Have a Safe and Happy New Year.
Thanks to Andrew Basso.
THE SHADOW Volume 124: “The Ghost Makers” & “House of Ghosts”. The Master of Darkness unmasks phony spiritualists in two legendary pulp novels. First, in one of Walter Gibson’s greatest classics, the Dark Avenger investigates “The Ghost Makers” after a glowing dagger materializes to bring death at a seance. Then, The Shadow teams with real-life ghostbuster Joseph Dunninger to investigate a series of spirit murders in a “House of Ghosts." This haunting collectors collection showcases the original color pulp covers by George Rozen and Modest Stein and interior illustrations by Tom Lovell and Paul Orban, while Will Murray explores the Gibson-Houdini-Lovecraft connection and Anthony Tollin recalls The Shadow Big Little Books. (Sanctum Books) 978-1-60877-241-4 Softcover, 7x10, 128 pages, B&W, $14.95
Come discover the posters by our "Houdini: The Last Show" contest finalists, exhibited at the Museum from December 8, 2017 to January 7, 2018! It is your last chance to visit the exhibition "Illusions: The Art of Magic" before it comes to an end.
Bob Brown (1886-1959) was an American writer and publisher, central to the pulp fiction factory of the early twentieth century, the expatriate avant-garde in France, and the Bohemian arts scene in Greenwich Village in the 1950s. Originally published in 1933, Houdini was a pamphlet-length book part of The Modern Edition poetry series under the editorial direction of Kathleen Tankersley Young. This new edition includes a Foreword by K. A. Wisniewski, an Introduction by Craig Saper, and a new cover and text design. It is the latest title from the revamped Roving Eye Press, the press originally started by Brown in the late 1920s.
An enchanting story that blurs the lines between childhood imagination and the cynicism of adulthood. An extraordinary tale of hope, determination, and magic!
Newport, South Wales: A tenacious young dockworker's son, smitten by Harry Houdini's amazements, dreams of a life of magic to "escape" a suffocating, impoverished future and unlock his shackles—the brutal Welsh working-class reality of Edwardian Britain. Is it possible to follow one's dreams in a world where poverty weighs you down like mud?