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Showing posts with label Kenneth Silverman. Show all posts
Showing posts with label Kenneth Silverman. Show all posts

Friday, March 27, 2026

When did Houdini and his mother go to Budapest?

This week seems to be all about Budapest, so let's finish on theme and head down an early Easter rabbit hole.

In my upcoming book, Handcuff King: The Conquests of Harry Houdini, 1900-1909, I'm hoping to provide the most complete and accurate chronology of Houdini's life during his peak "Handcuff King" days. I'm pretty confident my facts are confirmed and correct. But there's still one thing driving me crazy!

When exactly did Houdini and his mother travel to Hungary and have the "Queen for a day" reception at the Grand Hotel Royal in Budapest?

Every biography that includes this event puts it between Houdini's engagement at the Hansa-Theater in Hamburg and his opening at the Colosseum in Essen. That places it at the very end of April 1901.

However, this timing is problematic, if not impossible. Houdini closed at the Hansa on April 30 and opened at the Colosseum the next day, May 1 (after doing a police station test). So there's no time for a two-day excursion to Budapest.

I think it's more likely that it happened at the end of August 1901. Houdini himself said that at the end of the Budapest trip, he escorted his mother "en route to America." I take this to mean that he took her to her ship. And according to a letter Houdini wrote to Fredrick Roterberg (brother of Gus), his mother sailed for home on August 22.

Where does the April date come from? As far as I can find, the primary source for the entire Budapest story is Harold Kellock's Houdini: His Life Story. Kellock writes that it happened "at the close of his engagement" (implying Hamburg, but not saying that explicitly). What was Kellock's source? A clue can be found in this sentence:
"After listening patiently to his remonstrances," Houdini wrote in an autobiographical fragment, "I revealed to him my plot to crown my little mother and allow her to be Queen Victoria for a few fleeting hours."
I trust Kellock really did have an account of this written by Houdini, likely an unpublished document. However, I don't know where that document is today, and I don't believe any other biographers saw it. This is likely why Ken Silverman omitted the story entirely from his own book, Houdini!!! The Career of Ehrich Weiss, but I think that's going too far. I believe it happened.

Milbourne Christopher in Houdini: The Untold Story goes with the April date, even adding the specific detail that Houdini closed on a Saturday. But Houdini's Hamburg engagement ended on a Tuesday. Christopher also says his mother returned to America before the end of Houdini's engagement in Essen in May. That's not correct either. So Christopher was working from a flawed chronology.

If I'm going to revise Houdini history and challenge the likes of Milbourne Christopher, I'd better have proof! Otherwise, I feel like I have to stick with the conventional placement of the trip at the end of April and add a caveat that it may have happened later. But, man, I'd sure like to know for sure!

My book is still a few months away from going to the printer, so my hope is that someone out there might have the Kellock document or anything that provides evidence for exactly when Houdini and his mother took their famous two-day trip to Budapest. April or August 1901? Or maybe some other time entirely???

If you have anything to share, feel free to comment below or shoot me an email.

Thanks to Dr. Steffen Taut for helping me nail down Houdini's German performance dates. Top image from the McCord Stewart Museum.

Friday, April 18, 2025

Who were the holdouts?

The Houdini community is fortunate to have many generous collectors who open their doors to researchers and biographers. I know I have benefited from this generosity. When Ken Silverman was working on his biography, Houdini!!! The Career of Ehrich Weiss (1996), he was grateful for the help of collectors, and he thanked them in his book.

However, not everyone gave him access. In his sourcebook, NOTES to Houdini!!!, Ken shares the following:

Most collectors generously allowed me to see and quote from material they owned. (I thank them individually in the book.) But to my frustration, two collectors with sizable Houdini holdings gave me only limited access, and two others refused to let me see anything at all. May they live and be well, these folks.

Silverman was clearly miffed, but he was classy enough not to name these individuals. That just makes me all the more curious. Who were they? What were their reasons for denying him access? Ken Silverman was a Pulitzer Prize-winning biographer, so he was clearly going to produce a quality Houdini book. And he did.

Below are the individuals that Ken thanks by name in Houdini!!! The Career of Ehrich Weiss, so we know it's not any of these folks:

No less of my information about Houdini has come from the holdings of private collectors. Tom Boldt of Appleton, Wisconsin, invited me to read investigative reports prepared for Houdini by Rose Mackenberg and Stewart Griscom, Houdini’s account of his visit to Anna Eva Fay, and a hundred-page stenographic record of Houdini’s Philadelphia confrontation with J. Malcolm Bird. Mario Carrandi Jr., of Belle Mead, New Jersey, graciously allowed me to take notes on Houdini’s quarrelsome correspondence with Martin Beck, and to examine rare cabinet photographs of Houdini. From the large collection of the late Milbourne Christopher (1914-84)— magician and historian of magic—Mrs. Maurine Christopher permitted me to select for study manuscripts that include some of Houdini’s letters to Will Goldston, Harry Kellar, and others, and Houdini’s draft of A Magician Among the Spirits. David Copperfield gave me entry to his magic museum in Las Vegas, housing many of Houdini’s notes on tricks, his wax cylinder recording of patter for the Water Torture Cell, and many unique Houdini posters, lockpicks, and photos. I spent a full day at the home of David Meyer in Glenwood, Illinois, researching his choice scrapbook of clippings and personal memorabilia amassed by Houdini between 1900 and 1905. Stanley Palm of Brooklyn, New York, gave me unlimited consultation of a scrapbook gathered by Houdini in the 1890s and of Houdini’s first diary (ca. 1878-79)—key items in my account of Houdini’s early career. Most of Houdini’s other diaries—indispensable to writing his biography—are owned by a collector who generously allowed me to read them but wishes to remain anonymous.

Other collectors who own and have furnished me with original Houdini material are Roger W. Barrett, Marie Blood, John Bryce, Jr., Mike Caveney, Kevin Connolly, James Crossini, Patrick Culliton, Frank Dailey, John Daniel, Paul Daniels, Edwin A. Dawes, David De-Val, Diego Domingo, Roger E. Dreyer, John Gaughan, Ron Hilgert, Edward Hill, John Hinson, Don Hinz, Volker Huber, Ann M. James, Gene Keeney, Dorothy Young Kiamie, Ken Klosterman, George S. Lowry, William Mcllhany, Arthur E. Moses, Henry Muller, Norm Nielsen, Fulton Oursler, Jr., Charles Reynolds, Tom Rozoff, Stephen Sparks, the late Manny Weltman, and Herb Zarrow. They all have my liveliest gratitude, although my exact debt to each is made clear only in the full notes.

Others from whom I received valuable information about Houdini include Barbara Belford, John Booth, Dick Brooks, Mildred L. Buckley, David Charvet, Ormus Davenport (Ira Davenport’s great-grandson), Dorothy Dietrich, Carol Durgin, Tom Ewing, Jack Flosso, Ken Force, Stephen James Forrester, Lewis Frumkes, Alfred Holden, Ricky Jay, Walter Johnson, S. T. Joshi, Frank Koval, Kathy Leab, Bill Liles, Norman Mailer, Brooks McNamara, Marion Meade, Joel Miller, Ona Nowina-Sapinsky, Dr. James G. Ravin, Mrs. Alfred W. Roberts, David Roth, Clarice Stasz, Ken Trombly, the late M. Samuel White (Houdini’s nephew). Dr. Richard Wresch, and W. Gordon Yadon.

You might notice that Sidney Radner is not on this list. But that's because he was given his own thank you paragraph. One person, now deceased, is conspicuously absent. I strongly suspect he was one of the holdouts. But absence from this list does not necessarily identify the holdouts. Heck, I'm not on this list! And some people who are active today might not have been active in the early to mid-1990s.

Anyway, I've often puzzled over this, especially as I travel many of the same roads that Silverman traveled. It's also an intriguing part of this important book's legacy as we near its 30th anniversary.

Silverman with Sid Radner in 1991.

Monday, September 2, 2024

Get the Mystifier on Patreon

From 1991 to 2003, the Houdini Historical Center in Appleton published a quarterly newsletter called Mystifier. Each issue ran 4 to 6 pages and provided news on current events, reviews, as well as deep dives into Houdini history. Every issue also contained a column by Sidney Radner, who had his finger on the pulse of all that was happening in the Houdini world. It was a treasure trove of information written by people with a passion for Houdini.

I have a complete set of Mystifiers and reviewed every issue HERE. But there's nothing like reading the issues themselves. So I will be sharing downloadable PDFs on my Patreon as periodic Monthly Rewards.

I've started this month with the Fourth Quarter 1996 issue, which reviews Ken Silverman's Houdini!!! The Career of Ehrich Weiss and has a terrific interview with Penn & Teller. This will only be available for the month of September.


Just another good reason to become (and remain) a patron! Thanks for your support.

Tuesday, October 3, 2023

Checkered flag photo identified at last!


This is a photo that has long vexed Houdini buffs. It appears on page 179 of Kenneth Silverman's Notes to Houdini!!! and shows Houdini flagging a race car. Most intriguingly, the photo is captioned:

Inscribed on the back by N.J. Weiss, Houdini’s sister-in-law: “Worcester, Mass, King, driver, last picture of Harry, 1926″.

Was this photo really taken in Worcester? Could it really be the last photo of Houdini? And why is he flagging what appears to be an auto race?

Well, I think I found all the answers in the below clipping from the October 2, 1926, Worcester Evening Gazette.

Worcester Evening Gazette, Oct. 2, 1926.
Visitors to the New England Fair yesterday were given an opportunity to see Houdini perform in a new role which was not listed as one of the attractions of the day. Houdini acted as chief timer of the auto races, being assisted by four local automobile dealers who are shown with him timing the attempt to break the track record. The attempt was successful, the time in 32 seconds flat, which establishes a new record for the track. In the picture, left to right, are: Frederick Churchill, Buick; H.B. Chase, Dodge Brothers; Houdini; M.E. Tuller, Nash, and J.F. Timmy, Studebaker.

This was the final day of the 10th Annual New England Fair in Worcester. The fair had featured horse racing, but on this last day auto racing was featured on the dirt track. The clipping below offers a bit more about the race and racers. It even mentions a driver named "King" and the car he was driving, a Frontenac.

Worcester Evening Gazette, Oct. 1, 1926.

As to the checkered flag photo itself, because it was taken on October 1st, we now know it's not the last photo of Houdini. That honor currently belongs to a photo of him taken at a Montreal police station on October 18, 1926 (seen here). The article doesn't say anything about Houdini flagging the race, and as the photographer would be standing out on the track itself, it's likely this was just a photo op.

It's worth noting Houdini was playing his "3 Shows on One" in Worcester this week, featuring his new "The Mystery of the Sphinx" (aka Buried Alive) and "Slicing a Girl."


So there we go! The checkered flag photo is a mystery no more. Ironically, I found this clipping exactly 97 years to the day that it appeared. What a nice way to start October. 🎃

Related:

Tuesday, March 21, 2023

Peter Monticup shares his Houdini collection

For Houdini's birthday week, Peter Monticup of MagicTricks.com shares his Houdini collection. Peter has posted a video and also provides links to images. There are some rarities here (the Weird Tales flyer caught my eye) and it's fun to see someone so enjoy their Houdini collection.

Saturday, August 6, 2022

A special gift for my pioneer patrons

This week I launched WILD ABOUT HARRY on Patreon and I've been thrilled with the early response. So as a special thank you to my first patrons, I'm making available a PDF of Ken Silverman's brilliant Houdini!!! The Career of Ehrich Weiss for download. I know many of you already have this on your bookshelves, but it's great to have a PDF that is searchable. Just click the image below to go.


The Houdini!!! The Career of Ehrich Weiss PDF will only be available for the month of August. I will make a new PDF available next month. For more information about my Patreon, check out my full pitch in this post.

Thanks to everyone for your support.


Tuesday, May 7, 2019

Mystifier, Third Quarter 1997

Continuing my issue by issue look back at the Mystifier, the newsletter of the Houdini Historical Center that ran from 1991-2003.


The Third Quarter 1997 Mystifier kicks off with the news that author Kenneth Silverman has donated all his research papers from his seminal biography Houdini!!! The Career of Ehrich Weiss to the HHC.

His thoughtful gift represents a significant addition to the Center's archives. The research notes themselves amount to four cubic feet of notes, papers, photocopies, and computer generated note cards. With Silverman's trademark professionalism, the contents are filed both chronologically and according to subject – and invaluable tool for future researchers.

The newsletter only runs 4 pages this time. As with the previous issue, it is largely taken up with HHC business. Margaret A. Ehr is announced as the new HHC Curator. It notes the Houdini Club of Wisconsin has made a donation of $250 to support a special special Changing display case. Once again members are reminded of the Museum Shop exclusives, including the previously announced phone cards and a new HHC t-shirt.

Sid Radner devotes his entire "Backstage" column to a review of the Goodspeed Opera House's new Houdini musical. (Include with the newsletter is a flyer for the production.) Says Sid:

In addition to the great artistic talent that went into the production, a great deal of magic expertise was involved. Audiences who see the musical will see some of Houdini's most famous escapes performed on stage, including the Upside Down Straitjacket Escape, the Metamorphosis, and the Chinese Water Torture Cell.

He concludes by announcing that the Official Houdini Seance will be held on the stage of the Goodspeed Opera House following its performance of Houdini on October 30th.

Mystifier
Volume 7, Number 3
Third Quarter, 1997
4 pages

Contents:
Silverman Donates Research Papers
Houdini Club Sponsors Exhibit Case
New Museum Shop Items
New Curator Joins HHC Staff
Backstage with Sid Radner


Related:

Monday, April 15, 2019

Mystifier, Second Quarter 1997

Continuing my issue by issue look back at the Mystifier, the newsletter of the Houdini Historical Center that ran from 1991-2003.


The Second Quarter 1997 Mystifier continues coverage of the Rabbi Weiss documents recently acquired by the HHC. This time curator Benjamin Filene examines a prayer Rabbi Weiss delivered at the opening of the first Appleton Temple on the corner of College Avenue and Oneida Street on October 28, 1878.

A synagogue, Rabbi Weiss emphasizes further, is built not for God, but for the Jewish community itself. The first temple, then, was an essential step in forging strong bonds among the Jewish residents.
Rabbi Weiss's emphasis on community only underscores the extent to which his dismissal by the Appleton congregation in 1882 must have been a personal tragedy. Only months before his dismissal, the congregation moved into a beautiful new building of its own -- a place that offered even greater opportunities for forging community -- Rabbi Weiss was cut off form the community he had hoped to build and thrive within.

The remainder of the issue is largely taken up with HHC business, including the announcement that curator Filene will be leaving the center for a new job at the Minnesota State Historical Society. It also notes that Ken Silverman has been awarded the Milbourne Christopher prize, and that he will speak at the HHC on September 20 as the keynote speaker for the Wisconsin Council for Local History Regional Convention.

The museum store announces the arrival of Houdini pre-paid phones cards. The cards come in sets of three (12 total) and feature images of Houdini from the HHC collection. Phone cards were popular in the 1990s. Each card allows for 30 minutes of long distance calls inside the U.S. (I have a set of these and will share in a future post.)

In his "Backstage" column, Sid Radner reports that Gene Gamache's documentary Houdini: People Came to See Him Die has won a TELLY award. He says he recently visited Geno Munari's new Houdini's Magic Shop in the New York New York Hotel in Las Vegas. Sid writes, apparently without irony, that, "Foreign visitors or those from the west coast need not go east to see New York City anymore--the flavor and landmarks of the Big Apple are recreated vividly and thoroughly at the hotel." Good to know!

Sid continues by saying that he and Houdini Magical Hall of Fame owner Henry Muller attended a performance of the new musical Ragtime in Toronto. "The show has a prominent Houdini presence," reports Sid. He notes the Silverman book will be published in Japan at the end of the year. He also once again gives a shout-out to the Goodspeed Opera House's Houdini musical, and again says he wishes the U.S. postal service would honor Houdini with a stamp.

Mystifier
Volume 7, Number 2
Second Quarter, 1997
6 pages

Contents:
Filene's Farewell
Rabbi Weiss Dedicates Temple
Membership News
Houdini Phone Cards Now Available
Backstage with Sid Radner


Related:

Wednesday, March 6, 2019

Mystifier, Fourth Quarter 1996

Continuing my issue by issue look back at the Mystifier, the newsletter of the Houdini Historical Center that ran from 1991-2003.


The Houdini world experienced a peak moment in the Fall of 1996 with the 70th anniversary of Houdini's death and the release of Houdini!!! The Career of Ehrich Weiss by Kenneth Silverman. The Fourth Quarter 1996 Mystifier captures this time, starting with a rave review of the book by HHC curator Benjamin Filene.

I breathed an "Aaah" of relief after reading only a few pages of Kenneth Silverman's new biography Houdini!!! The Career of Ehrich Weiss. My job as curator of the Houdini Historical Center had just become immeasurably easier. Finally I had an authoritative, clearly organized, properly indexed source to which to turn when seeking information about Houdini.

This newsletter also contains a report on Penn and Teller's visit to the HHC on October 16. The magic duo were performing in nearby Green Bay, Wisconsin. They also sat down for a quick interview, which includes the following intriguing exchange:

Penn: We've talked to three people who saw Houdini perform, They all came up to us after seeing our show––they were all in their eighties. They mentioned it because Teller does the needles and they mentioned seeing Houdini do the needles. All three said the exact same thing––that they found [Houdini's] shows kind of disappointing. The Vanishing Elephant was supposed to have really stunk. But you know, it was the excitement of going and being part of it. 
Teller: Although I'm convinced very much by [Kenneth] Silvermans's description of the water tank [the Water Torture Cell] that it was a really fine piece of theater, just a killer piece of theater. It was paced completely differently from the way we should see something nowadays, but certainly within the realm of an event in that time. 
Penn: I'm afraid I can't be accused of having any sense of how the performance was in its time. I'm just ruined for that––it's like reading Dickens. So all I have are the accounts of these three people that saw him. Of course, once you've seen something big like this, once you've seen Houdini, you have two choices: either it was the best thing you've ever seen or a disappointment. You don't really have any sort of middle ground.

The newsletter continues with a report on radio interviews conducted by HHC curator Benjamin Filene on Halloween, as well as the Halloween AOL online conference co-hosted by Filene and D.L. Shiloh. It reports that "at any given second as many as 60 to 80 people hand 'logged on' to the conference." The article provides a URL of where a transcript can be retrieved, but the link has long since died. But a new age of online Houdini information had begun!

In his "Backstage" column, Sid Radner offers a ringing endorsement of Gene Gamache's new documentary, Houdini People Came to See Him Die, saying he feels it is "the best one to date." He also offers praise for the Silverman book, saying: "This biography surpasses everything written previously about Houdini, and no magic buff should be without it."

Sid then alerts readers that the first HHC publication, Houdini Comes to America, is now available from the museum shop. He also corrects a statement he made in a previous newsletter that Houdini had no nieces. "My statement was true, but Houdini did acquired nieces through his marriage with Bess, and his niece Marie Blood is well known in the magic profession."

Mystifier
Volume 6, Number 4
Fourth Quarter, 1996
6 pages

Contents:
Houdini!!! Reviewed
Penn & Teller Visit HHC
Museum Shop
Center On Line for Halloween
Center Staff on Radio
Backstage


This issue is available as a PDF download on my Patreon for the month of September 2024. Just click below.


Related:

Thursday, November 29, 2018

Mystifier, Fourth Quarter 1995

Continuing my issue by issue look back at the Mystifier, the newsletter of the Houdini Historical Center that ran from 1991-2003.


The Fourth Quarter 1995 Mystifier is made up largely of an article by curator Benjamin Filene about Houdini's 1926 Congressional testimony in support of a Bill outlawing Fortune Telling in the District of Columbia. The article includes excerpts and focuses on how the Congressmen continually questioned Houdini about his own "powers".

The issue of Houdini's supernatural abilities repeatedly derailed his efforts to expose spiritualistic frauds before the committee. Repeatedly he tried to demystify spiritualistic effects by showing that he himself could duplicate the illusions. The congressmen instead interpreted these demonstrations as evidence that, for better or worse, Houdini and the spiritualists were in the same camp after all.

So it appears Congress was just as ignorant and ineffectual then as they are today! There is one short quote from Houdini that I've not seen reprinted before which I really like:

"I am very happily married, 52 years of age, well to do, and very proud."

The newsletter continues with a profile of the HHC's new director Steven M. Wilson. The museum shop announces the restocking of Kathy Cogger Salm's six book series for grade schoolers, Harry Houdini, An Appleton Original. They also note that copies of the new Houdini fiction Nevermore by William Hjortsberg are available, but "will only be sold to adults over 18 due to graphic violence and explicit sexual content." Some familiar names in the listing of news members are Don Bell and Roger Dreyer.

In his "Backstage" column, Sid Radner talks about Houdini in the news, including a syndicated story about how the management of Machpelah cemetery closed Houdini's grave to the annual wand breaking ceremony that year. The cemetery complained that the ceremony attracted too much news and vandalism. Instead, the ceremony was held on November 16, the Jewish calendar date of Houdini's death.

Sid then reports on The Official Houdini Séance, held that year in his own home town of Holyoke, Massachusetts, inside the building that once housed a police station where Houdini broke out of manacles on December 1, 1895. Sid always characterized this as Houdini's very first police station escape, but we now know that it wasn't. But it was a one of the first.

Sid concludes with the news that Ken Silverman spoke about Houdini at the Los Angeles Conference on Magic History that year.

Mystifier
Volume 5, Number 4
Fourth Quarter, 1995
6 pages

Contents:
Houdini Testifies at Hearings
Christmas Greetings from Houdini
New Executive Director Named
Books Featured at Museum Shop
Backstage with Sid Radner


Related:

Thursday, November 8, 2018

Mystifier, Third Quarter 1995

Continuing my issue by issue look back at the Mystifier, the newsletter of the Houdini Historical Center that ran from 1991-2003.


The Third Quarter 1995 Mystifier begins with an article by curator Benjamin Filene about Houdini's first partner Jacob Hyman and his continued use of the "Houdini" name during his own solo career. The matter came to a head in February 1903, as covered in the Springfield Republican:

The paper reported that Hyman, performing as "Houdini" had, as usual, challenged members of the audience to bring him handcuffs from which he would break free. When a pair was produced and locked onto his wrists, however, he could not extricate himself –– and for good reason. The handcuffs had been submitted by Dr. Leopold Weiss, Harry Houdini's brother. Weiss and his lawyer had come from New York expressly to foil Hyman. The Republican reported that Leopold "is said to have threatened to follow [Hyman] and bring him unopenable handcuffs until he drops the name Houdini."

The newsletter continues with an article about Dorothy Young's appearance at the 57th Houdini Club of Wisconsin Convention, held that year in Appleton. It also includes a very nice photo of Houdini with Dorothy and his other females assistants in 1925 (one that I've not seen reproduced elsewhere).

Wisconsin researcher Larry Wilden returns with "sequel" to his terrific look at Houdini in Milwaukee from First Quarter '95 issue. This time Larry covers Houdini's appearances in the city in 1912 and 1923. But he also includes a terrific gem about Houdini's boyhood from a 1912 interview:

During his engagement, Houdini was the darling of the press, granting numerous interviews, and conducting tours of his boyhood haunts. He told reporters about stealing eggs with his brother Theo and cooking them over a makeshift fire on the roof of the Plankinton House hotel. He also recalled selling issues of the Milwaukee Sentinel featuring stories of the disastrous Newhall House fire in 1883.

A report on the production of a new Houdini documentary by Gene M. Gamache and Coyote Pictures follows. The crew came to Appleton to interview Dorothy Young. The Museum shop also announces a new "Free Houdini" puzzle created by the The Magic Box Company, and a Houdini Historical Center watch.

Sid opens his "Backstage" column reviewing the Houdini Club of Wisconsin Convention. He also shares an item from Variety about Ray Stark's big budget Houdini movie beginning production in Spring 1996. This news was submitted by yours truly, and Sid adds:

John, who has an insider's view of movie making, cautions that "all news of a Houdini movie must be taken with a grain of salt. I've been disappointed in the past." [And I was again.]

Sid then announces that the Official Houdini Seance will be held in Holyoke inside the very building that once housed a police station where Houdini broke out of manacles in 1895. (Sid always characterized this as Houdini's very first police challenge, but it was not.) He wraps up with the news that Ken Silverman is finishing up his biography with an eye towards a Fall 1996 release. "It will be the most definitive book ever written about Houdini, with lots of previously unknown information." True enough!

Mystifier
Volume 5, Number 3
Third Quarter, 1995
6 pages

Contents:
Other Houdini
Dorothy Young Unveils Houdini
Houdini's Return to Milwaukee
Houdini Documentary Filmed
Museum Shop
Backstage with Sid Radner


Related:

Thursday, June 14, 2018

Mystifier, Third Quarter 1993

Continuing my look back at Mystifier, the quarterly newsletter of the Houdini Historical Center that ran from 1991-2003.


The Third Quarter 1993 Mystifier opens with a letter by Randall Bassett, author of Zen Karate (the previous issue contained an excerpt from the book), offering insightful speculation about Houdini's need to remain physically fit and his training regiment. It's a good letter and his observations seem spot on. For example:

From what I can gather, strength and endurance were critical to most of his spectacular effects. Early on, Houdini grasped that what audiences wanted to see was a struggle--a severe test of sorts in which he would emerge victorious or...die. Anything that looked easy or was not dangerous seemed to lack dramatic impact. I further believe that Houdini felt the best way to convince the audience of the veracity of his struggle was to make it a real one whenever he could do this and not give away the secret of an illusion. But this required, I believe, his certainty that his body could keep up with his mind. It always did.

Next up is a real treat and what in 1993 was a true game changer. It's an interview with Dorothy Young (referred to here as Dorthy Young Kiamie) who toured with the Houdini show in 1925. The interview is by Ken Silverman, who was working on his own Houdini biography as this time. Much of what the interview contains we are now familiar with, but there's a paragraph in which Dorothy mentions Bess and her smoking that feels new:

I never thought of Mrs. H. as being older. We were just pals. I had breakfast with her and spent my days with her, laughing and kidding. We'd buy clothes together; she liked clothing and was always charmingly dressed. She made all my costumes, too, using gorgeous materials and making the costumes very sexy. I remember that she smoked a lot. (Houdini didn't at all.) The doctor told her to stop, that she would live ten years longer. She said she'd rather enjoy the ten years smoking.

The interview is accompanied by the "Radio Girl" photo, which was also new to the Houdini world at this time. I wasn't yet a subscriber, but I can only imagine how exciting it must have been to receive this one in the mail.

Members of the Houdini Historical Center staff and board members are then introduced with a short biography of each. Readers are also informed that the museum's new poster reprints, Coliseum, Houdini in Kaiser Wilhelm's Court, Houdini in Russia, and Houdini in the Water Torture Cell are "hot off the press" and ready to ship.

Sid Radner devotes a large section of his "Backstage with Sidney Radner" column to a 1930 horoscope of Houdini that appeared in the book Your Future, A Guide to Modern Astrology by Sidney K. Bennett aka "Wynn." Sid wryly points out:

Considering that Wynn did not known when or where Houdini was born, missing the date by 13 days and the location by a few thousand miles, it is quite remarkable how accurate the horoscope is. Or can we attribute Wynn's skills to the fact that he was doing the horoscope after Houdini's death?

Sid continues with the news that the daytime soap opera The Bold and the Beautiful has a storyline in which two characters move into Houdini's house...in Beverly Hills? He notes that the new Arnold Schwarzenegger movie The Last Action Hero has "an important Houdini connection." He concludes with the news that the BBC is in Appleton shooting a Houdini documentary to be broadcast in England in October.

Mystifier
Volume 3, Number 3
Third Quarter, 1993
6 pages

Contents:
Master of Physical Conditioning
Recollections of Houdini
Introducing HHC Staff, Board Members
Order Houdini Posters from Museum Shop
Backstage with Sid Radner

Thanks to Jay Hunter for supplying me with a scan of this issue. If anyone is willing to part with an original, this is one of only two issues that I do not own, and I'd love to complete my set.


Related:

Thursday, May 31, 2018

Haversat & Ewing will auction the Silverman archive

David Haversat of David Haversat Magic and the Haversat & Ewing Galleries has issued a special announcement via email:

David Haversat has purchased the magic archives of World-renowned Pulitzer-winning author Kenneth Silverman!

Many wonderful and historic Houdini related items soon to appear for sale and at auction - exclusively with Haversat & Ewing Galleries.

I thought Silverman had donated his Houdini research papers to the Houdini Historical Center in Appelton, Wisconsin. Perhaps this is where it was acquired? Or maybe this is an archive apart from those papers? Whatever it is, I look forward to this auction. I would love to have a little something from one of the greatest Houdini biographers.

Related:

Monday, May 7, 2018

Mystifier, First Quarter 1993

Continuing my look back at Mystifier, the quarterly newsletter of the Houdini Historical Center that ran from 1991-2003.


The First Quarter 1993 Mystifier kicks off with the reproduction of an article called "Card Tricks Exposed" from The New Penny Magazine (No. 120, Vol. X). It doesn't provide a date, but it appears to be from very early in Houdini's first european tour (similar to his "Wizard Exposed" articles of 1901).

I recently asked the "Mystical Man" if he would mind enlightening the readers of The New Penny Magazine as to how certain tricks are performed–those shown in public, and others indulged in by "sharps" at card tables. He readily responded to this invitation, and also consented to go before the camera in order to illustrate pictorially his various explanations. These photographs, I think it will be admitted, are quite unique, and form a remarkably interesting feature of the expose.

This is actually a pretty major exposé, revealing card moves practiced by card sharps and also magicians. The newsletter notes that this article comes from Houdini's "jail breaker" scrapbook, given to museum by Tad Ware of Excelsior, Minnesota.

The newsletter continues with a reproduction of an unintentionally amusing article from a 1913 Variety headlined, "Magic on Decline". The article rings the death knell of the magic art and puts the blame on exposure acts and "the lack of a master performer of the calibre of Herrmann or Kellar." (Ah, hem.)

Many magicians have given up the fight and entered other occupations. At this very time New York has two former magicians of high ability performing in its first class theaters. One is a dancing comedian and the other a comic ventriloquist. I know another magician upon whom great hopes were placed, but he has given it up and is studying law.

Also reprinted from 1913 are two oddities: "Some Passing Thoughts" by George Schulte, and "What to Wear While Performing Magic Stunts" by Harry Palmer, both from The Sphinx.

In his "Backstage with Sidney Radner" column, Sid praises Frank Koval's newly published Illustrated Houdini Research Diary. He also states that "Ken Silverman is writing what I predict will be the most complete biography of Houdini to date." And he says Pat Culliton's Houdini's Strange Tales and accompanying cassette tape are "first class all the way."

Sid goes on to say that his interview with Dorothy Young has to be postponed to the next issue due to the death of Dorothy's husband in December. He also promises to reveal a photo of Dorothy coming out of the Radio of 1950 illusion from the collection of Manny Weltman. At the time, that was an unpublished image. He finishes by announcing his upcoming visit to the Library of Congress and librarian John Higbee. Organizing the McManus-Young collection, which he complains "is not what the magic fraternity would like", appears to have been one of Sid's major efforts at this time.

Mystifier
Volume 3, Number 1
First Quarter, 1993
6 pages

Contents:
Looking Through Scrapbooks
New Houdini Books at Museum Shop
Magic on Decline
Some Passing Thoughts
Fashion Tips for Magicians
Backstage with Sid Radner

Thanks to Gary Hunt of Handcuff Queens for supplying me with this issue. 


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Tuesday, March 27, 2018

????? (Mystifier), Second Quarter, 1992

Continuing my look back at the Mystifier, the quarterly newsletter of the Houdini Historical Center that ran from 1991-2003.


The Houdini Historical Center newsletter was looking for a new name when this third issue was released in 1992. The newsletter asked members to choose from the choices: The Mystifier, Escape, Metamorphosis, Off the Cuff, Houdiniana, On Stage, Stage, Cuff and Key, Houdini Unlocked, or The Challenge. Which did they choose? You'll have to wait until the next issue or find out!

But the real focus of this issue was "Houdini's Trunk No. 8." This was the trunk that traveled with Houdini and contained all his tools and "wherewithal for any sort of escape." The contents of the trunk were donated to the museum by Dr. Morris N. Young, and the newsletter contains a lengthy  article by Young penned for the December 1951 MUM describing in detail how he acquired the trunk from Hardeen's widow and its contents.

A search through the drawers revealed in orderly placement what proved to be mainly hardware supplies. No doubt the assemblage of materials represented years of trial and experience in being prepared for any contingency anywhere, anytime. There had to be no dependency on local shops or fancies, and secrets could not be revealed indirectly through purchase of specific supplies.

A second article by Ken Silverman called "More Houdini Trunks" discusses a written inventory of what Houdini's other traveling trunks contained, including a breakdown of Milk Cans he was using in  England in February 1911:

He had with him in England no fewer than four cans, described in the inventory as one "1910 New York Can," one "Dunston Challenge Can," one "Gamage Can," and one "Can 1910 unprepaired [sic]."

New items added to the HHC gift shop are discussed, including a glass etched Houdini portrait set on a walnut base with back lighting. Houdini's 1925 Christmas card is also reproduced.

In his "Backstage with Sid Radner" column, Sid discusses the upcoming first board meeting of the HHC and the new temporary exhibit, Houdini on Tour: The Traveling Magic Show, which featured the contents of Trunk No. 8. He again mentions a proposed Houdini stage musical, and that production of a new Houdini movie is "delayed for the couple of months." (This was the Ray Stark film which would never go before cameras.)

The newsletter concludes with a pitch for donations.

?????
Volume 2, Number 2
Second Quarter, 1992
6 pages

Contents:
Houdini's Tools on Display
Trunk No. 8
More on Trunks
Magic Items for Sale
Queries
Backstage with Sid Radner
Window Open for Donations


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    Saturday, March 17, 2018

    Center Stage (Mystifier), First Quarter 1992

    Continuing my look back at the Mystifier, the quarterly newsletter of the Houdini Historical Center that ran from 1991-2003.


    The second issue of what would eventually become known as the Mystifier is devoted largely to Houdini's first scrapbook. The scrapbook was donated to the Houdini Historical Center by Sidney Radner under the condition that is undergo professional preservation (at a cost of between $5000-$10,000). The book is described as thus:

    The scrapbook appears to be sub-divided into two sections. The front 116 pages are a collection of clippings chronicling performances between June 22, 1894 and April 24, 1900, telling the story of the Houdinis two runs with the Welsh Brothers Circus and other shows. The rear 31 pages are a hodgepodge of miscellaneous clippings in memorabilia some mold at a later date. This latter portion include such items as the April 10, 1894 letter from Jacob Hyman to Houdini dissolving their partnership, an 1890 letter from the U.S. Amateur Athletic Union reinstating Ehrich Weiss' victory in a race, and a photograph portion of Houdini's plane packed in a crate.

    Some clippings from the scrapbook are reproduced along with a transcription of the "Risey in the Box" article from the Coney Island Clipper, June 22, 1894, the day Harry and Bess were married. This is oldest news-clipping from the scrapbook.

    In "Queries", Christopher Miller is still seeking info on Houdini's Milk Cans; Diane Kromm of Milwaukee seeks information on Houdini's posters; and Moira Thomas of Appleton seeks "references, stories, anecdotes, legends, etc., about Houdini's life on the vaudeville circuit."

    In his "Backstage with Sid Radner" column, Sid tells a story about Houdini and Arthur Lloyd, "The Human Card Index", related to him by Walter B. Gibson. He recommends Patrick Culliton's article about Jack Hayman in the October issues of Genii. He notes that Pulitzer Prize winning biographer Ken Silverman recently visited the HHC "researching a book on Houdini." He concludes with this:

    My wife Helen and I recently attended a workshop which presented the beginning of a Houdini musical–hopefully for Broadway. Finally, I have also seen stories in the press about a new Houdini movie. HOUDINI LIVES!

    The play Sid is talking about is likely the musical that ultimately appeared at the Goodspeed Opera House in 1997 (it didn't make it to Broadway). The movie was almost certainly the on-again off-again Ray Stark project, which was in the news at this time as on-again.

    The newsletter concludes with the news that the 1992 Magic Collectors Association convention will be held in Appleton May 7-9, the first time the convention was to be held outside Chicago, and that a special expanded Houdini exhibit would be created especially for the weekend.

    Center Stage
    Volume 2, Number 1
    First Quarter, 1992
    6 pages

    Contents:
    Scrapbook Presented to Center
    Clipping from the Scrapbook
    Queries
    Membership Form
    Backstage with Sid Radner
    Magic Collectors Coming to Appleton


    Related:

      Tuesday, November 7, 2017

      A Celebration of the Life and Writings of Kenneth Silverman

      There will be "A Celebration of the Life and Writings of Kenneth Silverman" tomorrow, November 8, at 5PM at the The Fales Library, Bobst Library at New York University. Among his many achievements, Dr. Silverman was the author of what is still (IMHO) the finest Houdini biography ever written, Houdini!!! The Career of Ehrich Weiss.


      For more information visit the event website.

      Thanks to Kevin Connolly.

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      Sunday, August 13, 2017

      The Secret Life of Mrs. London to be revealed in 2018

      Looks like 2018 is going to kick off with a provocative piece of Houdini fiction based on fact. Here's the description and cover art for The Secret Life of Mrs. London by Rebecca Rosenberg.

      San Francisco, 1915. As America teeters on the brink of world war, Charmian and her husband, famed novelist Jack London, wrestle with genius and desire, politics and marital competitiveness. Charmian longs to be viewed as an equal partner who put her own career on hold to support her husband, but Jack doesn’t see it that way…until Charmian is pulled from the audience during a magic show by escape artist Harry Houdini, a man enmeshed in his own complicated marriage. Suddenly, charmed by the attention Houdini pays her and entranced by his sexual magnetism, Charmian’s eyes open to a world of possibilities that could be her escape. 
      As Charmian grapples with her urge to explore the forbidden, Jack’s increasingly reckless behavior threatens her dedication. Now torn between two of history’s most mysterious and charismatic figures, she must find the courage to forge her own path, even as she fears the loss of everything she holds dear.

      Next year marks the 100th anniversary of Houdini and London's alleged affair, which was first uncovered by Ken Silverman in his 1996 book Houdini!!! The Career of Ehrich Weiss.

      You can pre-order The Secret Life of Mrs. London at Amazon.com (U.S.) and Amazon.co.uk (UK). Release date is January 30, 2018.

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      Friday, July 7, 2017

      Kenneth Silverman, 1936 - 2017

      Friends Dorothy Dietrich and Dick Brookz have just delivered some sad news. Kenneth Silverman, author of the seminal Houdini!!! The Career of Ehrich Weiss, passed away tonight at age 81. He had been ill for some time.

      © Nancy Crampton

      Kenneth Silverman was born on February 5, 1936 in Manhattan. He grew up on East Seventy-Fifth Street, directly across from the tenement building where Houdini lived as a boy. As a teen in the early 1950s he performed magic as Ken Silvers. He even once appeared in a TV commercial for M&Ms. He was later educated at Columbia University, and became a professor emeritus of English at New York University.

      As a biographer, Silverman won a Pulitzer Prize, an Edgar Award, and the Bancroft Prize for American History. He was also a "card-carrying" member of the Society of American Magicians.

      In 1996 Harper Collins published Silverman’s Houdini!!! The Career of Ehrich Weiss, which remains the finest biography of Houdini yet written. I had the honor of meeting Professor Silverman in 2011 when he gave a talk on Houdini at the Jewish Museum in San Francisco.

      Ken is survived by his partner Jane Mallison, by his two children, Willa and Ethan, daughter-in-law Ronit, and three grandchildren: Benjamin, Eve and Isaac.

      UPDATE: Ken Silverman's New York Times obituary contains the following, which is wonderful tribute to his work on Houdini and devotion to his subject:

      In the frantically titled “Houdini!!! The Career of Ehrich Weiss, American Self-Liberator, Europe’s Eclipsing Sensation, World’s Handcuff King and Prison Breaker — Nothing on Earth Can Hold Houdini a Prisoner!!!,” published in 1997 [sic], he outdid himself in wringing every last fact and facticule from the historical record. 
      “He has sifted through scrapbooks, diaries, letters, playbills, census reports, court transcripts, thousands of press clippings in half a dozen languages and even the minutes of the Hebrew Relief Society,” the magician Teller wrote in The New York Times. The research was so exhaustive that Professor Silverman published his sources in a separate volume, “Notes to Houdini.” 
      “As part of the research,” Ms. Mallison said, “he had me strap him into a straitjacket, and one New Year’s Eve he asked me to lock him into a canvas mailbag to see if he could get out.” 
      On certain matters, Professor Silverman nevertheless maintained strict silence. Adhering to the magician’s unwritten code, he refused to reveal the secrets behind Houdini’s most famous tricks. Historian and magician struggled. In the end, Pulitzer or no Pulitzer, the magician won.

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