Monday, April 2, 2018

Chuck Romano wins April Fools Day

Check out what our friend Chuck Romano of Chuck Romano Magic tweeted out yesterday, April Fools Day. Pretty spectacular!


While Chuck has not yet fessed up to this being an April Fools Day prank, there are clues here that tell us this is not a real Houdini lithograph. You might notice Houdini's body is actually that of Howard Thurston from a Levitation poster (cleverly reversed). And Houdini's head is from his 1914 Buried Alive lithograph, as is the typeface.

The subject, the Vanishing Elephant, is very well chosen, because there is famously no known poster for this iconic Houdini illusion. But if one ever surfaced, it would probably look a lot like this, so thank you Chuck!

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Sunday, April 1, 2018

LINK: Houdini In His Own Words

Jim Rawlins has a terrific post on his Magic Collectibles website and blog about Houdini's relationship with Walter Lippman, "The Father of Modern Journalism." But it's near the end that Jim drops a bombshell in regards to Houdini's Buried Alive--in Houdini's own words--which radically changes our current understanding of the timeline of that still mysterious escape. I won't spoil it here, so head on over to Jim's site by clicking the headline and dig in!

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Friday, March 30, 2018

The wild story of Abb Dickson's Water Torture Cell


Magician and collector Abb Dickson, who passed away last year, owned a Water Torture Cell that he claimed had belonged to Houdini himself. Abb's cell most famously appeared in the TV movie The Great Houdinis with a false front to hide an extension added to accommodate the stuntman's height. But why did Abb believe his cell was a genuine Houdini USD?

In 2003, Abb shared the full story of how he discovered his cell with Water Torture Cell historian and enthusiast James Criswell. Now James graciously shares with us the story in Abb's own words.

Here's the "Torture Cell Story"...
I was involved with the Houdini Collection at the University of Texas at Austin, I had 'volunteered at my own expense' to go to Texas and open all the boxes that had once been packed away at the old Texas Tower. There had been a fire there, and nothing had been opened since the water damage, etc. The Rare Books section had just moved into a new building, and the collection was still packed away.....so I went down and spent almost two months opening boxes and working with their conservatory team to keep the old paper from turning to mush.
One of the 'benefits' I got for my services...was the ability to make a Xerox copy of any paper that I wished. The originals, of course stayed with the Library.
One of the pieces, was a Storage Warehouse receipt in England, where certain crates had been placed into storage...around the same time that Houdini and Hardeen were going around trying to squelch the "Miss Undina" person who was also performing a torture cell.
The next year, while packing for a trip to England, I remembered the receipt...and took it with me. In London, I looked up the company...and they were still in business, so I thought I'd pay them a visit - hoping to see if they had ledgers which might show either Houdini's or Collins' signatures, and information as to what might be in the 'mystery crates.'
When I went in and showed the copy of the receipt, the present owner of the warehouse said, "Are you here to claim the crates?....we still have them, but they are in one of the corners
We discussed 'British Salvage Rights,' and I agreed to 'claim/purchase' three of the crates, that might be easiest accessible. I waited for about two hours, and they brought three huge wooden crates up to the loading dock. The first one he opened, he peered inside and said, "It's an Aquarium, isn't it??" Lo and behold, it was the glass front, sides and bottom of a WTC. The second crate contained the foot stocks, the last was just filled with rags and tools. Those three crates were all I could afford at the time, so I had to leave the others in place - they WERE holding up the beams!
Best as we can figure out, and from photographs showing Houdini in a WTC not filled with water, and pieces of other Cells in the background...that the crates were the contents of the Houdini/Collins shop...which was packed up and put into storage prior to the tour through Germany, etc. Rather than just pay rent on an unused shop, they must have just put everything in storage.
The Cell that I have was evidently the "Shop Model" or prototype...as there were several places in which a hole had been drilled, and then re-plugged, etc. Also, only the 'front' was encased in metal....the rest was just mahogany boards, etc. It is a 'rough' version...but exactly the same stocks and release that Sid Radner has.
Evidently, it was from this 'prototype' that 4 other WTC were built - 2 for Houdini, and 2 for Hardeen. As it was impossible to fix or repair illusions on the road, they had decided to just carry two - in that way, if one were damaged, the other could be used until the first one was repaired. Mine was evidently packed up as a 'pattern,' should others need to be constructed.
The 'shop' was never again opened in England, and my guess was that the warehouse receipt was just 'lost amongst the papers' of Houdini's affairs....and why should THEY pay for retrieving just a bunch of tools, etc.
When I presented the results of my trip years ago at the Chicago Magic Collector's Convention, Sid Radner and I had quite a discussion as to where the 'other' completed cells might be. We both agreed that yes, Sid's was the last one that Houdini himself had used...but no one knows where the other 3 might be.
ABB DICKSON

A few points. The gaff on this cell and Houdini's cell are by no means the same. So Abb has that part incorrect. I've also never heard of Hardeen doing the Water Torture Cell. In fact, Milbourne Christopher explicitly states in Houdini The Untold Story that Dash never did the USD because he could not fit inside. And that's another thing; this cell is larger than Houdini's final cell. This cell is reported to stand 68" tall on a 30" square while Houdini's stood only 59" tall on a 26-1/2 square. So it is by no means a "pattern."

But if we are to accept Abb's story as told, there are a couple of other possibilities that come to my mind as to why this cell would be warehoused by Houdini in London. The first is that it could have been the prototype he used in his 1911 stage-play, Challenged or Houdini Upside Down, which he performed once in London in order to copyright the effect. Another possibility is that this was the cell Houdini made for "Miss Trixy" (Wanda Timm), whom he set up as a rival act to undermine the infringing Miss Undina in 1912. But neither would require a larger cell.

It should be noted that Abb owned a Milk Can that he also claimed as being original to Houdini. I don't know the story behind that one, but I took a good look at that Can in this 2015 post.

So what do we think? Is this a genuine Houdini Water Torture Cell? I never knew Abb Dickson, so I don't know if he was prone to mythmaking about his collectibles. But this is the kind of experience that all collectors dream of having, so wouldn't it be wonderful if this story were true?

In 2011 the cell was put up for sale on eBay (auction pic below). Today Abb's Milk Can and Water Torture Cell are owned by escape artist Troy Milligan.


Thanks to James Criswell for allowing me to share this strange tale here on WAH. James is making a study of Houdini's USD and is currently seeking any and all photos of the original cell and the current reproductions. He's especially interested in photos of the original cell after its first restoration in 1991 (before its destruction by fire). If you have any photos you think might help James in his research, please feel free to send them to me and I will forward them on. Thanks!

UPDATE: I'm now hearing from several people in the know that this story is as bogus as the cell itself. It's believed Abb created his "authentic" props for a traveling exhibition that he booked into shopping malls, etc. While he maintained the fiction within collector circles (even sharing this story at a Magic Collectors Weekend), most understood Abb to be a bit of a con-man. But like all good con-men, he tells a good story!

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Thursday, March 29, 2018

Russian Houdini puzzle book

The mighty Arthur Moses alerts us to a new Russian publication, Гарри Гудини: лучшие логич. задачи и головомки. This appears to be a puzzle book similar to the English publication The Great Houdini's Puzzle Vault from last year.

You can purchase the book from Vasha Kniga.

Arthur owns the world's largest collection of foreign language Houdini books. As you can see from this and the links below, nothing gets past him!

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Wednesday, March 28, 2018

The harbinger

When doing a newspapapers.com search for Houdini in 1926, this article from The Baltimore Sun dated January 3 is among the first to pop up. It's likely this actually happened during the last days of 1925, which is when Houdini moved his 3 Shows in One to the National Theater. Nevertheless, it was a bad start to a bad year, and an eerie harbinger of events to come.


I'm wondering if this was the same ankle that he later fractured in the Water Torture Cell in October? That is generally considered the first link in the chain of events that led to Houdini's death on Halloween. But maybe the ankle was in a weakened condition, so the chain actually started here with his accident outside the National.

The theater still stands today at 208 W. 41st St. as the Nederlander. Watch out for pipes!



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Tuesday, March 27, 2018

????? (Mystifier), Second Quarter, 1992

Continuing my look back at the Mystifier, the quarterly newsletter of the Houdini Historical Center that ran from 1991-2003.


The Houdini Historical Center newsletter was looking for a new name when this third issue was released in 1992. The newsletter asked members to choose from the choices: The Mystifier, Escape, Metamorphosis, Off the Cuff, Houdiniana, On Stage, Stage, Cuff and Key, Houdini Unlocked, or The Challenge. Which did they choose? You'll have to wait until the next issue or find out!

But the real focus of this issue was "Houdini's Trunk No. 8." This was the trunk that traveled with Houdini and contained all his tools and "wherewithal for any sort of escape." The contents of the trunk were donated to the museum by Dr. Morris N. Young, and the newsletter contains a lengthy  article by Young penned for the December 1951 MUM describing in detail how he acquired the trunk from Hardeen's widow and its contents.

A search through the drawers revealed in orderly placement what proved to be mainly hardware supplies. No doubt the assemblage of materials represented years of trial and experience in being prepared for any contingency anywhere, anytime. There had to be no dependency on local shops or fancies, and secrets could not be revealed indirectly through purchase of specific supplies.

A second article by Ken Silverman called "More Houdini Trunks" discusses a written inventory of what Houdini's other traveling trunks contained, including a breakdown of Milk Cans he was using in  England in February 1911:

He had with him in England no fewer than four cans, described in the inventory as one "1910 New York Can," one "Dunston Challenge Can," one "Gamage Can," and one "Can 1910 unprepaired [sic]."

New items added to the HHC gift shop are discussed, including a glass etched Houdini portrait set on a walnut base with back lighting. Houdini's 1925 Christmas card is also reproduced.

In his "Backstage with Sid Radner" column, Sid discusses the upcoming first board meeting of the HHC and the new temporary exhibit, Houdini on Tour: The Traveling Magic Show, which featured the contents of Trunk No. 8. He again mentions a proposed Houdini stage musical, and that production of a new Houdini movie is "delayed for the couple of months." (This was the Ray Stark film which would never go before cameras.)

The newsletter concludes with a pitch for donations.

?????
Volume 2, Number 2
Second Quarter, 1992
6 pages

Contents:
Houdini's Tools on Display
Trunk No. 8
More on Trunks
Magic Items for Sale
Queries
Backstage with Sid Radner
Window Open for Donations


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    Monday, March 26, 2018

    Strange Bedfellows for $1600

    Houdini once again showed up on Jeopardy! Under the category "Strange Bedfellows" was this $1600 question, answered correctly by contestant Zach Dark from Hoover, Alabama.

    To see the full board, check out the amazing J! Archive website, where you can also see all mentions of Houdini on the show going back to 1986.

    Thanks to Kevin Connelly for the alert.

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    Sunday, March 25, 2018

    Unmasking of Robert-Houdin - "Houdini's Copy"

    David Haversat's 1878 Press Co. has announced a very special Limited Edition of Houdini's The Unmasking of Robert-Houdin. Description below:

    The Unmasking Of Robert-Houdin
    Published 110 years ago 
    Houdini's personal copy of his book with annotated pages written in his hand. 
    For the first time since Houdini himself made these unseen additions and changes - this book has been published by David Haversat's 1878 Press Co. The original copy is in the collection of Jon Oliver who has decided to share this historic publication! 
    Deluxe bound copy - limited production. Ships in early April until Sold Out.  

    You can pre-order The Unmasking of Robert-Houdin ("Houdini's Copy" - Deluxe) from the 1878 Press Co. website.

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    Friday, March 23, 2018

    Houdini playbill nabs $821 on eBay (UPDATE)

    This terrific original (?) playbill for Houdini's appearance at the Los Angeles Orpheum in 1923 sold on eBay today for $821.

    There's a lot to like here. Not only does it feature a great photo, but I love the inclusion of "In Person" below Houdini's name. This is because, at this time, four Houdini movies were playing in various theaters around the country, so the Orpheum wanted to make it clear you were seeing the real thing.

    This playbill is actually cut in half. You can see the full image on page 160 of The Original Houdini Scrapbook by Walter B. Gibson. However, the seller says he has never removed this from the frame, so maybe there's a chance the playbill is just folded?

    UPDATE: So it appears this was returned by the buyer as it proved to be a picture of the playbill, not an original playbill itself. It's back up for auction for $25.

    Related:

    The death of Chung Ling Soo

    It was 100 years ago today that magician Chung Ling Soo was shot on stage at the Wood Green Empire Theater in London during his famous bullet catch routine. He died the following day (Houdini's birthday).

    Ching Ling Soo was actually William Ellsworth Robinson, an American who performed under the guise of a Chinese conjurer. Amazingly, he kept his real identity and nationality a secret from the public. He was also good friends with Houdini. In fact, Chung Ling Soo was on the same bill as Houdini during his first historic week at the London Alhambra in 1900.

    In 2005 Jim Steinmeyer published the excellent biography, The Glorious Deception: The Double Life of William Robinson, aka Chung Ling Soo, the Marvelous Chinese Conjurer, probably the best non-Houdini magician's biography I've ever read. Today David Copperfield owns one of the rifles used in Soo's tragic act 100 years ago.

    Below is a clip from YouTube that purports to be the only known footage of "Chung Ling Soo."



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    Thursday, March 22, 2018

    Houdini's madcap Hollywood lunch


    This photo of Houdini and comedy great Roscoe "Fatty" Arbuckle is well-known, but few know the story behind it. This photo was taken on July 27, 1919 at the Comique Studio in Edendale, CA during the production of Back Stage, a short directed by Arbuckle co-starring Buster Keaton. Houdini is using his hat to conceal a cast on his broken wrist.

    Below is a newspaper account of a luncheon that followed. I'm pretty sure this oh-so-zany lunch only happened in the mind of the publicist who wrote this. Nevertheless, it's vintage silent era Hollywood hi-jinks, so enjoy.

    Sake Lake Herald Republican Sun, Aug. 10, 1919.

    Back Stage is available on YouTube. The Taylor (?) trunk and weights that can seen in the photo come into play around the 19 minute mark. Shame there's no cameo by Houdini!

    Houdini and Arbuckle seemed to enjoy each other's company as Houdini visited the comedian again at the Henry Lehrman studio in Culver City later that same year, and Arbuckle was one of the guests at Harry and Bess's 25th Anniversary dinner at the Alexandra Hotel on June 22. And, of course, there was that Bebe Daniels gag.

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    Tuesday, March 20, 2018

    Huggies Houdini commercial from 1992

    I feel like I can remember all the Houdini-themed TV commercials during my lifetime. However, I recently found this on YouTube and realized I had completely blocked this one out. Can't understand why.



    Below are a few links to more Houdini TV commercials...best forgotten?

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    Monday, March 19, 2018

    Houdini returned to Los Angeles in 1924

    I love making Houdini discoveries having to do with my hometown of Los Angeles, and while working on my 1924 chronology, I made a whopper! Conventional wisdom had been that Houdini last appeared in Los Angeles in 1923 when he played the Orpheum and Hillstreet theaters as part of his nationwide vaudeville tour that year. But it turns out that is not the case. Houdini came back to L.A. in 1924!

    Los Angeles Times, Oct. 22, 1924

    Houdini returned to Los Angeles as part of his Lyceum and Affiliated Bureau lecture tour in which he exposed the methods of fraudulent spirit mediums. His talk was called, "Can the Dead Speak to the Living?" Houdini gave two lectures on October 27 & 28 at the Philharmonic Auditorium located at 5th and Olive Street across from Pershing Square (where Houdini was once roped to a cannon). Los Angeles was one of four cities on the tour in which Houdini received 50% of the net profits.

    By this time, Houdini's friendship with Sir Arthur Conan Doyle was at an end, so the gloves were off when he told the Los Angeles Times: "Doyle thinks he is a Messiah who has come to save mankind by instructing them in the mysteries of occultism but instead of that he is misleading then public and his teachings are a menace to sanity and health. I have investigated his work and know whereof I speak."


    While in Los Angeles, Houdini stayed at the Biltmore Hotel, also in Pershing Square. While the Philharmonic was demolished in 1982, the Biltmore still stands as the Millennium Biltmore and is a downtown landmark. I was especially excited to discover that Houdini had stayed here. The Black Dahlia murder has always fascinated me, and the Biltmore is famous for being the last place Elizabeth Short (a.k.a. "The Black Dahlia") was seen in 1947. I've been to the Biltmore several times on Dahlia pilgrimages. Little did I know I was also walking in Houdini's footsteps!

    Below is a period postcard that shows the Biltmore (large red building on the left) and the Philharmonic Auditorium (red roofed building in center of the image). Also the same location today showing the unchanged Biltmore and a modern apartment building now standing on the site of the Philharmonic Auditorium.


    So for those keeping score, this puts Houdini in Los Angeles in 1899, 1907, 1915, 1919 (twice), 1923 and 1924.

    I used to think Houdini's movies were the most under-reported aspect of his career. But I now believe it to be his 1924 lecture tours. This was a major change in direction for Houdini, and he appeared in many cities and venues that have never been properly recorded. Looks like Houdini's "year of the ghost" will be a topic to tackle in a future post.

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    Sunday, March 18, 2018

    Another Russian Houdini advert sells on eBay

    An advertisement for Houdini in Russia in 1903 sold on eBay today for $797.93. The seller writes that it was "obtained by my client from an LA collector of magic & Houdini memorabilia." Artifacts from Houdini's one and only tour of Russia are exceedingly rare, but this is the second Russian advert to appear on eBay within a year.


    Thanks to Kevin Connolly at Conjuring History on Facebook for the alert.

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