Showing posts with label Voice recordings. Show all posts
Showing posts with label Voice recordings. Show all posts

Wednesday, July 8, 2026

Houdini LIVED in Appleton last week


The Society of American Magicians held its National Convention in Appleton, Wisconsin, last week. The convention honored Houdini and the 100th Anniversary of his death in his beloved adopted hometown. I can honestly say it was the most fun I've ever had at a magic convention. It helped that Houdini was everywhere.

The convention was too big for me to cover here. I also kept my focus on Houdini events and Appleton activities, so I didn't attend all the lectures and shows the convention had to offer. For that, I recommend listening to Scott Wells' thorough coverage at The Magic Word Podcast. Here, I'll share my own Houdini highlights.

I should say up front that everything I did was in the company of Joe Notaro (who you all know from his blog Harry Houdini Circumstantial Evidence) and Narinder Chadda. Narinder has been a long-time reader of my blog and a patron who came all the way from England for this event. It was such a pleasure meeting him and sharing this incredible adventure together.

Narinder, Joe, Harry, and I are ready for action!

I arrived in Appleton on Tuesday (June 30). As soon as I walked into the Hilton Paper Valley Hotel, my heart stopped at the sight of several original Houdini posters in the lobby. These came from the Tom Boldt collection and were breathtaking. I then met up with Joe and Narinder, and we instantly went to Houdini Plaza, which was just a block from the hotel. The last time I was in Appleton was in 1998, before the plaza's renovation. The new plaza is terrific. Apart from this, Appleton seemed largely unchanged to me. My hotel room looked out over the city and a beautiful church that stood when the Weiss family lived here from 1878 to 1882.

That evening was a pre-convention event with Dorothy Dietrich and Bruce Kalver discussing the Houdini seances. Bruce also discussed how he once staged a Lizzie Borden seance in the murder house itself. Always great to see Dorothy and Dick Brookz. A perfect way to start.

DAY ONE (July 1)
This was the first official day of the convention. The morning events were devoted to SAM business, so Joe, Narinder, and I made a beeline for the History Museum at the Castle. Admission was free for all convention attendees. The museum had put up an extra Houdini display in a glass case in the lobby with their early Houdini scrapbook, tools from Houdini's Trunk No. 8, an artifact from the days of Rabbi Weiss, and other treasures. Very nice.

Special display at the History Museum at the Castle.

The museum's AKA Houdini exhibit was terrific and told Houdini's story very well with interactive displays. I particularly like the cut-out Milk Can, accurate to the size of Houdini's can (which the museum had in the 1990s). You can experience what it's like inside, and it's tight! Check out the photo on the right. As Houdini might say, "Look how poorly I fitted."

I have to say, all the hubbub about the museum's "exposure" of Metamorphosis is overblown. It really doesn't expose anything. It has a side door on the box so kids can slip in and out when the curtain is drawn. It's harmless fun, IMO.

I then had the pleasure of meeting Dustin Mack, the museum's Executive Director. Dustin and I have exchanged emails, but this is our first face-to-face meeting. He is young and enthusiastic, and has a lot of love for Houdini and plans for the future. Likewise, Erin Comer, the Education & Collections Manager, is conducting new research on Houdini and Appleton. I'm so happy to see a new generation with a passion for Houdini running the History Museum at the Castle. It's in good hands.

Speaking of good hands, Dustin removed the Houdini scrapbook from the display case and let me page through the entire thing as he, Joe, and Narinder looked on. This scrapbook spans 1894 to 1900 and is packed with incredible newspaper clippings and images. We made discoveries, and I found a few images that I just have to add to my new book. (I'm in the process of doing that now.) Seeing this scrapbook was a highlight of the trip. Thank you, Dustin!

Dustin Mack, PhD, with the Houdini scrapbook.

In the museum lobby, we ran into Dean Gunnarson and Terry Roses and had a great conversation. I know Dean from email, but we always miss each other while shooting various TV interviews. So it was great to finally meet him in person. 

Meeting up with Dean Gunnarson and Terry Roses.

Joe, Narinder, and I then went to find the new location of Richard C. Wolter's Metamorphosis sculpture, which once stood in Houdini Plaza. We then took a walk along the Fox River, where young Ehrich Weiss is said to have almost drowned. It was a hot and humid, but still a beautiful day in a beautiful city.

Metamorphosis
The Fox River

We arrived back at the hotel for a "Harry and Bess Welcome Party." I also hit the dealer's room for the first time. There, I greeted friends such as Larrian Gillespie, who was there with her book Houdini: The Man Who Died Twice. This was the official release day for the book, and I'm excited to read it. Kent Cummins was there with his new book, I Want To Be Like Houdini. Mike Caveney had a table selling his books, including our own Escaping Obscurity: The Travel Diary of Harry Houdini, 1897-1899. (He sold out.) There was a table devoted to a new Houdini documentary being made by the SAM called Houdini Unbound. It was also great to see Houdini family members Jeff and Debbie Blood had a table.

Debbie and Jeff Blood
Treasures from the SAM Hall of Fame Museum

Across from the dealer's room was another room called the "museum." Here, the SAM displayed Houdini artifacts from its own collection (The SAM Hall of Fame), including three incredible handcuff boards made by Edward Saint for the Final Houdini Seance in 1936. I'd seen these under glass, but now I could get up close to them and to the Russian Manacle. Wow. Dorothy Dietrich and Tom Ewing also had treasures on display. The SAM had also brought in two Houdini pinball machines to play.

Narinder Chadda, Pinball Wizard

That evening was "The HER Show" with Julia Dryas, Tiffany Sauvage, Cydney Kaplan, Alyx Hilshey, and Lyn Dillies. It was a great show. I was intrigued to see Tiffany's revival of The Georgia Wonder act. I also really enjoyed the elegant and confident work of young Julia Dryas. Again, I'm very happy to see the blossoming of a new generation with a love for Houdini. The future is in good hands.

That night, Joe, Narinder, Dorothy, Dick, and I ate in the hotel restaurant, which had "Houdini" beer on tap (although we only discovered this later). Dorothy and I had a spirited conversation about spiritualism and conducted a few experiments at the table. But Houdini declined to join us.

Houdini on tap!

DAY TWO (July 2)
Today was officially "Houdini Day," as proclaimed by Appleton's Mayor Jake Woodford. It kicked off with a public event in Houdini Plaza that was well covered by the media. There was a world-record chain escape (which we missed – my fault), an escape from a water drum by Dean Gunnarson, and a 100-foot suspended straitjacket escape by Houdini II. Seeing these escapes in person is much more suspenseful and frightening than one expects. Houdini II arrived in a hearse, which I thought was a terrific bit of ballyhoo.

Houdini II's ride
Suspended straitjacket escape by Houdini II!
Dean Gunnarson's water can escape.

Dean brought his Milk Can, which he inherited from The Amazing Randi and performed for many years. This is also the Milk Can Fonzie escaped from on Happy Days, for those who remember that. We moved the can over to the Houdini bust and took pictures. Again, Dorothy suggested we try to contact Houdini. While we were having our moment of silence, a young man walked up looking for something he had left at the bust. Was he the sign? I asked him his birthday. March 22. So close!

Posing with Dean's famed Milk Can.

It was then time for the "Houdini Family Interview" with George Hardeen, Debra Hardeen Bloom, and Jeff and Debbie Blood. It was a wonderful panel moderated by Bruce Kalvar. Jeff and Debbie also showed photos from their collection, including some I have never seen before.

Houdini Family panel.
Rare image from the Blood Collection.

After this, Joe, Narinder, and I returned to the History Museum at the Castle for a Houdini Walking Tour led by Erin Comer. It was an excellent tour filled with information about Houdini in Appleton that I didn't know! For example, the Opera House where Houdini performed in 1897 stood across the street from the Weiss family's home in what is today Houdini Plaza. Erin also showed us the site of the police station where Houdini escaped handcuffs in 1897. It's all on the same two blocks. 

Site of the Appleton police station.

When we arrived at Temple Zion, we met up with another group being led by magician, author, and speaker Paul Draper. It's nice to see it has been restored to its original color. The synagogue was under construction while the Weiss family was in Appleton, but they were gone by the time it was completed. (Rabbi Weiss led his congregation in a building on College Avenue, which still stands and is part of the tour.)

Temple Zion

We had to dash back to the hotel to catch a screening of The Grim Game with musical accompaniment by magician John Sturk. It's always a treat to watch that film with an audience and live music. After the screening, I asked George Hardeen what he thought. He smiled with that amazing family smile and said, "I thought it was long." Haha.

After the movie, I peeled away from Joe and Narinda and rested up before my presentation with Mike Caveney that evening. It was the last event of a very long day, but I was happy to see so many people still turned out. When I arrived, I saw the room had been rechristened the "Harry Houdini Theater." Or maybe it was this the entire time and I just never noticed it before.

Our talk was billed obliquely as "Houdini History and Interview." Mike and I talked about our Houdini adventures, especially the transfers we made in 2023 of the Houdini voice cylinders in David Copperfield's collection. I then surprised everyone by playing selections from the never-heard German voice cylinder. I hadn't told anyone, even the SAM, that I planned to do this. Only Mike and David Copperfield knew. I'm happy I was able to offer SAM members this special piece of Houdini history. 

I also revealed the cover of my new book, Handcuff King: The Conquests of Harry Houdini, 1900–1909. I think the talk went over really well.

Mike and I doing our thing.

DAY THREE (July 3)
I was incredibly tired on Day 3, so I stayed at the hotel and just enjoyed the convention. David Copperfield called me and asked how the presentation went. I was happy to tell him it went great and that everyone loved and appreciated his contribution. I then caught up with Scott Wells, and we did an interview. I always look forward to seeing Scott at conventions. I've linked to Scott's full convention coverage above, but I've excerpted my own interview for my patrons below.


The day seemed to fly by, and that evening we went back to the offsite theater for the big "Magic Opera" show with world-class magicians Christopher Hart, Shawn Farquhar, Puck, and John Shryock & Mari Lynn. The show was hosted by Mike Caveney, who did several of his best and most hysterical routines. It was FANTASTIC! It was like two Magic Castle parlor shows combined. One of the better magic shows I've ever seen. This is the quality of show Houdini would put together for the SAM. Bravo.

The only picture I took that day was the sunset from my room.


DAY FOUR (July 4)
The day started with a "Houdini Fun Run" through Appleton. I decide to sit it out and work on some blog posts. But Joe, Narinder, Dorothy, and Dick hit the streets at 7:45am! Young people...

Joe, Narinder, and I then received a very special treat. Tom Boldt, Houdini collector, historian, Appleton native, and all-around great guy, gave us a personal tour of several new Houdini plaques. He showed us Houdini locations that were well off the walking tour, such as the courthouse where Rabbi Weiss was naturalized. Tom is being deal in Appleton, although he is too modest to admit this. But from the moment one touches down in Appleton, the name of Boldt (Construction) is everywhere.

Tom Boldt, Legend!

Tom really loves his hometown. He brought us to the Hearthstone Historic House Museum, where we got a VIP tour from the director himself. This was the first home in the United States with electric light powered by hydroelectricity. Fascinating. It also provided fresh insight into the German population in Appleton at the time of the Weiss family. The German-speaking Rabbi Weiss would not have been as handicapped by his inability to speak English as is commonly believed. Appleton was filled with German speakers and had three German-language newspapers at the time (it had only two English-language papers).

Tom then showed us some wonderful city features, such as the former paper mills and the Fox River locks. We happened to arrive when a boat had just gone through the locks, so I got to close the doors. I think I found my new calling. We then went to Telulah Park, which Houdini often mentioned. In fact, Houdini pasted a photograph of himself and Hardeen in the park in his 1904 diary.

Doing some honest work for a change.

Narinder, Tom, and Joe at Telulah Park.

Seems like I always end up in a cemetery, and that's where we ended this tour. But I was very excited about this. Tom took us to the grave of Rabbi F.J. Salomon in the old Jewish cemetery. This is the man who replaced Rabbi Weiss in 1882. The arrival of Rabbi Salomon (another German speaker, btw) led to the Weiss family leaving Appleton (cast out of paradise?) and falling on hard times, which helped shape and toughen young Ehrich Weiss. Rabbi Salomon is here with his wife and son. This is an unknown but very significant piece of Appleton Houdini history. Thank you, Tom.

The graves of Rabbi Salomon and wife.

Back at the hotel, we had a great conversation with Paul Draper about Rabbi Weiss and various Houdini topics. Narinder also paged through my entire book (I had a PDF on my computer). He seemed to like it!

It was then time for the big final banquet. Because I was part of the "talent," my table would be randomly selected for me. By coincidence, I wound up sitting with the Houdini family. During the banquet, SAM President Matthew Crabtree handed the gavel over to the new president, Michael J. Heckenberger. It was pointed out that SAM membership was at a new high. I was also pleased to hear that this convention had sold out for the first time in many years. Did Houdini's name have anything to do with that? (I think so.) A show by Jonathan Neal finished up the evening.

George Hardeen gets into the spirit.

Following the banquet, Joe, Narinder, Tom Boldt, Paul Draper, and I had a final drink at the hotel bar and called it a night. But before I went to my room, I decided to walk to Houdini Plaza to say a private goodbye to Houdini and the city. It was largely abandoned, and I could hear fireworks still going off in the distance. When I walked near the spot where the Houdini home once stood (marked by a patch of grass), a rabbit suddenly appeared. It stared at me the entire time I walked the plaza.


As I said at the start, this was the best time I've ever had at a magic convention. From what I saw, everything came off without a hitch. A huge congratulations to "ICE" McDonald, who I know worked VERY hard to make this a fantastic convention. Ice and the SAM treated me like a king, and the attendees were among the friendliest I've ever encountered. I confess that when I went into this, I wasn't a member of the SAM. That has changed. I'm now proud member No. 50225. 

Magic – Unity – Might.

Want more? I've shared over 40 Houdini-specific images on my Patreon below.

Friday, July 3, 2026

Appleton S.A.M. convention surprise


Mike Caveney and I gave our presentation last night at the S.A.M. National Convention here in Appleton, Wisconsin. The S.A.M. is honoring Houdini's 100th, and the entire city is wild about Harry! Earlier in the day, Dean Gunnarson did a water drum escape in Houdini Plaza, and Houdini II did a suspended straitjacket escape. It was fantastic. (Watch coverage here.) 

Our presentation was billed as "Houdini History Interview and Presentation." We didn't tell anyone, even the S.A.M., what we were actually going to present. Our friend, magician Dave Thomen, did a nice job sharing the reveal on Facebook. (FYI, this was the "German Poem" cylinder.)


Oh, and I also revealed the cover of Handcuff King: The Conquests of Harry Houdini, 1900-1909, as promised. I think people liked that as well. Patreons also got an exclusive first look, which you can see below.


If you're here in Appleton, please say "hi." My work is done, and I'm just going to be enjoying the rest of this terrific convention and exploring this special town.

Related:

Tuesday, January 20, 2026

Help unlock Houdini's voice

Want to hear one minute of Houdini audio that has never been released to the public? You can make that happen NOW by becoming a patron. The post below is open to everybody and explains the deal.

Monday, July 28, 2025

Evidence of a NEW Houdini voice recording!


Let's kick the week off with some exciting news.

Houdini made more than a dozen radio broadcasts from 1922-1926, debunking spiritualism and giving magic lessons. I have long believed that there must be a recording of Houdini's voice from this time. Now our friend Joe Notaro of Harry Houdini Circumstantial Evidence has discovered evidence of such a recording, and I'm losing my mind!

The listing below from the Discography of American Historical Recordings (DAHR) at the University of California Santa Barbara, shows that Houdini recorded a "monologue" on Spiritualism to a 10-inch record in New York on December 16, 1922. This doesn't appear to have been a radio broadcast per se, but a direct recording made for the Victor company.

Click to view at DAHR

Before we get too excited (as I did when I first saw this), know this is just evidence that a recording was made, not that a recording survives. I confirmed this with the DAHR, who said, "The record was made but was never published (that we know). It's possible a test pressing exists."

This is still tremendously exciting. Perhaps a copy survives in the Victor archives. Or perhaps this 10-inch record exists unlabeled in some Houdini collection, just waiting to be played. 

But what is this exactly? Here's some speculation. 

This was during the first year of Houdini's radio broadcasts on Spiritualism (March is the first broadcast I'm aware of). Maybe he's making a private recording just to hear what his address sounds like? Not unlike how he recorded his Water Torture Cell patter on wax cylinders years earlier. Or maybe he's making a recording for use by radio stations. Pre-recorded material was in use at this time. This means some of the known Houdini broadcasts might have been this recording.

But here's another theory that's a little wild. 1922 was the year of the famous seance in which Lady Conan Doyle claimed to make contact with Houdini's mother. On December 19, just three days after making this recording, Houdini had a written statement notarized entitled, "The Truth Regarding Spiritualistic Seance Given to Houdini by Lady Conan Doyle."

Could this be a recording of Houdini speaking this same statement? He certainly thought it was important, and I could see him making a recording of it, if only for his own files.

Okay, audio historians, we have the date, we have the place, we have the label. Who wants to get their name into the Houdini history books by tracking down this recording?

Thanks to Joe Notaro at HHCE and David at the DAHR.

Saturday, November 2, 2024

Catching up with Houdini on Halloween podcasts

Over the Halloween week, I had the pleasure of appearing on two of my favorite podcasts. First up is our friend Scott Wells and his very popular The Magic Word Podcast. Scott is now uploading his podcasts to YouTube, so if you can stand watching me, that is embedded below. But you can also get and subscribe to The Magic Word Podcast audio only at the official website or via your preferred podcatcher.


I also stopped in for a Halloween chat with my great pals Brian and Lauren at Transatlantic History Ramblings. Same drill. You can listen on their website or subscribe via a podcather. Brian wants me to warn folks that the first section of the podcast, in which he and Lauren discuss issues of the day, is NSFW. My interview starts at 36:00.


Related:

Saturday, March 16, 2024

Houdini spoke one year ago today

It was one year ago today that Mike CaveneyDr. Michael Khanchalian, and I heard the voice of Harry Houdini coming from wax cylinders that have not been played since 1970. What an incredible experience. I still can't believe I was a part of it. Click the image below to relive the adventure.


Below are some follow-up posts related to the Houdini wax cylinders.

Friday, December 1, 2023

Want to hear unreleased Houdini voice?

My Wild About Harry on Patreon is going strong with 80 paid members enjoying loads of exclusive Houdini content. I'm very grateful to all my patrons who help support my work. 

Today, I'm sharing a special incentive to bring more patrons into the fold. If we can reach 100 paid members by year's end, I will post one minute of audio from Houdini's Water Torture Cell patter that has never been made available to the public.

This is not from the recent David Copperfield transfers. This is from an entirely different source that you will see with your own eyes. It's wild stuff.

We're just 20 members away from this goal. So if you join today, you'll not only be supporting my work and unlocking a wealth of exclusive content, but you'll be moving yourself and everyone closer to hearing unheard Harry!

Check out membership details by clicking the image below. Hope to see you inside.

Saturday, October 14, 2023

Houdini Vaudeville Vignette by Al Rosson

Here's a delightful video created by animator, cartoonist, and Magic Castle member Al Rosson. This uses the familiar 1914 recording of Houdini's real voice. Enjoy!


Thanks to Al Rosson and Joe Fox. You can check out more of Al's work on his YouTube and website.

Tuesday, May 16, 2023

Episode 146: A Voice from Beyond the Grave


I'm back on the always enjoyable Transatlantic History Ramblings podcast with Lauren Davies and Brian Young. This time I'm telling the story of the Houdini wax cylinders. This is the most detailed account of the entire adventure, so if you haven't had enough, or you don't yet know the story, this might be one to listen to. The interview starts around 28:15.


You can subscribe to Transatlantic History Ramblings on Apple, Spotify, Google, Anchor, or your favorite podcatcher. You can also follow them on Twitter @HistoryTA.

Saturday, May 6, 2023

The Linking Ring finds Houdini's voice

Just a heads up that the May 2023 issue of The Linking Ring includes the story of my recent adventure transferring long unheard audio of Houdini's voice from the original wax cylinders in the David Copperfield collection. 

I'm not sure if the magazine is shipping yet, but I've seen the layout and editor Sammy Smith has done his usual stellar job. Always happy to share news with The Linking Ring and IBM members. And this news is a doozy!

You can read my original blog post via the related links below.

Sunday, April 2, 2023

Listen to recordings on two of the other wax cylinders

Okay, yesterday's post was, of course, an April Fools joke. But here's something I can share. The below recordings from YouTube are the same recordings we heard on two of the non-Houdini/commercial wax cylinders in the Copperfield collection. Houdini owned all these cylinders, so this is music that played in the Weiss family home. Enjoy.

  
 

Learn more about vaudevillians Billy Murray, Ada Jones, and Will Oakland.

Saturday, April 1, 2023

Listen to the new Houdini voice audio!

PLEASE NOTE: If you are linking here from Genii Magazine, know that this post is an April Fools Day joke. The post you were supposed to navigate to is HERE.

Here's something exciting to kick off the month! This is the new Houdini voice audio that was recently transferred from the original wax cylinders in David Copperfield's collection. Don't tell David I'm sharing this! Just click below and enjoy. 

Wednesday, March 29, 2023

ALL the Houdini wax cylinder audio has been saved!

This is news that I've long dreamed of being able to report. This may be the biggest news I've ever reported here on WILD ABOUT HARRY. Little did I dream that I would play a role in this moment of Houdini history, but a role I did play! But to share this news right, I need to tell the whole story.

One of the great treasures inside David Copperfield's International Museum and Library of the Conjuring Arts in Las Vegas are the original wax cylinders containing the only known recordings of Houdini's voice. These were discovered in 1970, and only two of the three Houdini cylinders were ever transferred to a playable media. (Only a short clip has ever been released.) The cylinder said to contain Houdini and his sister Gladys reading poetry written by their father was never transferred and has not been heard since 1970. There are also five other cylinders in the collection with no record of what's on them. So there's still a lot of mystery surrounding these cylinders.

For the past two weeks I've been doing work and research inside the museum. I shared some of my adventures here. But I was keeping a secret this whole time. Mike Caveney was also at the museum. Years ago Mike and I pitched David on the idea of making new digital transfers of all the wax cylinders. The purpose was to finally hear the fabled poetry cylinder, document what's on the mystery cylinders, and digitally preserve all the recordings for the future. David tasked us with investigating how this could be done safely.

It's been a long journey, years in fact, but all roads lead to Dr. Michael Khanchalian, aka "The Cylinder Doctor," who just happens to live 20 minutes from Mike. Not only can Michael repair damaged cylinders, but he has developed a player that can safely play old recordings. He was clearly the man for the job. So we once again pitched the idea to David.

Any reluctance on David's part was understandable. He has the original cylinders and the original tape transfers from 1970 (which, ironically, may no longer be playable), so why risk damaging the cylinders or discovering they had gone bad or, worse, that some slippery collector in the 1970s had pulled a switcheroo and he actually owned nothing. The value of these cylinders could be wiped out entirely. But David Copperfield is dedicated to preserving magic history, and if there was a chance of capturing a new piece of Houdini's voice, he would take the risk. He gave us the go-ahead and trusted us to get the job done.

Lifting the heavy glass off the display case in the museum to retrieve the cylinders was pretty nerve-wracking. And it was about to get worse. Mike had left the museum by the time all the arrangements had been made, so it fell to me to bring the cylinders to Los Angeles. Without revealing what I was doing to anyone besides those in the museum, I loaded all eight cylinders into my car and made the trek back to LA, battling a three-hour traffic jam and two hellacious downpours along the way. But I made it!


The next day (March 16, 2023) Mike and I arrived at Michael Khanchalian's beautiful home. He has an amazing collection of players and cylinders and is clearly an expert and enthusiast in this field. "He's the John Cox of wax cylinders," joked Mike. After a fabulous tour of his collection, we got down to work in his "lab."


The first three cylinders, which had come from David's vault and were labeled as containing Houdini's voice, did not contain Houdini's voice. Michael knew this instantly as he could tell they were commercial recordings and not the type of "blank" cylinders one would use for recording. Instead what we heard were vaudevillians Will Oakland ("When You and I Were Young, Maggie"), Billy Murray & Ada Jones ("Whistling Coquette") and a musical march (Queen of Sheeba). It was fun to hear these sounds from the past, but it was a little disconcerting, and the switcheroo theory was dancing in my head. But we still had five cylinders to go.

The cylinder labeled "Pa's Poems" (in Houdini's handwriting) was up next. Michael was encouraged by what he saw. At least this was the correct type of "blank" cylinder. This was the moment of truth. Houdini history was about to be made, for better or worse.


Michael slid the cylinder on his player, carefully calibrated the needle, hit the record button (we were making direct transfers to CD, no computers or hard drives involved), and lowered the needle. Then this happened.


Houdini's powerful voice boomed out over the room in a recording that had not been heard in 53 years. He introduces "an original German recitation" of poetry written by his father, "Reverend Doctor Mayer Samuel Weiss," to be spoken by his sister, "C. Gladys Weiss." There is a fantastic candid moment when Houdini is about to state his father's birthday and he has to ask Gladys, "What was the year?" It's very faint, but it's there, and we all looked at each other in delighted disbelief at what we had just heard.

Gladys then recites the poem in German. Gladys was blind, so she's doing this from memory. As Houdini says on the recording, the poem was "taught to her" by their father. I believe she makes a mistake and starts over after a small gap in the recording. Houdini then comes back on and says he will repeat the poem "in case you did not understand it." This seems to be his true speaking voice and not the "presentational" voice he uses on the other recordings. He then proceeds to recite the poem also in German. He speaks faster and, to my ear, more confidently in German, with great flair and rolling R's. Gladys signs off with the date, October 30, 1914, which is a day after the other recordings were made. The fact that this recording was made on a different day has never been documented.

Next up were the two full recordings of Houdini's Water Torture Cell patter. As with the poetry cylinder, each of these run just over four minutes. The quality of these transfers is much clearer than what exists currently. For years I believed Houdini says "I, Houdini" as his sign off. I've been wrong. "Harry Houdini" is now sparkling clear. There was also a big surprise waiting at the end of the first speech. After Houdini signs off, the cylinder seems to end. But then Gladys comes back on and "certifies" that she heard her brother "make this record" on October 29, 1914. This certification was never transferred in 1970 nor have I ever seen any mention of it. It's possible it was missed or the machine they used couldn't pick it up.

Speaking of the machine(s) from the 1970s, our expert Michael said he was amazed the recordings weren't destroyed back then, as you can't play these Edison Blanks on a regular machine. They are much softer and the weight of the needle can wipe them clean. Several times he said it was miraculous that the recordings survive and in such great fidelity.

The final two cylinders were commercial recordings of German songs. It was still exciting to hear these as all the cylinders belonged to Houdini and it's wild to hear the music he played at home for pleasure.

Over the next few days I prepared notes and transcriptions of all the cylinders and reunited them with their correct cases. I was helped in this by magician Jessica Jane Peterson who became the fourth lucky person to hear the poetry recording.


I then drove the cylinders back to Las Vegas and played the new recordings for David. He was thrilled by what he heard. He instantly picked up on all the same moments that had so excited us in LA, especially the moment when we hear Houdini's more natural speaking voice. Even before the recordings ended he was working on the next steps. Audio work will be done to clean up the recordings and the German will be translated. It was mission accomplished and everyone was delighted and relieved!

I took myself out to dinner that night and thought about what had happened. Not only had I finally heard the "Pa's Poems" cylinder, but I now understood it was always the most precious and personal recording of them all. Houdini loved and and honored his father and you can hear that. He loved his sister and you can hear that. The family language was German and you hear that. If Houdini ever came back, this would be the cylinder he would want to hear. Preserving it was more important than I ever understood. I felt like I had done a service for both Houdini and David Copperfield, and I was overwhelmed with gratitude at the amount of trust that had been placed in me.

I then sent David a text with one last request. Could I share this momentous news? His response came back quickly: "Sure."

As I said, David didn't need to do this. This headline could have easily read, "The Houdini wax cylinders are no more." But this is what makes David Copperfield a titan of magic. He took the risk, extended extraordinary trust, and now deserves the credit for saving this important piece of Houdini history. Maybe even the most important piece. When and where the general public might hear these I can't say. But the fact that we can now hear them was the purpose of this incredible journey.


Thanks to David Copperfield, Mike Caveney, Michael Khanchalian, Jessica Jane Peterson, Glenda Wellendorf, and everyone who helped bring Houdini (and Gladys Weiss) back to life. 

Want more? You can view additional images from this adventure as a "Scholar" member of my Patreon by clicking below.

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