Showing posts with label Harry Ransom Center. Show all posts
Showing posts with label Harry Ransom Center. Show all posts

Wednesday, June 17, 2026

Cover art for 'Houdini's Library' by Eric Colleary

Our good friend Eric Colleary, Cline Curator of Theatre and Performing Arts at the Harry Ransom Center, has revealed the final cover art for his upcoming book, Houdini's Library: Inside the Spellbinding Collections of the Great Illusionist. I'm very excited about this!

A landmark volume in the history of magic―the first-ever book on Houdini’s legendary personal collection, published on the centennial of his death

Harry Houdini (1874–1926) was not only a great magician but a great collector. Every corner of his townhouse at 278 West 113th Street in New York was filled with books, pamphlets, prints, clippings, playbills, and photographs documenting the history of magic and theatrical performance. “It would cost fully a million dollars to forge the collection of evidence now in my hands,” Houdini wrote in 1908. “These programs, advertisements, newspaper notices, and crude cuts trace the history of magic as no romancer, no historian of a single generation possibly could. They are the ghosts of dead and gone magicians, rising in this century of research and progress to claim the credit due them.”

This handsome oversize volume is published to coincide with a major exhibition at the Harry Ransom Center in Austin, where much of Houdini’s library is preserved. It traces the growth of the legendary illusionist’s collections throughout his career and illustrates hundreds of his treasures―many for the first time. They range from a priceless copy of Reginald Scot’s 1584 volume Discovery of Witchcraft, the first book to reveal the secrets of sleight-of-hand; the irreplaceable collection of playbills and programs that Houdini obtained from the British conjuror Henry Evans Evanion; the travel diary of David Garrick, the eighteenth-century actor who defined modern theatre; and much more. Houdini’s Library will be a source of fascination for anyone interested in the history of magic and performance.


Houdini's Library (the book) will be released on September 15, 2026, and can be pre-ordered at Amazon.com and Amazon.co.uk.

Houdini's Library (the exhibition) opens at the Harry Ransom Center on August 29, 2026, and runs through January 24, 2027. 

Thursday, April 16, 2026

LINK: Illusionist Harry Houdini reappears in Austin 100 years after his death

Here's a nice article in the Austin Statesman about all the upcoming Houdini happenings in Austin, Texas, including Katie Bender's play Instructions for a Séance,  the Harry Ransom Center's upcoming exhibition, Houdini's Library, and Eric Colleary's new book of the same name. Click the image below or on the headline to have a read.

Monday, January 12, 2026

Instructions for a Séance with Katie Bender


Here's our first Houdini play of 2026. Katie Bender is bringing her Houdini-themed Instructions for a Séance to OKC Rep Theater in Oklahoma City, January 22-24.
You’re invited. For one week in January Katie Bender—playwright, performer, mom—will host a series of séances at OKC Rep to contact Harry Houdini to teach her how to escape her life. And maybe you have things you want to escape from?

Instructions for a Séance is a playful yet poignant exploration of motherhood, artistic ambition, and the urge to escape. Inspired by the Houdini archives at the Ransom Center, Séance is a 70-minute theatrical gem: compact, gleaming, and utterly unforgettable.

For more information and to buy tickets, visit the official website.

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Thursday, November 27, 2025

Escape obscurity at the Harry Ransom Center


The Harry Ransom Center at the University of Texas at Austin, which holds the largest public archive of Houdini material in the world, has added Escaping Obscurity: The Travel Diary of Harry Houdini 1897-1899 to its collection. I like to think the Harry Ransom Center is pretty discerning about what it brings into its world-class collection, so this is an honor. Also, if you live in the Austin area and can't afford the book, here's a great way to still use it in your studies. Just click below.


Of course, you can purchase Escaping Obscurity: The Travel Diary of Harry Houdini, 1897-1899 for your own library at Mike Caveney's Magic Words.

For more Harry Ransom Center action, check out the links below.

Happy Thanksgiving!

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Wednesday, October 29, 2025

Eric Colleary brings 'Houdini's Library' to Boston

Our good friend Dr. Eric Colleary, Cline Curator of Theatre and Performing Arts at the Harry Ransom Center, recently spoke at the prestigious Club of Odd Volumes in Boston on the topic of "Houdini's Library." Eric is organizing a major 2026 exhibition at the Harry Ransom Center on the subject and writing a companion book.

Before Eric's address, members enjoyed a special Houdini-themed dinner, with Chicken Paprikash as the main course, of course! Bread pudding with Houdini's favorite cherries was for dessert.

What made this talk extra special is that Houdini himself addressed The Club of Odd Volumes on the topic of his library in 1922. Eric recently uncovered some interesting material related to that talk at David Copperfield's International Museum and Library of the Conjuring Arts in Las Vegas and shared it with club members for the first time.

For more details on Houdini's Library, visit the Harry Ransom Center website. You can also pre-order Eric's book Houdini's Library: Inside the Spellbinding Collections of the Great Illusionist at Amazon.com and Amazom.co.uk.

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Wednesday, November 20, 2024

Houdini and Edwin Booth's hair

Our friend Eric Colleary, who is currently organizing an exhibit and penning a book devoted to Houdini's Library, alerted me to this post by The Player's Foundation on Facebook. I never knew about this! Eric pointed out that the Harry Ransom Center has the receipt for this donation, an image of which is shared in the comments. The only mistake here is the year is 1917, not 1911.


Collecting someone's hair? What a weirdo. Oh, wait...


Thank you, Eric!

UPDATE: Chuck Romano of My Magic Uncle sent over a clipping from the March 1920 issue of Photoplay with the following quote from Houdini:
 
   "I would not think of carrying a lock of hair," he said. "To me that is the true sign of the hardest of hard luck. Once I bought a collection. In it was a letter written by the Duke of Wellington to an artist who had painted his portrait. In the letter was a lock of the Duke's here. All the time I had it hard luck pursued me.
   Finally I tossed the thing into the fire. The very next day bad luck and Houdini parted company.
   I once had a lock of Edwin Booth's hair that I bought in another collection. Hard luck seems to creep upon me again. I gave that away–and once more, hard luck left me."

Thank you, Chuck!

UPDATE: This story keeps developing. Joe Notaro reminds me of a post he did last year on his blog about Houdini's Duke of Wellington hair lock. He even has a pic. Check that out HERE.

Thank you, Joe!

Related:

Sunday, October 27, 2024

Houdini’s Library will also be a book!

Last week, I shared the exciting news of a 2026 exhibition at the Harry Ransom Center showcasing Houdini's Library. Here's more good news: Houdini's Library will also be a book!

Dr. Eric Colleary, who is organizing the exhibition, is also penning the companion book. Eric is currently back east doing research at major institutions, such as the Library of Congress, New York Public Library, and Harvard. As the Cline Curator of Theatre and Performing Arts at the Harry Ransom Center, Eric knows how to navigate large archives and has already unearthed treasures. We will all get to enjoy his discoveries in 2026!

You can read the details about Houdini's Library at the Harry Ransom Center.

Sunday, October 20, 2024

Houdini’s Library coming to the HRC in Fall 2026

Exciting news! Our good friend Dr. Eric Colleary, Cline Curator of Theatre and Performing Arts at the Harry Ransom Center, is organizing a major Houdini exhibition for Fall 2026. You can read the details below or at the Harry Ransom Center website.

Discover the hidden treasures of Houdini’s Library, an exhibition that delves into the life and extraordinary collection of Harry Houdini, one of history’s most famous illusionists. On stage, Houdini crafted his performances with a deep sense of history and the magicians who came before him. Off stage, he spent years building a collection of books, manuscripts, and ephemera documenting the long global history of magic and theatre. From a first edition of Reginald Scot’s 1584 classic The Discoverie of Witchcraft to the handwritten travel diary of legendary actor David Garrick, delve into how Houdini’s collection reflected his quest to preserve history—a tradition continued by the Ransom Center since it acquired his collection in 1958. Commem-orating the centenary of Houdini’s death in 1926, Houdini’s Library invites visitors to explore the intersections of magic, history, and collecting. 
This exhibition is organized by Dr. Eric Colleary, Cline Curator of Theatre and Performing Arts.

Sunday, May 12, 2024

Restoring Hardeen

This magnificent Hardeen poster is currently undergoing restoration at the Harry Ransom Center. Eric Colleary, our friend and Cline Curator of Theatre & Performing Arts, posted this image to the Magic Collectors Corner Facebook group along with this plea:

We're working on a major conservation treatment of this Hardeen poster, a variant of a similar Houdini poster that also includes various cuffs and similar hand positions. Does anyone else happen to have a print of this Hardeen poster? And if so, would you be able to share an image for reference? Many thanks in advance!

If you can help Eric, reach out to him via the Harry Ransom Center website or on Facebook.

I've never seen this poster myself, but the image of Hardeen appears to have been drawn from a photo that can be seen in Milbourne Christopher's Houdini's The Untold Story.

Thursday, February 29, 2024

Leap Day Dash

While we know Hardeen was born on March 4, 1876, in Budapest, like his famous brother, he later claimed Appleton as his birthplace and changed his birthdate. The date Dash chose was February 29 (Leap Day), showing he had a sense of humor about all this. As it only happens once every four years, let's celebrate Hardeen's "birthday" today with some dashing posters.

Below is one of my all-time favorite posters for either brother. If Houdini ever created a poster depicting a bridge jump, I've not seen it. But it would be tough to do better than this one. This appeared on the back of the July 1945 Conjurers Magazine "Hardeen Memorial Issue." How I would love to see this in color.


Here's another Hardeen poster that features a bridge jump as a key image. This is a blow-up from a photo of an Oakland billboard when the brothers were both performing there in 1915. Again, how I'd love to see this in color.


Here's another beauty. This appears on the back of Hardeen's pitchbook.


While the above posters will be familiar to some, I'm sharing a Hardeen poster on my Patreon today that I bet you've never seen because I sure hadn't! And, yes, this one is in color. This comes from Eric Colleary and our friends at the Harry Ransom Center. Enjoy.


Happy Leap Day Birthday, Dash!

Tuesday, January 16, 2024

"I played parts years ago"

One of the great things about reading Houdini's letters is that he sometimes gets into a mood to reminisce. In these moments, you can find gold! An excellent example is a 1916 letter to Quincy Kilby in which Houdini remembers various plays he acted in during his early career. There's new info here, so enjoy this Patreon history exclusive.


Thanks to my patrons for supporting my research and content like this. Not a member? Feel free to join us!

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Tuesday, November 28, 2023

Houdini's humor


Once, during a Q&A, someone asked me if Houdini used humor in his act. I told them I didn't think so. That Houdini took himself pretty seriously. In fact, he once kicked a comedian (hard!) in the leg when he began telling jokes as Houdini struggled in a straitjacket.

But Patrick Culliton later told me I was mistaken. Houdini did use humor in his act. From that moment, I've kept an eye open for evidence of this, and, by gosh, it's out there! Check out the below from Houdini's appearance at the Regent Theater of Varieties in Salford, England.


This point was further driven home when I was shown a remarkable document at the Harry Ransom Center last year. It's a typewritten page of all the jokes Houdini had at hand during his performances. The jokes are pretty corny, largely dependent on puns and colloquialisms, but they apparently worked on audiences of the time. It's a fantastic glimpse at a part of Houdini's act that is (almost) forgotten.

Where can you read this remarkable document? The Harry Ransom Center, of course! Or you can read it as a member of my Patreon by clicking below.


Thanks to my patrons for supporting my research and content like this.

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Tuesday, September 5, 2023

Houdini sees Adelaide

Houdini sees Adelaide Herrmann perform for the first time in 25 years in this Patreon exclusive.


Please note that I will be sharing more of my history-related posts exclusively on Patreon. So if this is the kind of thing you like best about WILD ABOUT HARRY, you might consider joining!


Friday, July 14, 2023

Dash and the duplicate Water Torture Cell

We are all familiar with the letters Houdini wrote to his brother Hardeen after his mother's death in 1913. But I had never seen a letter from Hardeen back to Harry. That's why I was so excited to find a handful of such letters at the Harry Ransom Center.

The first thing that struck me was Hardeen starts off his letters with, "My dear brother Ehrich." Dash using Houdini's real name was eye-opening in itself. Then in a letter dated December 28, 1913, I found this intriguing nugget:

  A fellow by the name of Bedwin came to me a week a go and wanted to sell me the U.S.D. trick for $250. I went to see it and this fellow must have gone to see you at every performance as he has the thing built just like yours, BUT he cannot do it upside down, he only has his hands stuck out of the top, but the trick looks great. He has worked around New York a week or so, but is a bad show man and can not get any work. I offered him a hundred dollars for the trick, but he refused to take it.
    Now what do you think about it, I was going to buy it just to take it off his hands, but will wait until I hear from you.

There was no follow-up in the file and I'm not able to find any mention of a magician named Bedwin performing in New York at this time. Maybe someone else wants to run with this? I do wonder what happened to his Torture Cell?

Want more? You can read Dash's full 2-page letter, which includes some interesting personal details, as a "Scholar" member of my Patreon by clicking below.


Thursday, June 22, 2023

Anniversary day

I'm marking Harry and Bess Houdini's 129th anniversary on my Patreon today with a very special rarity from the Harry Ransom Center. It's a single page that will both warm and break your heart. Click below to share in the love.

Friday, June 2, 2023

Houdini takes the lid off Fleischmann’s Yeast


Ever hear the one about Harry Houdini and Fleischmann’s Yeast? Sounds like the start of a joke, doesn't it? But it's not. Houdini's family connection to Fleischmann’s Yeast is something Patrick Culliton has always talked about. But when I was at the Harry Ransom Center last year, I finally heard it from Houdini himself.

In a letter dated June 8, 1925 to Albert Davis of 351 Bridge Street in Brooklyn, Houdini writes:

    I noticed you live on Bridge Street. Many years ago my uncle, Simon Newman, he brought compressed yeast into this country and he taught the older Fleischman the business, in fact Fleischman was only one of a number of helpers and managed to get financing – my uncle having refused to form a corporation. His place was at 28 Jay Street and many a happy swim I had off the J Street Dock. By the way, the Fleischman people paid my uncle $200. a month all the rest of his life after having practically put him out of business and some how or other I attribute it has conscience money. Will tell you the whole story in person.

    It seems strange to hear that an unknown man brought compressed yeast to this country but he sold it for years and is now entirely forgotten.

Fleischmann’s Yeast is still around today. Unsurprisingly, the official company history doesn't mention Houdini's Uncle Newman. I'm also excited to learn the location of swimming spot for young Ehrich Weiss. Any Brooklyn residents want to try and track down the Jay Street Dock?

Now let's work out the rest of that joke.


Want more? You can see and read the entire original letter as a Scholar member of my Patreon.

Thursday, April 13, 2023

Houdini haunts Hoboken

A treat for patrons today is this image of Houdini on the stage of the Roosevelt Theater in West Hoboken (now Union City) in 1922. You've never seen him look more like Dracula! Click below...if you dare.

Wednesday, February 15, 2023

Houdini's copper Milk Can?


In the Houdini Collections at the Harry Ransom Center there is a thick file of letters written to Houdini by Montraville M. Wood. Wood was a Chicago inventor and associate of Thomas Edison who worked with Houdini on his Milk Can escape and other effects.

One letter offers up a surprise and a new mystery. It appears that Wood was making Houdini a COPPER Milk Can. On Sept. 10, 1909 Wood writes to Houdini saying:

I have received fifty from the Doctor and have placed the order for the Copper Can; but owing to the small sheets of copper (being tinned on one side) which is carried in stock, it will be necessary to have two seams in the body part of the can instead of one.
This whole can will be tin plated on the inside, so it will be perfectly safe, and it will be copper polished on the outside. I cannot say any particular time this will be done; but I am rushing it as fast as I can.

Wood goes on to say that the hasps would be brass and the can's collar would be 1/2" higher than Houdini's regular cans. He also says staples on the collar would be removable.

Unfortunately, there is no other correspondence related to this particular can, so I don't know if Wood ever delivered his copper can to Houdini. But the idea is a good one. So if anyone ever encounters a copper Milk Can out there, it just may be Houdini's!

Want more? You can read M.M. Wood's full letter as a member of my Patreon by clicking below.


Thanks as always to Eric Colleary and the Harry Ranson Center.

Related:

Friday, January 20, 2023

Paging Professor Murat


In the Harry Ransom Center at the University of Texas at Austin (them again!), not all the Houdini treasures are in the Houdini Collections. The Ransom Center also holds a large collection of Sir Arthur Conan Doyle's correspondence. There one can find several letters he exchanged with Bess in the months after Houdini's death. These letters contain some fascinating information.

Today I wanted to highlight a paragraph from one letter dated July 8, 1927 in which Bess writes:

Was awfully pleased to hear from you. Houdini never traveled under the name of Ellington but took the name of Houdini when he was fourteen years of age. Thirty-two years ago he used the name of Professor Murat for one week as a hypnotist and then a few years later as a card magician, for a short time was known as "Cardo", but those are the only names, other than Houdini, that he ever used.

These aliases are mentioned in Silverman (sourced from this letter in the HRC), so this isn't new info. However, Bessie appears to have misspelled the name Murat. Details of his act at Daly's Star Theater in Hoboken during the week of February 10, 1896 can be found in local papers under the spelling "Morat":

Then came Prof. Morat, with his "European Sensation–Man in a Trance." He produced his "subject" and made the audience shiver as he jabbed pins and needles into the soft parts of the man's anatomy. The subject didn't seem to mind it. He was supposed to be in the state of hypnotic catalepsy.

Unfortunately, I've never been able to find any account of Houdini's time as "Cardo." Every once in a while I do a hard target search of newspaper.com for any mention of a Cardo from 1895-99 who could logically be Houdini, but so far I've come up empty. I did find a magician in 1889 named Signor LaCardo, but clearly not HH. Maybe someone else will have more luck?

By the way, Houdini also appeared at least once as "Harry Raynohr, Sleight of Hand" during his early days. Strange Bess forgot that one as she appeared on the same bill as "Beatrice Raynohr, The Melodious Little Songstress."

Want more? You can read the entire Bess letter and see the Prof. Morat clippings as a Scholar member of my Patreon. Just click the image below.

Thursday, January 5, 2023

Joe Notaro teases new book for 2023

Our great friend Joe Notaro wrapped up another year of his terrific blog Harry Houdini Circumstantial Evidence over the holidays with THIS POST looking back on his stories from 2022. Joe's approach is to post once a week and remain history-centric. Not a bad approach as you can see how much ground Joe covers in a year. He even made his own visit to the Harry Ransom Center (right).

Joe also teased that his "next book" will be coming out in 2023. Last year Joe released Houdini's long lost novella The Zanetti Mystery, which was an inspired project and is a must for any Houdini bookshelf. What does Joe have up his sleeve for 2023? I can't wait to find out!

Joe posts to HHCE every Sunday (and I try my best to not post on Sundays) so if you don't already visit each week, make it a habit!

UPDATE: Joe has announced his new book on his blog HERE.

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