Showing posts with label Joseph Rinn. Show all posts
Showing posts with label Joseph Rinn. Show all posts

Monday, May 22, 2017

How Houdini didn't vanish an elephant

As a follow up to my post about the German Houdini booklet and Modern Mechanic' bogus explanation of Walking Through A Brick Wall, I thought I'd share that magazine's equally incorrect explanation of Houdini's vanishing elephant. This appeared in the December 1929 issue as the conclusion of a three part series by the mysterious "R.D. Adams."


Unlike Walking Through A Brick Wall, we actually don't know for certain how Houdini vanished his elephant. But we know it wasn't as shown above. In fact, even the presentation is incorrect here. Houdini vanished his elephant from a large cabinet, not from behind a screen. The best theories of how Houdini may have accomplished this feat appear in Jim Steinmeyer's brilliant Hiding The Elephant and Patrick Culliton's essential Houdini The Key.

Curiously, even though "R.D. Adams" offered explanations that today appear to be false, both Leonard Hicks and Houdini's close friend Joseph Rinn claimed Adams' did indeed reveal the correct methods.

Related:

Wednesday, August 7, 2013

Houdini Begins

When did Harry Houdini become a magician? The answer is not always clear. While there are many tales of young Ehrich Weiss performing acrobatics and magic in five cent circuses in Wisconsin, most serious Houdini biographies attribute the start of his magic career with his reading The Memories of Robert-Houdin in 1891.

But according to the remarkable book, Sixty Years of Psychical Research, written by Houdini's boyhood friend Joseph F. Rinn in 1950, Houdini was giving semi-professional magic performances two years before he ever read the Robert-Houdin book. Rinn's recollections begin on page 65:

[In 1886] I joined the Pastime Athletic Club, which had grounds at Sixty-seventh Street and the East River, where I quickly developed as a runner. I became captain of the club and was its champion sprint runner in 1889, when a new member joined by the name of Ehrich Weiss, who later became famous as Harry Houdini, the magician and escape artist.

As Weiss was ambitious to win a running prize, he turned to me as captain for advice, and under my instruction he trained and won his first prize.

At the time, Weiss (or Houdini, as I shall henceforth call him) was making and lining ties at a low wage for H. Richter's Sons. His ambition to be a boy magician was curtailed by lack of funds for the purchase of paraphernalia, for performances he gave after working hours at small social affairs and in public schools.

When Houdini learned that I was a magic fan and a friend of the Herrmanns, we became good pals.

In the spring of 1889 Houdini has another friends in his shop, named Jacob Hayman, who was a magic fan, and they frequently worked together, giving amateur magic performances.

On April 30, 1889, Houdini informed me that he and Jack Hayman were booked to give a magic performance at some social affair. "I guess we'll make a flop of it," said Houdini ruefully, "because we haven't enough paraphernalia."

"Oh, I can remedy that," I said, "Come over to Martinka's with me and I'll make you a present of some magic apparatus. Consider it my Christmas present," I added, as Houdini was quite proud and touchy about money matters."

As this is before Houdini's exposure to Robert-Houdin, I wonder what named he and Jack used at what sounds like their first professional engagement?

Later in the book, Rinn recalls when his friend read that seminal work of magic and truly set off to become a professional magician:

It was early 1891 that Ehrich Weiss read The Memories of Robert Houdin, the French magician, and determined to become a professional magician under the name of Harry Houdini, which name he legally made his own at a later date.

A short time after he made his decision, he said to me, "I've made up my mind, Joe, to quite my job and become a professional magician under the name of Harry Houdini."

"But Ehrich, you are only seventeen," I protested. "Isn't that rather young to give up a good job for an uncertain theatrical career?

Houdini replied, "It may seem daffy to a solid businessman like you, Joe, but I've the urge in my blood to be a professional magician and nothing can stop me."

"Well, it's your funeral, Ehrich," I said resignedly; "but get a recommendation for your present employer in case you can't make a success of being a magician."

A few days later Houdini saw me and reported: "Well, I've quit my job, Joe. I followed your advice and got a recommendation. Here it is." I read the letter, which I now possess.


H. RICHTER'S SONS
502 & 504 Broadway

New York, April 3, 1891.
To Whom It May Concern:

We hereby certify that Mr. Ehrich Weiss has been in our employ for two years and six months as assistant lining cutter and we cheerfully recommend him as an honest, industrious young man.
H. Richter's Sons

It's interesting that this oft quoted recommendation letter found its way into Rinn's collection. He doesn't say how he got it, but I can imagine Houdini giving to it to his friend once he had achieved fame as The Handcuff King. Maybe he even gave it to him as "a Christmas present."

Joseph F. Rinn (Library of Congress Collection)

Wednesday, July 17, 2013

Mama's death and the birth of a myth

It was 100 years ago today on July 17, 1913, that Houdini's mother, Cecelia Steiner Weiss, died after suffering a stroke. When the news of her death reached Houdini who was performing in Copenhagen, he fainted.

It took Houdini several days to make it back to New York. The family delayed burial (against Jewish custom) so Houdini could have one last look at his mother. He placed in her casket a pair of woolen slippers which she had asked him to get her in Europe.

Houdini's mother's death might have been the single most important event in his life. His worship of his mother is well-known, and those who knew him said he was never quite the same man after her death. He mourned for months, even ordering new stationary rimmed in black. On November 22, 1913, he wrote to his brother Theo (Hardeen):

Dash its TOUGH, and I cant seem to get over it. Some times I feel alright, but when a calm moment arrives I am as bad as ever.

Even a full seven months after Cecelia's death, Houdini was still struggling with his grief. On January 19, 1914, he again writes to Theo:

I can write alright when I keep away from that heart rendering subject so will try and avoid it, if possible. But I have to write to my brother once in a while about HER whom we miss and for HER with whom I feel as if my heart of hearts went with HER.

Now, every Hollywood Houdini biopic, most documentaries, and even some magicians will tell you that after his mother died Houdini attended seances in the hopes to communicate with her. But all he found was fraud. He then set out to expose fraudulent mediums and launched into a new wave of his career as an anti-Spiritualism crusader and debunker.

It's a good story. Trouble is, it's not strictly true. In fact, the notion that Houdini's mother's death lead directly to his anti-Spiritualism crusade has grown to become one of the most permissive of all Houdini myths.


So what did Houdini do after his mother died? We know he took three months off and he and Bess travelled to the South of France (where he took a morbid interest in a cemetery for suicides). He also spent a lot of time at her grave site in Machpelah Cemetery. But unless it's found in dairies or letters that I haven't yet read, there is nothing to support the idea that Houdini attended a single séance after his mother died. In fact, it would be 10 years before Houdini unmasked his first medium. And to suggest that his interest in Spiritualism was sparked by her death is clearly false.

Houdini's interest and attitudes toward Spiritualism goes all the way back to his childhood. In the excellent book, Houdini and Conan Doyle, author Christopher Sandford says that Houdini attended a series of seances at age 11 in an attempt to communicate with his recently deceased half-brother, Hermann. Later, when his father died, Houdini sold his watch to attend a "professional psychic reunion" with Rabbi Weiss. But even at this young age, the boy who would become Houdini sensed fraud. Certainly these experiences could be seen as the psychological fodder for his later hostility towards fraudulent mediums.

In his teens Houdini and his friend Joseph Rinn attended séances and smoked out the methods of mediums. Houdini even suggested some pretty aggressive ideas for exposures (see: That time Houdini threatened to shoot all the psychics). Later Houdini and Bess would dabble in performing as psychic mediums themselves, something Houdini eventually found too distasteful to continue. But he continued to collect books on Spiritualism and eventually amassed a large library on the subject. He even attended the trial of Anne Rothe, The Flower Medium, in Germany in 1902. This is all well before his mother dies.

Just the notion that Harry Houdini would turn to a medium in 1913 is pretty improbable in itself. Houdini had by this time amassed a lifetime of experience that told him Spiritualism was hokum. Also, Spiritualism itself was somewhat in eclipse at this time, stuck between the stage shows of the Davenports and later parlor masters like Margery. It would take a World War to give the old act a boost and new relevance. Not only does Houdini not turn to Spiritualism after his mother dies, this is actually a time when he seems least interested in the subject, along with much of America.

The true genesis of Houdini's anti-Spiritualism crusade is rooted in his friendship with Sir Arthur Conan Doyle. After World War I Spiritualism was suddenly back in vogue. Doyle, who lost his son in the War, became a passionate champion of "the movement." Houdini has a lifetime of experience with the tricks of the trade, so he and Doyle had a topic to discuss when they met in 1920. This was thrilling for Houdini who always craved attention as a scholar and intellectual.

In fact, there is some evidence that Houdini was toying with a pro Spiritualism position at this time. His 1922 film, The Man From Beyond, ends with his character reading a book by Doyle and nodding in agreement. It is a major endorsement of Doyle that can't be ignored. But maybe Houdini was just trying to get closer to his new intellectual friend (he was thrilled that Doyle endorsed the film). This could have also had more to do with Houdini's belief in reincarnation than Spiritualism. But I digress.

It's in the company of Doyle that the major link between Cecelia Weiss and Spiritualism occurs. On June 17, 1922, Lady Doyle gives Houdini a séance in which she channels "HER" via Automatic Writing. Lady Doyle makes embarrassing mistakes (like writing in English and making the sign of the cross), but Houdini is polite and keeps his thoughts to himself. Sir Arthur takes this as a sign that Houdini has been swayed to the side of the spirits and says so publicly.

Now Houdini has to speak out on the topic, and what he has to say isn't complimentary. Doyle responds defensively, and suddenly Houdini is in a public debate with one of the great intellectuals of the age. THIS is what drives him to go after mediums. He is going to win this fight at all costs, which is very Houdini. He also discovers that it makes for fantastic theater and gives his career the boost that he didn't get with his movies. So Houdini becomes a debunker of fraudulent mediums. This is 10 years after the death of Cecelia Weiss.

The reason for the direct linkage to his mother's death may come from the Doyle séance, and Houdini's own statements that he did long to speak with his mother again. As with many myths, Houdini had a hand in shaping it. It's also just irresistibly convenient storytelling, which is why every Hollywood movie and quickie documentary takes this narrative bridge. However, in crossing that bridge, what gets lost is 10 important years of Houdini's life. We don’t hear about his World War I activities, the vanishing elephant, and his entire movie career. Ten years lost! Don't you hate it when that happens?

So today as we remember the great Cecelia Steiner Weiss, mother of Houdini, lets also begin to unravel years of mythology about her death sending her son among the spirits. They both deserve it.

Goodbye Mama.

Monday, March 25, 2013

LINK: That time Houdini threatened to shoot all the psychics

Skepticblog has posted an interesting and well-researched article by Daniel Loxton about Houdini and Joseph Rinn's early investigations of fraudulent mediums and a bit of "lighthearted terrorism" committed by Houdini in 1896.

Many quickly produced Houdini biographies and especially TV and Hollywood movies root Houdini's anti-spiritualist crusade with his mother's death in 1913. But stories like this show that Houdini's passions and activism pre-dated his mother's death by many years.

Click here or on the headline to have a read at Skepticblog.

Photo from 'Houdini The Key' by Patrick Culliton.

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