's auction of magic memorabilia from the collection of Ken Klosterman.
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| From The Original Houdini Scrapbook. |
Sunday, May 22, 2011
The untold story of Hardeen Jr.
Recently I had the pleasure of speaking with the nephew of Douglas Geoffrey aka "Hardeen Jr." Despite the fact that Geoffrey was the official successor to the Houdini-Hardeen show, precious little is known about him. Most think he only performed for a couple of years, but this is incorrect. Douglas Geoffrey performed as Hardeen Jr. well into the 1950s, and then under his own name until 1988! But let's start his story at the beginning.
Born on May 19, 1907, Douglas Geoffrey Mackintosh fell in love with magic at the age of 8 when he received a Gilbert's Mysto Magic set from his Aunt Lucie. At the age of 12 he saw Thurston perform, and was even invited onstage to assist in a trick. He later took magic lessons from magician Fred Estelle of Brooklyn. One bit of information that the nephew shared with me -- something I've never seen printed anywhere -- is that Geoffrey actually worked briefly with Houdini! At age 19 he got a job in Houdini's full evening roadshow. Unfortunately, his tenure was brief as Houdini died that same year.
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| Geoffrey assisting Hardeen in 1943 |
Geoffrey was initiated into the Society of American Magicians on May 19, 1944. Then on May 29, 1945, during his final show at the RKO Madison Theater in Ridgewood, New York, Hardeen named "Doug" his official successor. Hardeen would die a short time later -- it was Geoffrey who broke the wand over his casket in the S.A.M. ceremony -- and Geoffrey went on to perform as "Hardeen Jr", the professional name bestowed on him by Hardeen.
Along with the "Heir to the Throne of Magic" title, Douglas Geoffrey inherited the Houdini-Hardeen show props. Thankfully, Hardeen did not stipulate in his own Will Houdini's instructions to "burn and destroy" all his props following his death. The props Geoffrey decided not to use -- including most of the escape apparatus -- he sold off in the July 1945 issue of The New Conjurer's Magazine on behalf of Elsie Hardeen. Among the items listed was Hardeen's original Milk Can with an asking price of $500. (I believe this is the can currently on display as part of the Houdini Art and Magic exhibition.) One personal memento Geoffrey held onto was the monogramed pocket from the pajamas Houdini was wearing when he died. (Today it's in the collection of Arthur Moses.) He also wore Hardeen's masonic pin during performances.
The Hardeen Jr. show, first billed as Houdini Lives Again! and co-starring magician Bob Sherman aka "Sherms", toured vaudeville and with the USO starting in 1945. Featured in his act was The Flight of Time (advertised as "the last illusion invented by Houdini"); Mummy Case; Houdini Card Star; Nest of Boxes; and the Book of Life (the last effect invented by Hardeen). Even though his newspaper adverts sometimes featured escape imagery, the only "escape" he did was the substitution truck with handcuffs. At one point he was (unintentionally?) billed as "Houdini's nephew."
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| Two Hardeen Jr. ads: One for his show and the other for a "magic battle". |
Hardeen Jr. specialized in "challenge" magic contests, at one time holding his own in a card manipulation contest with Cardini. He also succeeded Hardeen in the Olson and Johnson Broadway show Hellzapoppin, playing a remarkable 80 weeks. Hardeen Jr. took his show international, performing in such far off locations as India and Saudi Arabia. While performing at Union City's Capital Theater, he was assisted by Hardeen's daughter, Gladys Hardeen.
Reviews where good. The Richmond News Leader noted that "the Hardeen act has all the flair of 'big time'. He moves with a clocklike precision, and an evenness that is so often missing in these performances that hit the road."
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| Hardeen Jr. in 1980 |
Geoffrey continued performing until he physically couldn't manage the coin and cards manipulations. He gave up the stage in 1988 and died on January 14, 1990 at age 82. The S.A.M. performed a Wand Breaking ceremony and buried him with his magician's baton. His close friend, William Rauscher, who penned the book The Houdini Code Mystery
Douglas Geoffrey did not formally pass on the Houdini-Hardeen-Hardeen Jr. show to any successor. But he carried the torch admirably for many years, and his life and name should definitely be celebrated as part of the larger legacy of Harry Houdini.


























