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Showing posts with label Cannon challenge. Show all posts
Showing posts with label Cannon challenge. Show all posts

Monday, November 11, 2019

In 1919 Houdini was tied to a cannon for veterans (twice)


In England in 1911 Houdini accepted a challenge in which he was tied to the mouth of a cannon with a lit fuse. While no photos of this escape have ever surfaced, the cannon challenge is iconic enough to have been depicted in two Houdini biopics. Most biographies record this as being the only time Houdini ever did this stunt. But I recently discovered that he repeated the cannon challenge in Los Angeles in 1919...twice!

The first occurred on April 26, 1919, just a few days after Houdini arrived in the city to begin work on The Grim Game. Houdini was part of a troupe of Famous Players-Lasky artists who gave a charity performance at the "Victory ship" in downtown's Pershing Square. This was part of a nationwide effort to raise funds for The Victory Liberty Loan, a drive to help returning soldiers from World War I. Below is an ad for the campaign.


This ad is pretty wild and emblematic of the drive. The Liberty Loan was an aggressive campaign that was not above shaming people into donating. Newspapers actually printed the names of wealthy or prominent citizens who had not contributed as "Liberty Loan Slackers" (a "slacker" was a draft dodger). But this particular ad is notable on that it mentions the Lasky Stars and advertises Houdini's escape:


Below are details of the upcoming escape as reported in the Los Angeles Herald on April 25, 1919:


What exactly was the Victory ship? Try as I might, I could not find any photos of it. But from a later newspaper account about its dismantling, I'm assuming it was a temporary stage set up in Pershing Square made to resemble a battleship perhaps?

A few weeks later, the Lasky stars were back at the Victory ship, including Houdini's future Terror Island co-star Lila Lee. Houdini repeated his cannon challenge, as reported in the May 10, 1919 Los Angeles Herald:


Unfortunately, I couldn't find any photos or news accounts of how either challenge played out. Presumably he made it! But many stars performed at the Victory ship, including Charlie Chaplin, and I could find no account of what they did either. I believe it would have been considered bad form to use a charity event to promote oneself. This was about veterans, and even Houdini was restrained. But that leaves us to only guess what this escape looked like.

At the top of this post is an illustration of Houdini tied to a cannon which is the only depiction of the challenge I've ever seen. (This comes from The Original Houdini Scrapbook by Walter B. Gibson.) The illustration appears to be based on the 1911 escape, which is well described. But this could also have been how he was restrained in 1919. Unless...

Below is a photo of Houdini tied to the wheel of a cannon. Could this have been taken at the Victory ship? This is Houdini in 1919, and the cannon he is roped to is clearly a piece of World War I ordinance. While this isn't how the challenge was advertised, the cannon may have been too large for him to be tied to the mouth, so maybe this is how he actually did the escape? Or this photo was taken after the fact. The edifice behind him does appear to be some sort of temporary structure which could be the Victory ship.


When I first uncovered these two challenges, I had hoped to do what I did for his 1915 suspended straitjacket and his 1923 Ambassador Pool escape. But I came up short in my research. So I'm offering up what I have in the hopes it will unlock more info. But at least we now know that it happened. Houdini was tied to a cannon in Los Angeles' Pershing Square in 1919...twice!

Site of Houdini's escape today.

Honoring all who have served on this Veterans Day.

UPDATE: Turns out an account of this escape (one of them, at least) appears in The Grim Game pressbook. Thanks to Joe Notaro.


UPDATE 2: Our great friend Bill Mullins has come through with a photo of the Victory Ship! As suspected, it's a stage made to look like a ship. This is from the May 3, 1919 Los Angeles Times.

Click to enlarge.

Related:

Thursday, September 28, 2017

Is there a Houdini prop in the basement of 278?

If you were lucky enough to attended last weekend's open house at Houdini's 278 in Harlem, you got to experience something not afforded to those who attended the first open house in June. This time the basement was open to visitors. This is where Houdini is said to have worked on and kept some of his famous feats, some of which were still being stored there right up into the 1980s.

In fact, the basement may still contain one last iconic Houdini prop! Check out the photos below, taken by one of last weekend's lucky attendees.


Now, I know we discussed this back in July when David Saltman posted a photo of this "giant wheel" on his blog The Houdini File. But that photo didn't show the same detail. It looked like it might have been part of the house, possibly a gear from the disassembled dumbwaiter. But now getting a closer look, as well as learning the diameter (approx. 40"), one can see that this is actually a wagon wheel. All the elements are there, the most notable being the "Flat Steel Tire" as seen below.


So what's this have to do with Houdini? Well...


Before we get too excited, the wheel we see Houdini tied to above is not the exact same wheel (different number of spokes). But that doesn't mean the wheel in the basement wasn't used by Houdini in exactly this same way. This was one of Houdini's escapes. In his 1920 book, Magical Rope Ties & Escapes, Houdini devotes a section to what he calls "The Big Wheel Release." He even expresses a preference for the type of wheel to use, allowing for dramatic "scenery":

An audience which would go to sleep while and artist was making a really difficult escape from the wheel of a farm wagon will break into tumultuous applause over a comparatively easy one from a cannon wheel.

So how has this wheel remained in the basement all these years? Maybe it was just too impractical to take away. Or maybe those who say it didn't recall that the "Big Wheel Release" was part of Houdini repertoire. But after seeing these photos, I'm thinking the basement of 278 holds one last Houdini treasure, and that's pretty cool!

Here's a look at the full basement (which had a dirt floor in Houdini's day). I especially love those arches. Also notice the horseshoe on the far left. In his book Houdini Question Reality, Dixie Dooley reports seeing a horseshoe over the front door in 1985 that dated back to Houdini. Same one?


So what do we think? Is this wheel for real? Or are we going in circles? Sound off in the comments below.

Thanks to our open house attendee for sharing these terrific pics.

Related:

Sunday, September 24, 2017

Houdini, Big Pharma's calendar boy

In 1977, Stuart Pharmaceuticals in Delaware produced a series of Houdini advertising calendars as part of a campaign for their new drug Kinesed ("Working out of tight squeezes."). Each calendar featured beautiful original paintings by James Barkly of iconic Houdini feats.

Below are three calendars that I own. The first is from June 1977 and the painting is a combination of Houdini's 1903 Amsterdam Jail Break poster and one of his famous 1903 "nude" publicity shots.

"Escape from Prison when Manacled in Handcuffs and Irons."

The next calendar is from August 1977. The painting here is taken from a photo of Houdini's 1908 Suffragettes Challenge. Despite the caption, I don't believe the sheets were doused with water for this particular test, but this is still how a "wet sheets" challenge would look.

"The Challenging Release From Wet Sheets"

This last calendar uses an image from Houdini's 1917 Ladies Home Journal article "How I get Out of a Straitjacket." It is a bit of an outlier as it's from 1978 and technically not part of the "Tight Squeezes" campaign (although still part of the overall Kinesed campaign).

"Just When You Think There's No Escape..."

It's possible there was a variant of this last calendar that shows Houdini free of the straitjacket using the painting below.

"Something Makes it Happen!"

You can see some of the other calendars at Joe Notaro's Harry Houdini Circumstantial Evidence:

The Daring Underwater Escape from a Nailed Packing Box (Nov/Dec 1977)
The Milk Can (Jan/Feb 1978)
The Water Torture Cell (March/April 1978)
The Iron Boiler (May/June 1978)
100 Foot Rope Escape (Sept./Oct. 1978)
The Gallows Restraint (Nov/Dec 1978)

Below are links to more Houdini adventures in advertising.

Related:

Thursday, December 22, 2011

Houdini mystery poster depicts the cannon challenge

Steven Bingen, author of MGM: Hollywood Greatest Backlot and the Warner Bros. archivist who helped me uncover RKO 589, has shared another discovery. While taking a tour of the historic Melody Ranch Motion Picture Studio in Newhall, CA, Steve spotted this Houdini poster in the studio museum. The poster shows Houdini lashed to a cannon with the word "Challenge" beneath.

It's tantalizing to think this might be an actual Houdini poster, but the style and size almost certainly precludes this (dang-it). Still, it's an intriguing piece. Houdini did accept a challenge by four Navy petty officers to escape from the mouth of a loaded cannon in England in 1911, and he was tied in very much the same manner as we see depicted the poster, right down to having a rifle inserted behind his back. (Publicity for The Grim Game claimed this challenge took place in Pershing Sq. in Los Angeles.)

However, the cannon escape is one of Houdini's more obscure challenges. There are no photos (that I know of), and only one drawing (in Gibson's The Original Houdini Scrapbook, p. 211). So this is not artistic fantasy. This required research. But for what purpose?

It's possible this poster was made for a movie or TV show shot at the Melody Ranch studio. That's what this museum is all about. But what movie? And while this is not a real Houdini poster, could it be based on a real poster image? Houdini did use imps on his prison cell and barrel mystery poster, so it's not usual that we see imps in action here (I love that one is lighting the fuse). But that's probably wishful thinking.

I've always wondered why Houdini didn't make more of this challenge in his publicity. It's certainly a dramatic image. But maybe he didn't want to encourage a repeat. In the original challenge letter, the officers specified that he escape in the allotted 20 minutes or "be blown to Kingdom Come."

Click to enlarge

Thanks to Steve Bingen for sharing his photos and his find.

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