Sunday, August 16, 2026

The three unknowns


After two and a half years of hard work, Handcuff King: The Conquests of Harry Houdini, 1900–1909 will soon go to press. The book contains more information and photos from these 10 years of Houdini's life than has ever appeared in print.
But I still have three pesky unanswered questions:


I've dealt with each of these in the book as best I can, but I would sure love to put these moments in their proper places and in context. But the window for doing that is closing fast.

Thanks to everyone who has given these their best shots. If I ever do a paperback edition, maybe I'll have an exciting update!

Friday, August 14, 2026

Reading the first draft of Houdini (1953)

Yesterday, I had the pleasure of visiting the Motion Picture Academy Library with Diego Domingo and reading several drafts of the Houdini (1953) screenplay, including Philip Yordan's first draft.

I feel like first drafts are when a screenwriter puts his heart into his work, and this first draft of Houdini, while still recognizable as the movie we have today, has some notable differences. Overall, is a very different and much more intense Houdini movie experience. It really got under my skin and is still haunting me today. 

This is the kind of thing I share on my Patreon these days, so if you're wild about Houdini (1953), you might enjoy the below.


Thursday, August 13, 2026

The Late Séance at 278 is now open to everyone

Great news! The 9:30 pm séance at 278, which had been reserved for professional magicians only, is now open to everyone. Think of this as the LAST Houdini séance before the strike of midnight and the 100 years are over. But there are only nine seats available, so act fast!

How would you like to spend the 100th Anniversary of Houdini's death at a séance inside his actual house? For the first time in over 50 years, a series of séances will be held inside Houdini's private New York home (278) on Halloween. This is a legitimate attempt to contact Houdini using psychic medium Jodi-Lynn. It is a black-tie affair in the epicenter of Houdini's world. If Houdini was ever going to come back, this will be the time and place!
Visit houdini.nyc for more information and to purchase a ticket. Participation is very limited.

This once-in-a-century event is being organized by magician Reynold Alexander and the homeowners. All proceeds benefit cancer research at the Anandasabapathy Lab at Weill Cornell Medicine and the restoration and preservation of Houdini's House. 

I am honored to be part of this once-in-a-lifetime event. I hope to see you there!

Related:

Tuesday, August 11, 2026

Houdini found on Staten Island (at last)

Houdini performed in Manhattan, Brooklyn, the Bronx, and he rests in peace today in Queens. Staten Island was the only one of the five New York boroughs without a known Houdini connection. But thanks to a recent upload of the Staten Island Advance to newspapers.com, that has now changed!


I've discovered that Houdini's The Man From Beyond played three days at the Liberty Theatre on Beach Street in Stapleton, Staten Island, starting September 7, 1922. Not only did the theater play the movie, but it featured a full bill of vaudeville and "The Houdini Wonder Show." 


On the evening of September 8, Houdini himself appeared on stage at the Liberty, marking his first (known) appearance on Staten Island.


After playing three days at the Liberty, The Man From Beyond and the Wonder Show moved on to the Roosevelt Theater in West Hoboken, New Jersey.

The Liberty Theatre opened in 1918. It had a seating capacity of 1,500 and was said to be the first modern theatre on Staten Island. It ceased operating as a theater in 1953 and later became a bowling alley and a discotheque called Park Villa II. The building still stands today. It's currently being used as a church.


But that's not all. Houdini made a second appearance on Staten Island on February 19, 1925, as part of a benefit staged by the Augustinian Fathers of Grymes Hill. Houdini discussed spiritualism and gave demonstrations.  The benefit was held at the Stapleton Club Rooms at the corner of Prospect and Van Duzer Streets.


The Stapleton Club Room opened in 1874 as the German Clubrooms. Renamed during World War I, it was a popular venue for entertainment and political rallies. It burned down in 1932. Today the site is a parking lot.


Want more? I've uploaded my Houdini in Staten Island research for Scholar members of my Patreon.

Monday, August 10, 2026

Houdini: Master of Escape audiobook

As a kid, I really loved Houdini: Master of Escape (1960) by Lace Kendall. I call it the alternative gateway. So I was happy to see there's an audiobook edition on Spotify, read by Dean Bootcheck. 
Never has a biography been so successful at making you feel like you are really there, reliving every moment with Harry and his wife, Bess. Whether you are a student needing information for a term paper, or simply someone who enjoys a riveting tale of gritty determination, Houdini: Master of Escape will provide you with what you need.
Here's a sample.

 
Below are links to my overviews of the three major Houdini biographies for kids at this time.
  
Related:

Friday, August 7, 2026

When did Hardeen marry Elsie Fozzard?


I'm preparing to send Handcuff King: The Conquests of Harry Houdini 1900–1909 to the printer on Monday, and I just realized I don't have the exact date for when Hardeen married Elsie Fozzard. It's said to have been sometime in 1904, and it may have been in England. I have the marriage dates of his other brothers. I have the date of Franz Kukol's marriage ("to an old girl his age"). But somehow I don't have Hardeen.

I currently don't have a subscription to Ancestry, so if someone wants to be a hero and try to suss it out for me there (or anywhere), I'll give you thanks in the book! You can leave it in the comments or shoot me an email.

Thank you!

UPDATE: Want to hear George Hardeen imitate his Grandma Elsie? This is why I have a Patreon!

Wednesday, August 5, 2026

Houdini's Shelton pool test at 100


"If I die, it will be the will of God and my own foolishness." - Houdini

Today marks the 100th anniversary of Houdini's famous "Buried Alive" test at the Hotel Shelton in New York on August 5, 1926. It was a very different kind of Houdini stunt, as it did not involve any kind of escape. But it was every bit as miraculous, and it garnered Houdini some of the last headlines of his career. It all began with a man named Rahman Bey.

Rahman Bey was an Egyptian fakir who performed feats such as piercing his cheek with a needle, stopping his pulse, and having himself buried alive. Bey was promoted and championed by Hereward Carrington, Houdini's nemesis from the Margery committee, who also acted as his master of ceremonies. Carrington attributed Bey's abilities to mystic powers and his survival in his buried-alive coffin to "a cataleptic trance."

Bey's feats were nothing new to Houdini. They were the standard sideshow fare that he had exposed in his book Miracle Mongers and Their Methods. To prove Bey accomplished his feats by natural means, Houdini offered to repeat his signature stunt of being buried alive. He told the Evening World: "I guarantee to remain in any coffin that the fakir does for the same length of time he does, without going into any cataleptic trance."

Bey normally remained in his casket for 8-10 minutes. But spurred by Houdini's words, he stayed for a full hour while submerged in the swimming pool at the Hotel Dalton. The challenge was on.

Houdini went into training, shedding 13 pounds and working to get his lungs "accustomed to battle without air." With Dr. W.J. McConnell watching over him, he conducted practice tests in the back room of the Boyertown Burial Casket Co., which had provided Bey's casket. Houdini remained in his casket for an hour and ten minutes, but he did not trust the results. He suspected air had somehow seeped inside. So he repeated the test a few days later, submerged in water. What stood out for him during both tests was his increased irritability; but he otherwise felt confident he could duplicate Bey's feat.

Temperature readings from Houdini's second practice test.

Houdini's public test would take place at the Hotel Shelton on Lexington Ave. in New York City, which had a large indoor swimming pool. Houdini sent out invitations to press, friends, and scientists. Among the gathering was mentalist Joseph Dunninger, who can be spotted in some of the event photos, and Houdini's boyhood friend and fellow psychic investigator, Joseph Rinn. Even the hated Hereward Carrington was there to watch the demonstration.

The Boyertown Company provided a new casket that held 34.398 cubic inches of air (larger than Houdini's practice casket). Still, physicians estimated that a human being could only survive for three to four minutes as the container would rapidly fill with carbon dioxide. The coffin was equipped with an alarm bell and a telephone so Houdini could communicate with his assistant Jim Collins on the surface. Houdini's one major concern on arriving was that the pool area was overly warm.


Houdini stripped down to a pair of black shorts. He was then examined by Dr. McConnell, who measured his pulse, respiration, and blood pressure. Just after noon, Houdini lay down in the casket, and the lid was soldered into place. Portholes on the lid were screwed shut, making the casket air-tight. It was then lowered into the pool where it stubbornly remained on the surface until several men stood on the lid to sink it to the bottom.

Because of the warmth, Houdini was not as comfortable as he had been during his practice sessions, and his irritability was "pronounced." At regular intervals, his assistants would gently rock the casket to circulate the air inside. During one of these sessions, an assistant fell off, causing the casket to shoot to the surface and nearly overturn. Houdini feared the casket had sprung a leak. Because the lid had been soldered into place, a serious rupture could see him drown before he could ever be released. The incident left Houdini angry and gasping for air. He had only been sealed for a half hour.

Settling back to the pool bottom, Houdini concentrated on controlling his breathing. Collins relayed the time to him every minute. After 50 minutes, Houdini began panting and was unsure he could remain even for an hour. He repositioned himself at the foot of the casket, recalling from his test data that the air there was a little cooler. He began to taste metal in his mouth. He also felt wetness around his head and realized the coffin was indeed leaking. Finally, the bell rang, announcing to all that one hour had elapsed.


Having beaten Bey's time, Collins asked Houdini if he wanted to be brought up. But Houdini wanted to try and beat Bey's time by at least 15 minutes. The temperature in the casket was now 99.8 degrees. But Houdini found a second wind and remained well past his 15-minute goal. At one hour and twenty-eight minutes, he began seeing yellow lights. He wedged himself sideways, propping the phone against his ear as he began to feel drowsy. Fearing he might fall asleep, he told Collins to haul him up at the one-hour thirty-minute mark no matter what.

At the appointed time, the coffin was raised, and the portholes quickly unscrewed. Houdini said he could feel the rush of air lift him off his back. Tinsmiths then got to work peeling open the casket. Houdini emerged drenched in sweat and, according to some, looking "deathly white."

He had remained sealed for 91 minutes.


Houdini had gone to the brink. His pulse rate had soared, and the yellow lights he was seeing meant his brain was dangerously oxygen-deprived. According to some, he was within minutes of death. But despite feeling weak and with the metallic taste still in his mouth, that afternoon he went to the YMCA where he spent an hour playing handball and sprinting on an indoor track.

The next day, news of Houdini's feat was reported nationally. The Brooklyn Eagle hired an Egyptian to interview Bey. That's when it was discovered that the fakir did not understand Arabic. Rahman Bey, it turned out, was Italian.

Houdini thought the practical application of his methods could help people in need, such as miners who might become trapped in a collapse. He shared his training data with the U.S. Bureau of Mines. Houdini biographer William Lindsey Gresham tells of how, not long after the test, a family became trapped in their car after it had run off a bridge and into the water. The father instructed his wife and kids to breathe evenly and slowly and not panic, just like Houdini in the Shelton pool. When the car was hoisted out, the family was found alive and well.


Still, some speculated that Houdini might have cheated in his Shelton Test. Some thought the telephone wires could have concealed air hoses. Hereward Carrington suggested the batteries for the emergency bell might have contained oxygen-liberating chemicals and soda lime to absorb the CO2. But Houdini wrote to a friend that no tricks had been employed:
"There is a rumor going around that there is a gimmick to this thing. I pledge my word of honor there isn't a thing to it excepting to lie down and keep quiet."
Houdini repeated his test at the Worcester YMCA on September 28, 1926, this time remaining submerged for one hour and eleven minutes. He then gave a public demonstration at the Summerfield's Furniture store in Worcester using a new coffin with a glass top so the public could see him inside.

Trading on the publicity, Houdini introduced a "Buried Alive" escape into his full evening show for its 1926-27 tour. It was an escape he first developed in 1914 in which he was locked in a casket and buried under "one ton" of sand. The new poster he had made for the effect boasted: "Egyptian Fakirs Outdone!"

The Shelton casket remained poolside for some 20 years, advertised as "the casket Houdini was buried alive in." On February 7, 1956, James Randi undertook to prove once and for all that Houdini used no trickery in his test. Randi, who was younger and weighed less than Houdini, remained sealed in a similar casket in the Shelton pool for one hour and forty-five minutes.

The Hotel Shelton still stands at 525 Lexington Avenue. Today it is student housingThe pool was filled in in the early 2000s, but it's said the original tiled ladder in the corner where Houdini was submerged remains. A small reminder of Houdini's miracle at the Shelton pool...100 years ago today.

The Shelton pool in the 1950s.

Shelton Pool Test Special! In honor of today's anniversary, I am offering one copy of Escaping Obscurity: The Travel Diary of Harry Houdini, 1897-1899, for $91. That's a dollar per minute and 27% off the normal cover price. So if you haven't gotten the book yet, now may be the time to take the plunge! (SOLD)

This is an updated post first published on August 5, 2016.

Related:

Tuesday, August 4, 2026

PATREON: Book update and Thor's arm

Every day brings Handcuff King: The Conquests of Harry Houdini, 1900–1909 closer to being in your hands. I wrote a new introduction this weekend, and David Copperfield sent me a fantastic photo for his Foreword that I've never seen before. Maybe the first time published? I'm now in the final stages of production and still on track for a late 2026 release. I've shared the latest update on my Patreon below.


If you're new to my Patreon, you can read all my book updates below, including the reports from my trip to "the mountaintop" last year. It's been fun to share this journey with my patrons, whose support is helping make it happen!


You can get details on Handcuff King: The Conquests of Harry Houdini, 1900–1909 at Wild About Harry PRESS.

Monday, August 3, 2026

Catching Houdini in Edinburgh

Houdini returns to Edinburgh this week when Houdini Speaks to the Living opens at The Space as part of the Edinburgh Fringe Festival on August 7. Click here or on the image below for details and tickets.


While in Edinburgh, why not take a tour of magic locations? Magician Richard Wiseman has added a "Magic & Illusion: Free Walking Tour of Edinburgh" to his website. Quite a few Houdini locations here. Click the image below to see the tour. You can also download a PDF.

Friday, July 31, 2026

Houdini table setting at OC Fair competition


You just never know when and where Houdini will show up! Here's a video Joe Notaro alerted me to from OC Fair Tables Competition 2026. It's queued up to play at the Houdini table. Enjoy.


Wednesday, July 29, 2026

Young Harry Houdini soundtrack from BSX Records

Here's a pleasant surprise. BSX Records is offering Lee Holdridge's soundtrack music for the 1987 Disney movie Young Harry Houdini starring Wil Wheaton. It's available as a digital download and includes a PDF booklet. Purchase by clicking the image below.

BSX Digital presents the premiere release of YOUNG HARRY HOUDINI, featuring music composed and conducted by Lee Holdridge. The music has been remastered by James Nelson at Digital Outland.

This certainly wasn't on my bingo card of possible Houdini releases, but I'm excited to see it. In fact, I would love to see BSX Records release the soundtracks to Houdini (1953) and The Great Houdinis (1976).

UPDATE: I didn't realize when I posted this that today is Wil Wheaton's 54th birthday. Happy birthday, Wil!

Monday, July 27, 2026

Handcuff King signed promotional cards

My new book, Handcuff King: The Conquests of Harry Houdini, 1900-1909, will soon go to the printer, and by the end of the year you should have it in hand. I'm very proud of it and very excited to share. I set out to make the Houdini book of my dreams, and it feels like I did. But you'll be the ultimate judge.

In the meantime, I am offering two promotional cards at my online store, Wild About Harry PRESS. I handed out Style A in Appleton and have just received Style B. Both cards feature unique original Houdini advertising on one side and a promo for the book and my signature on the other.

The cards are $5 each with FREE shipping in the U.S. International shipping is a flat rate. Only the cards I'm offering here are signed. Supplies are limited.



You'll also get both cards FREE with the purchase of Escaping Obscurity: The Travel Diary of Harry Houdini, 1897-1899 while supplies last.

Thank you for your patronage and patience!

Sunday, July 26, 2026

Finding Uncle Harry with George Hardeen

Our great friend George Hardeen is launching a new podcast called Finding Uncle Harry. I'm very excited about this. You can get more details at the Finding Uncle Harry website by clicking the image below.

Houdini Descendant, Journalist, Horseman, Backcountry Guide & Host of ‘Finding Uncle Harry’ 

Houdini is his DNA. Finding Uncle Harry is his journey. George Hardeen was 10 when he learned the family secret: his Grandfather Theo “Dash” Hardeen was younger brother, stage successor and bloodline link to his Great Uncle Harry Houdini. Now, after a life in journalism, George is following the history and stories back through conversations with magicians, escapologists, collectors and authors to the family line he scarcely knew.

Looks like George has already interviewed Lee Terbosic. Next up is the GOAT himself, Patrick Culliton.

Related:

Friday, July 24, 2026

Talking Houdini on Talking Strange

This week I was a guest on the Talking Strange Paranormal Show with Aaron Sagers. I had a great time, and Aaron asked some great questions. 

In this episode of Talking Strange, host Aaron Sagers sits down with John Cox, the leading Houdini historian behind the acclaimed blog Wild About Harry. Cox is the author of Escaping Obscurity: The Travel Diary of Harry Houdini, 1897–1899 and is currently completing a definitive three-volume Houdini biography. Aaron and John dig into Houdini's complicated, often contradictory relationship with Spiritualism — a movement he publicly crusaded against. They trace the rise and collapse of his friendship with Sir Arthur Conan Doyle, the Sherlock Holmes creator and devout Spiritualist whose unwavering belief in psychic phenomena put him on a collision course with Houdini's exposure campaigns. The conversation also covers Houdini's own staged séances, the mystery of his famous secret code with wife Bess, and the strange afterlife of his legacy in pop culture.

You can listen to the podcast below. For an expanded video version, you can join Aaron's Patreon.

Wednesday, July 22, 2026

Seeing Houdini's first scrapbook


One of the highlights of my recent trip to Appleton, Wisconsin, was visiting the History Museum at the Castle and being given the opportunity to page through Houdini's very first scrapbook. I can't stop thinking about it. This scrapbook pairs perfectly with Houdini's first diary in the Bruce Avebook collection, which I annotated in Escaping Obscurity: The Travel Diary of Harry Houdini, 1897-1899. So what I saw in these pages was both familiar and new to me. It was very exciting.

The scrapbook covers the years 1894 to mid-1900. Houdini has written on the spine, "HOUDINI PRESS BOOK 1894-1899." This was not a book of memories when he was making it. It was a tool. Houdini would carry this with him and show it to prospective managers and bookers. Scrapbooks were the resumes of variety performers, proving when and where they appeared and providing reviews. Scrapbooks were essential in career building, and Houdini took his scrapbooks very seriously. In fact, there are mentions of Houdini in England "with a large book of press clippings under his arm." This is that book.

After his breakout success in Europe, when he didn't need to prove himself to managers, scrapbooks were less of a marketing tool for him, but she still kept them. However, I think it's fair to say this scrapbook is the one he used the most. Along with his diary, this scrapbook is also how biographers have pieced together his early career.

The scrapbook on temporary display.

It's all here, starting with the "Risey in the Box" article from the Coney Island Clipper dated June 22, 1894 (the day of his marriage). This not only places the "Hunyadi Brothers" in Coney Island in June 1894, but it also gives us the first mention of Bess ("one of the Floal sisters, 'neat song and dance artists'"). This is on one of the very first pages, and while I've seen copies, seeing it in the flesh was a thrill.

Houdini also annotates this scrapbook. Some of the annotations are made in the same blue pencil he used in his diary to record the signing of his first Orpheum contract (see Escaping Obscurity page 316). This is another nice link between the scrapbook and diary. One note in particular really stood out. On a clipping about a police station test in Lancaster, PA, in 1898 ("Clever Sleight-of-Hand Trick"), Houdini writes in his blue pencil:

The only notice Newton did not write
I earned it.

This is very revealing. Clinton M. Newton was the Welsh Bros. Circus ringmaster and press agent. This tells us the majority of the circus's reviews and notices were press releases written by Newton. Not really a surprise, but good to get confirmation. But here Houdini proudly reports that this wasn't a press release. He "earned" this story himself with his handcuff escape. I love this, and so I wish I had had this when I did the diary book, as I would have mentioned it for sure.

There are other Houdini notes in black ink that appear to have been made later, some noting when fellow performers died. This is something Houdini would do in all his scrapbooks and even his diaries. I love the idea of Houdini revisiting these books many years later and making these notes.

This scrapbook also contains some rare photos, including a group shot of the 1895 Welsh Bros. Circus troupe that differs from the one we are familiar with. This one shows the performers in their street clothes, including Harry and Bess. Harry is wearing a bowler hat. The famed "Mysterious Harry" image is in here, but it is uncropped and shows much more of the image than I've ever seen, including an American flag and what may be Houdini's egg bag on a side table.

There are also some inclusions in the back from earlier in his life, including an 1890 letter regarding Ehrich Weiss's participation in a foot race, and another letter that dissolved his partnership with Jacob Hyman. Very little is missing, which is not always the case with scrapbooks. However, one image, noted as being Coney Island in 1898, appears to have fallen out of its souvenir frame. What could this image have been? A tantalizing mystery.

Despite the 1894-1899 title, the scrapbook includes a fair amount of material from the first half of 1900, when Houdini made his first tour on the Keith's vaudeville circuit and return tour on the Orpheum circuit. Most biographies omit this and jump right to Europe. But I cover this in detail in my upcoming book, Handcuff King: The Conquests of Harry Houdini, 1900-1909, and I'm in the process of licensing some of these scrapbook images for the book. One is a two-page spread that will melt your eyeballs!

So how did the museum come to have this scrapbook? Sidney Radner acquired the scrapbook from Hardeen, presumably in the 1940s. (There are "S.R." notes in the scrapbook, which I'm pretty sure denote Sid Radner.) Sid allowed select researchers, such as Milbourne Christopher, to examine it, but limited access to just a few hours. But he did allow some pages and images to be reproduced in Houdini: His Legend and His Magic (1977) by Doug Henning and The Original Houdini Scrapbook (1976) by Walter B. Gibson.

In 1988, Sid put the scrapbook on loan to the Appleton museum's new "Houdini Historical Center." In 1991, he donated it with the understanding that the museum would conserve it. The donation was reported in the First Quarter 1992 issue of the HHC's newsletter (image right). This is why the scrapbook did not leave the museum when Sid pulled his collection and ultimately sold it in 2004.

True to their word, the museum has done a beautiful job with the conservation. The pages have been de-acidified and repaired, and each page is housed in a plastic sleeve. This makes looking through it possible. I've paged through some scrapbooks that haven't been conserved, and you don't want to know what happens!

The History Museum at the Castle has two more very important Houdini scrapbooks donated by Tad Ware, spanning 1900-1913. These are currently unviewable as they are awaiting a similar conservation effort. This is an expensive process, and these are tough times for all museums. But the History Museum at the Castle is committed to its Houdini collection, and this is something they plan to do. When these scrapbooks are available, you can bet I will return to Appleton!

Thank you to Dustin Mack and all the terrific staff at the History Museum at the Castle for this amazing experience.

History Museum Director Dustin Mack with the scrapbook.

Want more? I've uploaded a PDF of the First Quarter 1992 Center Stage newsletter for Scholar members of my Patreon.


Related:

Monday, July 20, 2026

Michaels gets magical

I know I'm late on this one, but the crafts store Michaels has an assortment of original magic-themed merchandise, including some Houdini merch. I've heard it's a Halloween special, but many people have reported seeing these at select Michaels now. Happy shopping!

Friday, July 17, 2026

Houdini: The Man Who (allegedly) Died Twice

I've just finished Dr. Larrian Gillespie's Houdini: The Man Who Died Twice, the new book that promises to reveal the truth of Houdini's death with sensational new revelations. The book is a Kirkus Indie Award finalist and has received positive reviews from Genii and others. It's a book that has already provoked a lot of discussion. So what did I think?


Well... I liked it! I especially like the hard-boiled detective tone and how Larrian steps us through her investigative process. I normally don't care for this kind of first-person approach in non-fiction, but it's so well written that it hooked me. Maybe it helped that I know all the players. (Full disclosure: I'm one of the "Watsons" in the book. But hopefully David Burke and not Nigel Bruce.)

There is definitely some new information here, and some known information that is nicely placed in context for the first time. I was most taken with the smaller discoveries. Houdini may have had color-changing eyes. Houdini wore a truss to support what he believed was an injured kidney, but may have been a herniated disc. And I have a new appreciation of Houdini's infected butt boil. Yes, no detail about Houdini is too small...or gross.

It's also nice to have all the various affidavits regarding his final days and the dressing room punch collected in one place. These are fascinating to read. The author has also uncovered fresh information about J. Gordon Whitehead, who comes off as the only blameless person in the book!

Ultimately, this is a well-told detective story with a lot of intriguing conjecture. But in the end, the mystery remains. No smoking gun emerges in the final chapter to prove any one of the many theories put forward. So for me, it didn't land a knockout punch (pun intended). As for the most provocative claim, that Houdini died on October 30th and not the 31st (hence the "died twice" title), I have long believed there could be something to this. But I'm somehow now less convinced of this than I was going in. Maybe it was just one cover-up too many.

There is a lot here to absorb, and I will definitely revisit this book when it comes time for me to tackle Houdini's death in my own books. Thankfully, that is still years away. Maybe by then a smoking gun will have emerged, or we will realize this was all smoke and mirrors.

But I encourage you to get the book and make up your own mind. You can buy Houdini: The Man Who Died Twice at Houdini True Crime. International buyers should use Cipher House Books.

Thursday, July 16, 2026

Zabrecky on Houdini and the Spirits, August 15

Our friend Rob Zabrecky will give a talk on "Houdini and the Spirits" at  Philosophical Research Society in Los Angeles on August 15, 2026.

As we mark the 100th anniversary of Harry Houdini’s passing, join us in celebrating the life, legacy, and enduring mysteries surrounding the world’s most famous escape artist. And what better way than to step into the shadowy crossroads where belief and skepticism collided as Rob Zabrecky — Magic Castle mainstay, theatrical medium, and two-time Academy of Magical Arts Lecturer of the Year — explores one of the 20th century’s most captivating cultural battles: Harry Houdini vs. the spirits.

Before Zabrecky's presentation, we will meet in the courtyard to experience the sounds of Hasco Enjoyments, the quietly surreal project of John-Peter Hasson. Performance begins at 6:30PM.

CLICK HERE for more information and to buy tickets. Philosophical Research Society is located at 3910 Los Feliz Boulevard, Los Angeles, CA 90027.

Tuesday, July 14, 2026

Signed copies of Escaping Obscurity back in stock

I have replenished my stock of Escaping Obscurity: The Travel Diary of Harry Houdini, 1897-1899. Once again, I have SIGNED copies available in my online store, Wild About Harry PRESS. I will also throw in a signed promotional postcard.

Read how Houdini escaped his obscurity before the next chapter arrives later this year.


The story will continue in Handcuff King: The Conquests of Harry Houdini, 1900-1909. You can get a taste of what this new book will contain by clicking the image below.


Related:

Monday, July 13, 2026

Sparkle Theatricals presents CAMP HOUDINI

Sparkle Academy—the educational branch of Sparkle Theatricals—is partnering with the Kitchigami Regional Library System (KRLS) to launch Camp Houdini. This free, 60-minute interactive pop-up theatre workshop turns local youth (ages 7–15) into Vaudeville superstars.

Click the image below to see the full schedule of Camp Houdini performances in July.

Saturday, July 11, 2026

The Original Houdini Scrapbook turns 50

I'm having fun remembering my Houdini awakening 50 years ago. I've already talked about seeing Houdini (1953), the first Doug Henning special, and the U.S. debut of The Truth About Houdini. The next hit came on July 20, 1976. My stepbrother and I were wandering Hollywood Blvd––because that was a perfectly acceptable thing to let an 11-year-old do back then––and on a table of new releases inside one of the many bookstores that once lined the street, my eyes fell on this...


As it turns out, The Original Houdini Scrapbook by Walter Gibson had just come out on July 10. It was the first of four coffee-table-sized, picture-heavy Houdini books released within a year. A book like this was a dream come true, and I came home with a copy under my arm. I still have that copy, and I still love this book 50 years later.

By the way, Hollywood Boulevard was once a haven for bookstores. Below is a map from the May 9, 1976, Los Angeles Times. Today, only Larry Edmunds remains.


Do you remember when you first got The Original Houdini Scrapbook? Share your memories in the comments below.

Want more? You can read an original review of the book on my Patreon.


Related:

Wednesday, July 8, 2026

Houdini LIVED in Appleton last week


The Society of American Magicians held its National Convention in Appleton, Wisconsin, last week. The convention honored Houdini and the 100th Anniversary of his death in his beloved adopted hometown. I can honestly say it was the most fun I've ever had at a magic convention. It helped that Houdini was everywhere.

The convention was too big for me to cover here. I also kept my focus on Houdini events and Appleton activities, so I didn't attend all the lectures and shows the convention had to offer. For that, I recommend listening to Scott Wells' thorough coverage at The Magic Word Podcast. Here, I'll share my own Houdini highlights.

I should say up front that everything I did was in the company of Joe Notaro (who you all know from his blog Harry Houdini Circumstantial Evidence) and Narinder Chadda. Narinder has been a long-time reader of my blog and a patron who came all the way from England for this event. It was such a pleasure meeting him and sharing this incredible adventure together.

Narinder, Joe, Harry, and I are ready for action!

I arrived in Appleton on Tuesday (June 30). As soon as I walked into the Hilton Paper Valley Hotel, my heart stopped at the sight of several original Houdini posters in the lobby. These came from the Tom Boldt collection and were breathtaking. I then met up with Joe and Narinder, and we instantly went to Houdini Plaza, which was just a block from the hotel. The last time I was in Appleton was in 1998, before the plaza's renovation. The new plaza is terrific. Apart from this, Appleton seemed largely unchanged to me. My hotel room looked out over the city and a beautiful church that stood when the Weiss family lived here from 1878 to 1882.

That evening was a pre-convention event with Dorothy Dietrich and Bruce Kalver discussing the Houdini seances. Bruce also discussed how he once staged a Lizzie Borden seance in the murder house itself. Always great to see Dorothy and Dick Brookz. A perfect way to start.

DAY ONE (July 1)
This was the first official day of the convention. The morning events were devoted to SAM business, so Joe, Narinder, and I made a beeline for the History Museum at the Castle. Admission was free for all convention attendees. The museum had put up an extra Houdini display in a glass case in the lobby with their early Houdini scrapbook, tools from Houdini's Trunk No. 8, an artifact from the days of Rabbi Weiss, and other treasures. Very nice.

Special display at the History Museum at the Castle.

The museum's AKA Houdini exhibit was terrific and told Houdini's story very well with interactive displays. I particularly like the cut-out Milk Can, accurate to the size of Houdini's can (which the museum had in the 1990s). You can experience what it's like inside, and it's tight! Check out the photo on the right. As Houdini might say, "Look how poorly I fitted."

I have to say, all the hubbub about the museum's "exposure" of Metamorphosis is overblown. It really doesn't expose anything. It has a side door on the box so kids can slip in and out when the curtain is drawn. It's harmless fun, IMO.

I then had the pleasure of meeting Dustin Mack, the museum's Executive Director. Dustin and I have exchanged emails, but this is our first face-to-face meeting. He is young and enthusiastic, and has a lot of love for Houdini and plans for the future. Likewise, Erin Comer, the Education & Collections Manager, is conducting new research on Houdini and Appleton. I'm so happy to see a new generation with a passion for Houdini running the History Museum at the Castle. It's in good hands.

Speaking of good hands, Dustin removed the Houdini scrapbook from the display case and let me page through the entire thing as he, Joe, and Narinder looked on. This scrapbook spans 1894 to 1900 and is packed with incredible newspaper clippings and images. We made discoveries, and I found a few images that I just have to add to my new book. (I'm in the process of doing that now.) Seeing this scrapbook was a highlight of the trip. Thank you, Dustin!

Dustin Mack, PhD, with the Houdini scrapbook.

In the museum lobby, we ran into Dean Gunnarson and Terry Roses and had a great conversation. I know Dean from email, but we always miss each other while shooting various TV interviews. So it was great to finally meet him in person. 

Meeting up with Dean Gunnarson and Terry Roses.

Joe, Narinder, and I then went to find the new location of Richard C. Wolter's Metamorphosis sculpture, which once stood in Houdini Plaza. We then took a walk along the Fox River, where young Ehrich Weiss is said to have almost drowned. It was a hot and humid, but still a beautiful day in a beautiful city.

Metamorphosis
The Fox River

We arrived back at the hotel for a "Harry and Bess Welcome Party." I also hit the dealer's room for the first time. There, I greeted friends such as Larrian Gillespie, who was there with her book Houdini: The Man Who Died Twice. This was the official release day for the book, and I'm excited to read it. Kent Cummins was there with his new book, I Want To Be Like Houdini. Mike Caveney had a table selling his books, including our own Escaping Obscurity: The Travel Diary of Harry Houdini, 1897-1899. (He sold out.) There was a table devoted to a new Houdini documentary being made by the SAM called Houdini Unbound. It was also great to see Houdini family members Jeff and Debbie Blood had a table.

Debbie and Jeff Blood
Treasures from the SAM Hall of Fame Museum

Across from the dealer's room was another room called the "museum." Here, the SAM displayed Houdini artifacts from its own collection (The SAM Hall of Fame), including three incredible handcuff boards made by Edward Saint for the Final Houdini Seance in 1936. I'd seen these under glass, but now I could get up close to them and to the Russian Manacle. Wow. Dorothy Dietrich and Tom Ewing also had treasures on display. The SAM had also brought in two Houdini pinball machines to play.

Narinder Chadda, Pinball Wizard

That evening was "The HER Show" with Julia Dryas, Tiffany Sauvage, Cydney Kaplan, Alyx Hilshey, and Lyn Dillies. It was a great show. I was intrigued to see Tiffany's revival of The Georgia Wonder act. I also really enjoyed the elegant and confident work of young Julia Dryas. Again, I'm very happy to see the blossoming of a new generation with a love for Houdini. The future is in good hands.

That night, Joe, Narinder, Dorothy, Dick, and I ate in the hotel restaurant, which had "Houdini" beer on tap (although we only discovered this later). Dorothy and I had a spirited conversation about spiritualism and conducted a few experiments at the table. But Houdini declined to join us.

Houdini on tap!

DAY TWO (July 2)
Today was officially "Houdini Day," as proclaimed by Appleton's Mayor Jake Woodford. It kicked off with a public event in Houdini Plaza that was well covered by the media. There was a world-record chain escape (which we missed – my fault), an escape from a water drum by Dean Gunnarson, and a 100-foot suspended straitjacket escape by Houdini II. Seeing these escapes in person is much more suspenseful and frightening than one expects. Houdini II arrived in a hearse, which I thought was a terrific bit of ballyhoo.

Houdini II's ride
Suspended straitjacket escape by Houdini II!
Dean Gunnarson's water can escape.

Dean brought his Milk Can, which he inherited from The Amazing Randi and performed for many years. This is also the Milk Can Fonzie escaped from on Happy Days, for those who remember that. We moved the can over to the Houdini bust and took pictures. Again, Dorothy suggested we try to contact Houdini. While we were having our moment of silence, a young man walked up looking for something he had left at the bust. Was he the sign? I asked him his birthday. March 22. So close!

Posing with Dean's famed Milk Can.

It was then time for the "Houdini Family Interview" with George Hardeen, Debra Hardeen Bloom, and Jeff and Debbie Blood. It was a wonderful panel moderated by Bruce Kalvar. Jeff and Debbie also showed photos from their collection, including some I have never seen before.

Houdini Family panel.
Rare image from the Blood Collection.

After this, Joe, Narinder, and I returned to the History Museum at the Castle for a Houdini Walking Tour led by Erin Comer. It was an excellent tour filled with information about Houdini in Appleton that I didn't know! For example, the Opera House where Houdini performed in 1897 stood across the street from the Weiss family's home in what is today Houdini Plaza. Erin also showed us the site of the police station where Houdini escaped handcuffs in 1897. It's all on the same two blocks. 

Site of the Appleton police station.

When we arrived at Temple Zion, we met up with another group being led by magician, author, and speaker Paul Draper. It's nice to see it has been restored to its original color. The synagogue was under construction while the Weiss family was in Appleton, but they were gone by the time it was completed. (Rabbi Weiss led his congregation in a building on College Avenue, which still stands and is part of the tour.)

Temple Zion

We had to dash back to the hotel to catch a screening of The Grim Game with musical accompaniment by magician John Sturk. It's always a treat to watch that film with an audience and live music. After the screening, I asked George Hardeen what he thought. He smiled with that amazing family smile and said, "I thought it was long." Haha.

After the movie, I peeled away from Joe and Narinda and rested up before my presentation with Mike Caveney that evening. It was the last event of a very long day, but I was happy to see so many people still turned out. When I arrived, I saw the room had been rechristened the "Harry Houdini Theater." Or maybe it was this the entire time and I just never noticed it before.

Our talk was billed obliquely as "Houdini History and Interview." Mike and I talked about our Houdini adventures, especially the transfers we made in 2023 of the Houdini voice cylinders in David Copperfield's collection. I then surprised everyone by playing selections from the never-heard German voice cylinder. I hadn't told anyone, even the SAM, that I planned to do this. Only Mike and David Copperfield knew. I'm happy I was able to offer SAM members this special piece of Houdini history. 

I also revealed the cover of my new book, Handcuff King: The Conquests of Harry Houdini, 1900–1909. I think the talk went over really well.

Mike and I doing our thing.

DAY THREE (July 3)
I was incredibly tired on Day 3, so I stayed at the hotel and just enjoyed the convention. David Copperfield called me and asked how the presentation went. I was happy to tell him it went great and that everyone loved and appreciated his contribution. I then caught up with Scott Wells, and we did an interview. I always look forward to seeing Scott at conventions. I've linked to Scott's full convention coverage above, but I've excerpted my own interview for my patrons below.


The day seemed to fly by, and that evening we went back to the offsite theater for the big "Magic Opera" show with world-class magicians Christopher Hart, Shawn Farquhar, Puck, and John Shryock & Mari Lynn. The show was hosted by Mike Caveney, who did several of his best and most hysterical routines. It was FANTASTIC! It was like two Magic Castle parlor shows combined. One of the better magic shows I've ever seen. This is the quality of show Houdini would put together for the SAM. Bravo.

The only picture I took that day was the sunset from my room.


DAY FOUR (July 4)
The day started with a "Houdini Fun Run" through Appleton. I decide to sit it out and work on some blog posts. But Joe, Narinder, Dorothy, and Dick hit the streets at 7:45am! Young people...

Joe, Narinder, and I then received a very special treat. Tom Boldt, Houdini collector, historian, Appleton native, and all-around great guy, gave us a personal tour of several new Houdini plaques. He showed us Houdini locations that were well off the walking tour, such as the courthouse where Rabbi Weiss was naturalized. Tom is being deal in Appleton, although he is too modest to admit this. But from the moment one touches down in Appleton, the name of Boldt (Construction) is everywhere.

Tom Boldt, Legend!

Tom really loves his hometown. He brought us to the Hearthstone Historic House Museum, where we got a VIP tour from the director himself. This was the first home in the United States with electric light powered by hydroelectricity. Fascinating. It also provided fresh insight into the German population in Appleton at the time of the Weiss family. The German-speaking Rabbi Weiss would not have been as handicapped by his inability to speak English as is commonly believed. Appleton was filled with German speakers and had three German-language newspapers at the time (it had only two English-language papers).

Tom then showed us some wonderful city features, such as the former paper mills and the Fox River locks. We happened to arrive when a boat had just gone through the locks, so I got to close the doors. I think I found my new calling. We then went to Telulah Park, which Houdini often mentioned. In fact, Houdini pasted a photograph of himself and Hardeen in the park in his 1904 diary.

Doing some honest work for a change.

Narinder, Tom, and Joe at Telulah Park.

Seems like I always end up in a cemetery, and that's where we ended this tour. But I was very excited about this. Tom took us to the grave of Rabbi F.J. Salomon in the old Jewish cemetery. This is the man who replaced Rabbi Weiss in 1882. The arrival of Rabbi Salomon (another German speaker, btw) led to the Weiss family leaving Appleton (cast out of paradise?) and falling on hard times, which helped shape and toughen young Ehrich Weiss. Rabbi Salomon is here with his wife and son. This is an unknown but very significant piece of Appleton Houdini history. Thank you, Tom.

The graves of Rabbi Salomon and wife.

Back at the hotel, we had a great conversation with Paul Draper about Rabbi Weiss and various Houdini topics. Narinder also paged through my entire book (I had a PDF on my computer). He seemed to like it!

It was then time for the big final banquet. Because I was part of the "talent," my table would be randomly selected for me. By coincidence, I wound up sitting with the Houdini family. During the banquet, SAM President Matthew Crabtree handed the gavel over to the new president, Michael J. Heckenberger. It was pointed out that SAM membership was at a new high. I was also pleased to hear that this convention had sold out for the first time in many years. Did Houdini's name have anything to do with that? (I think so.) A show by Jonathan Neal finished up the evening.

George Hardeen gets into the spirit.

Following the banquet, Joe, Narinder, Tom Boldt, Paul Draper, and I had a final drink at the hotel bar and called it a night. But before I went to my room, I decided to walk to Houdini Plaza to say a private goodbye to Houdini and the city. It was largely abandoned, and I could hear fireworks still going off in the distance. When I walked near the spot where the Houdini home once stood (marked by a patch of grass), a rabbit suddenly appeared. It stared at me the entire time I walked the plaza.


As I said at the start, this was the best time I've ever had at a magic convention. From what I saw, everything came off without a hitch. A huge congratulations to "ICE" McDonald, who I know worked VERY hard to make this a fantastic convention. Ice and the SAM treated me like a king, and the attendees were among the friendliest I've ever encountered. I confess that when I went into this, I wasn't a member of the SAM. That has changed. I'm now proud member No. 50225. 

Magic – Unity – Might.

Want more? I've shared over 40 Houdini-specific images on my Patreon below.

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