The second episode of REELZ Extreme Escapes aired last week. During the show, magician and escape artist Spencer Horsman, who did a pretty thrilling underwater box escape, said something utterly perplexing.
Spencer appears to have said there was "debate" whether Houdini ever actually performed his Water Torture Cell -- that he might have only ever had a poster made because the escape itself was "too dangerous."
Now, there's no way Spencer doesn't know that Houdini performed his Water Torture Cell for half his career. What I think happened is that Spencer was talking about Houdini's Buried Alive, and the show editors cut together his words to make it seem as if the Water Torture Cell was the subject. This is the danger of "reality" shows. They create whatever reality they require.
In other segments, our friend David Merlini performed a spectacular frozen-in-ice escape. This was an escape Houdini wanted to do but could never work out with the technology of his day. David's version seemed to be everything Houdini could have imagined, and I truly have no idea how he survived.
Michael Turco did a cleverly staged mine shaft escape. Escape artist Jan Rouven performed an inventive "Jaws of Death" suspended straitjacket, although I'm afraid it gets a thumbs down from me as Jan employed a blatant straitjacket fail.
Extreme Escapes airs every Friday on REELZ TV.
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Thursday, December 11, 2014
Wednesday, December 10, 2014
Adrien Brody nominated for SAG Award for 'Houdini'
The Houdini miniseries continues to collect honors. Today it was announced that star Adrien Brody has been nominated by the Screen Actors Guild for "Best Actor, TV Movie or Miniseries."
Brody's competition is Benedict Cumberbatch in Sherlock: His Last Vow (PBS), Richard Jenkins in Olive Kitteridge (HBO), Billy Bob Thornton in Fargo (FX), and Mark Ruffalo in The Normal Heart (HBO).
Brody posted his thanks and appreciation on Instagram along with a great mock-up Houdini poster.
HISTORY has tweeted their congratulations to Brody with this image:
Brody's competition is Benedict Cumberbatch in Sherlock: His Last Vow (PBS), Richard Jenkins in Olive Kitteridge (HBO), Billy Bob Thornton in Fargo (FX), and Mark Ruffalo in The Normal Heart (HBO).
Brody posted his thanks and appreciation on Instagram along with a great mock-up Houdini poster.
HISTORY has tweeted their congratulations to Brody with this image:
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| Click to enlarge. |
Winners will be announced on January 25, 2015 at a ceremony in Los Angeles.
Tuesday, December 9, 2014
How Houdini ended the Depression
Is there no end to the accolades that we can heap upon Harry Houdini? Apparently not. Here's an item from the New York Post (reproduced in the January 1937 Jinx) which cites the Final Houdini Seance as evidence the Great Depression of the 1930s must surely be at an end.
Thanks to Lisa Cousins of the William Larsen Sr. Memorial Library at the Magic Castle for finding this gem and sharing it with me.
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| Click to enlarge. |
Thanks to Lisa Cousins of the William Larsen Sr. Memorial Library at the Magic Castle for finding this gem and sharing it with me.
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Sunday, December 7, 2014
"My old friend and worthy opponent."
Paul Davies over at the very active "Musings on the Mirror Handcuff" thread at Handcuffs.org has uncovered this photo of Will A. Bennet at the NYPL Digital Collections. Bennet was the representative of the London Daily Mirror who in 1904 challenged Houdini with the famous Mirror handcuff.
This image is from nine years later and Bennet has inscribed it: "To my old friend & worthy opponent from his great admirer & well wisher. Will A. Bennet. Feb. 26 /13".
Is Bennet signing this to Houdini himself? It certainly sounds like it, and Houdini was touring the UK at this time. On the back of the photo is written: "London Mirror Challenger."
Thanks to Paul Davies and all the gang at Handcuffs.org.
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This image is from nine years later and Bennet has inscribed it: "To my old friend & worthy opponent from his great admirer & well wisher. Will A. Bennet. Feb. 26 /13".
Is Bennet signing this to Houdini himself? It certainly sounds like it, and Houdini was touring the UK at this time. On the back of the photo is written: "London Mirror Challenger."
Thanks to Paul Davies and all the gang at Handcuffs.org.
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Saturday, December 6, 2014
Rousing the spirits
Last Wednesday I had the great pleasure of having my 50th birthday dinner in the Magic Castle's Houdini Seance Room. The magnificent Misty Lee conducted our seance, and I'm happy to report that contact was made! Was it Houdini? Well, something returned, because that room went nuts!
Below is some of the latest Houdini Seance swag that comes with the evening, including a very nice new Houdini Seance coin. Between the menus you can see the current Houdini Seance button.
Thanks to Misty Lee, the Magic Castle, and all my friends and family. A magical evening indeed. (Photo by Hocus Pocus Focus.)
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Below is some of the latest Houdini Seance swag that comes with the evening, including a very nice new Houdini Seance coin. Between the menus you can see the current Houdini Seance button.
Thanks to Misty Lee, the Magic Castle, and all my friends and family. A magical evening indeed. (Photo by Hocus Pocus Focus.)
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Friday, December 5, 2014
Boxing Hardeen
This photo of Hardeen is from the infamous "It's Fun To Be Fooled" Camel Cigarettes ad campaign of the 1930s. The ads exposed magic secrets and were condemned by the Society of American Magicians. This is a panel from a comic-book style ad that ran in The Macon Chronicle Herald on April 17, 1933. I thought it was worth the share because I've never seen this image of Hardeen before.
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As for the rest of the ad that exposes the secret... Sorry, Camel, not on my watch!
Thursday, December 4, 2014
'Houdini' nominated for WGA award
Nicholas Meyer's screenplay for the Houdini miniseries has been nominated by The Writers Guild of America for outstanding achievement in television in the "Long Form Adapted" category. The miniseries is credited as being based on Houdini: A Mind in Chains by Bernard C. Meyer, M.D (although to my eye it's largely adapted from the uncredited work of William Kalush and Larry Sloman's The Secret Life of Houdini).The competition is Klondike by Paul T. Scheuring (Discovery Channel); The Normal Heart by Larry Kramer (HBO); Olive Kitteridge by Jane Anderson (HBO); and “Pilot” by Damon Lindelof & Tom Perrotta (HBO).
Winners will be announced at the 2015 Writers Guild Awards on Saturday, February 14, 2015, at simultaneous ceremonies in Los Angeles and New York City.
UPDATE: Houdini lost to Jane Anderson and Olive Kitteridge (HBO).
Wednesday, December 3, 2014
The myth of the giant clock? (UPDATE)
When reading modern descriptions of Houdini's act, it's often noted that a gigantic clock sat on the side of the stage counting off the seconds of his confinement. This is most typically associated with his Milk Can and Water Torture Cell. It's a dramatic idea, and the giant clock has appeared in nearly every cinematic recreation of Houdini's feats. But is it true?
There's a detailed description of Houdini's Water Torture Cell performance at the New Cross Empire in London on May 14, 1913. This can be read in The Original Houdini Scrapbook by Walter B. Gibson (page 108). It describes all the apparatus Houdini used, right down to the "ornamental cauldrons" filled with heated water. It doesn't mention a giant clock.
In fact, I'm not sure there is any mention of a clock in any description of Houdini's act from the time (although I admit I've not mounted a very aggressive search). Also, if this major prop existed, what happened to it? A fair amount of Houdini's apparatuses survives and have traded hands over the years. But no clock. And if there was a giant clock, why is it not present in Houdini stage photos such as THIS? We also have a nice photo of Hardeen performing the Milk Can late in his career on a decidedly clockless stage.
Again, I haven't dug too deeply into this, but I expect this giant clock idea originated in the Tony Curtis Houdini movie of 1953. In that film we see a giant clock on stage counting down Harry's last moments as he fails to free himself from his "Pagoda Torture Cell." It certainly wouldn't be the only enduring myth generated by that film.
So have we all been lulled into believing the myth of the giant clock? Is it time to retire this timepiece? Clock in with your thoughts below.
UPDATE: Forget everything I wrote above. Our friend Joe Notaro has found solid evidence that this giant clock/stop-watch existed, or at least Houdini conceived of it. In his book Houdini's Magicial Rope Ties and Escapes (1920), Houdini writes:
So if there was indeed a giant clock, as appears to be the case, the question remains; what happened to it?
There's a detailed description of Houdini's Water Torture Cell performance at the New Cross Empire in London on May 14, 1913. This can be read in The Original Houdini Scrapbook by Walter B. Gibson (page 108). It describes all the apparatus Houdini used, right down to the "ornamental cauldrons" filled with heated water. It doesn't mention a giant clock.
In fact, I'm not sure there is any mention of a clock in any description of Houdini's act from the time (although I admit I've not mounted a very aggressive search). Also, if this major prop existed, what happened to it? A fair amount of Houdini's apparatuses survives and have traded hands over the years. But no clock. And if there was a giant clock, why is it not present in Houdini stage photos such as THIS? We also have a nice photo of Hardeen performing the Milk Can late in his career on a decidedly clockless stage.
Again, I haven't dug too deeply into this, but I expect this giant clock idea originated in the Tony Curtis Houdini movie of 1953. In that film we see a giant clock on stage counting down Harry's last moments as he fails to free himself from his "Pagoda Torture Cell." It certainly wouldn't be the only enduring myth generated by that film.
So have we all been lulled into believing the myth of the giant clock? Is it time to retire this timepiece? Clock in with your thoughts below.
UPDATE: Forget everything I wrote above. Our friend Joe Notaro has found solid evidence that this giant clock/stop-watch existed, or at least Houdini conceived of it. In his book Houdini's Magicial Rope Ties and Escapes (1920), Houdini writes:
"My assistant is always supplied with a stop-watch; in fact for my under-water tests, I had specially made by a watchmaker in Glasgow, the largest stop-watch in the world, by means of which persons in the gallery who did not possess such watches themselves could see the second hand as it jumped around the dial, and thus share in the interest, for you should know that not every theatre-goer carried a stop-watch."
So if there was indeed a giant clock, as appears to be the case, the question remains; what happened to it?
UPDATE 2: And now here's evidence of the clock in action, here referred to as "a huge chronometer."
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| The Guardian, July 20, 1909. |
Houdini Challenged at the Anderson
Deborah Oropallo's painting "Houdini Challenged" is on display at the newly opened Anderson Collection at Stanford University in Palo Alto, California. The painting is from 1990 and uses the popular image of Houdini tied to a ladder.
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Monday, December 1, 2014
Houdini's movie career flickers to life at the Magic Castle, Jan. 6
I'm excited to be giving my "Houdini in Hollywood" talk at the world famous Magic Castle on January 6, 2015 at 8pm. This will be a somewhat expanded version of the talk I gave at Hollywood Heritage in October with some new photos and film clips. The perk got a nice ad and mention in the AMA's December newsletter (below).
This "Castle Perk" is open to all AMA members (Magician and Associate) and should be good fun. What better way to kick off 2015 than by spending an evening with Houdini in Hollywood...in Hollywood!
Thanks to Arthur Moses for the use of this great image of Houdini, Harry Kellar, and director Irvin Williat on the set of The Grim Game.
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This "Castle Perk" is open to all AMA members (Magician and Associate) and should be good fun. What better way to kick off 2015 than by spending an evening with Houdini in Hollywood...in Hollywood!
Thanks to Arthur Moses for the use of this great image of Houdini, Harry Kellar, and director Irvin Williat on the set of The Grim Game.
LINK: The Hungarian Handcuff
Our friend Joe Notaro of Harry Houdini Circumstantial Evidence has posted to his blog a nice examination of what Houdini called "The Hungarian Cuff." These are better known today the "Seance Cuffs" because of their use during the Official Houdini Seances. Were these Houdini-made manacles an early version of the Mirror Handcuffs? Click the headline to have a read at Joe's site.
Sunday, November 30, 2014
Extreme Escapes debuts on REELZ
A new series called Extreme Escapes is airing on REELZ. The series was originally to be called Sons of Houdini. Shame they changed the name. Here's a description;
Each one-hour episode of Extreme Escapes brings the shock, wonder and danger of escapology to television with astonishing performances by artists including America’s Got Talent contestant Spencer Horsman, Masters of Illusion LIVE! performer Farrell Dillon, Las Vegas Laugh Factory’s headlining comic magician Murray Sawchuck and his counterpart Jan Rouven and Hungarian escape artist David Merlini. In Extreme Escapes top escape masters challenge the laws of physics in unbelievable stunts performed all around the world including magician Brandy LaPlante attempting to be the first woman to complete the insane car drop escape before being crushed and magician Michael Turco’s attempt at a mobster-style challenge where he’s shackled, put in cement shoes and tossed to the bottom of the Atlantic Ocean. Other daring stunts attempted include illusionist Jonathan Pendragon putting himself in the line of fire for a dangerous and often deadly feat—attempting to catch a speeding bullet. The series also features a precarious escape set in China where internationally acclaimed illusionist Franz Harary must break free from the chains binding him to railroad tracks in the face of a powerful locomotive.
You'll notice that that among the Extreme Escapes escape artists is David Merlini who was the technical advisor on HISTORY's Houdini miniseries. The show's technical advisor is Gay Blackstone.
Learn more about Extreme Escapes at the REELZ website.
Saturday, November 29, 2014
Becoming Beyond
Only a few weeks after Houdini announced the formation of his new Houdini Picture Corporation in April 1921, he announced his first film. But what we now know as The Man From Beyond originally carried a very different title. On April 16, 1921, the Boston Post announced:
The title The Far North might have been an attempt by Houdini to link his film in the minds of moviegoers to the popular 1920 D.W. Griffith movie, Way Down East. That hit film also featured a climax in the which the hero saves the heroine from river rapids and a waterfall. Later publicity would repeatedly liken Houdini's own Niagara Falls climax to that of Way Down East, touting it as being even more exciting. The two films even had similar posters. So maybe it's not a coincidence that, in the beginning at least, they had similar titles.
It appears Houdini's film carried The Far North title well into production. The clip below is from The Coffeyville Daily dated June 3, 1921:
However, a quote from Houdini himself while filming in Niagara Falls a month earlier suggests that The Far North might have only ever been a working title and the real title was being kept secret:
When the film was completed in June, the final title was revealed as The Man From Beyond. This is the earliest mention I could find from the Brooklyn Eagle on July 20, 1921:
The Man From Beyond wasn't the only Houdini movie to undergo a title change during production. The Grim Game was originally called Circumstantial Evidence and Terror Island was Salvage. Interestingly, when Houdini announced his next Houdini Picture Corporation production on July 26, 1921, it was with the "temporary" title Haldane of the Secret Service. But this turned out to be the one title that took.
Thanks to Joe Notaro for alerting me to this alternate title on his blog Harry Houdini Circumstantial Evidence.
Friday, November 28, 2014
AHC separates Houdini facts vs. fiction
Houdini is the subject of a new episode of America: Facts vs. Fiction called "Masters of Illusion" (Season 2, Episode 8). The episode also features P.T. Barnum and premiered November 25 on AHC (American Heroes Channel).
The episode primarily debunks the myths that physical abnormalities aided Houdini's escapes (such as the ability to dislocated his shoulder), that he was trapped under ice during a bridge jump, and the belief that he died in his Water Torture Cell. However, their conclusion that the Whitehead punch did not cause Houdini's fatal appendicitis is still debatable.
Houdini is portrayed in the reenactments by James Christopher Crooke (above). The episode also features clips from Haldane of the Secret Service, The Man From Beyond, Terror Island, and Houdini (1953).
The show was well done and the focus on facts is a welcome change from the shameless myth-making of shows like Brad Meltzer's Decoded and, of course, that recent effort by our friends at HISTORY.
You can buy America: Facts vs. Fiction: Masters of Illusion as a download on Amazon.
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