Ehrich Weiss did not keep this travel diary because he was already important, a person whose deeds merited chronicling, someone whose salad days should be documented for posterity and biographers. No, it’s just that printers like The Detroit Free Press routinely manufactured and sold these double-season showbiz diaries, and Houdini bought one and used it to track his bookings because that’s just what itinerant entertainers did, and he wanted to be a pro. Besides, promos from the printer itself insisted that such a date book was “indispensable to theatrical folk.” Precisely because it’s completely free of pretense and hype, this diary offers a vivid, uncontrived look at the genuine daily grind of the Not-Yet-Great Houdini.
I'm currently sold out of the book at my own store, but you can still buy Escaping Obscurity: The Travel Diary of Harry Houdini, 1897–1899 from Mike Caveney's Magic Words.
Thank you, David!
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