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| Carter and Houdini in 1910. |
Deadline Hollywood reports that Warner Bros. has optioned Michael Glen David Gold’s Carter Beats The Devil
for Jon Shestack to produce with Ginny Brewer and Jeremy Stein.Terry Voulos is struggling. His marriage, his relationship with his son and his work prospects are shaky. He finds solace in the possibility of a new career as a magician, before a tragic accident sends him into exile, estranged from all that is familiar.
Hal Sargeson, a one-time magician and lifelong disciple of Harry Houdini, takes Terry under his wing. He begins to school Terry in the same arts of escape that the great Houdini used to thrill Australian audiences a hundred years earlier, but keeps to himself a knot that might have beaten even the master.
Terry is eventually brought to truths more disturbing than his present troubles, and to a moment when the healing power of magic is truly needed. Between Houdini′s example and Hal′s guidance, Terry learns much more than the routine illusions of the everyday magician.
HOUDINI′S FLIGHT is a moving and surprising story of finding meaning in the most unexpected places.
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| Kevin Connolly Collection |
("Joe" is Joe Dunniger, btw). What’s cool about this is, aside from a quick glimpse in the film, this is the first still I’ve seen of Curtis recreating this famous Houdini pose. |
| Glaser, Schaech, and Bentley assume the pose |
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| The real deal |
starring Diane Keaton. Does that poster back on the wall look familiar?
(1976).
Webster's bibliographic and event-based timelines are comprehensive in scope, covering virtually all topics, geographic locations and people. They do so from a linguistic point of view, and in the case of this book, the focus is on "Houdini," including when used in literature (e.g. all authors that might have Houdini in their name). As such, this book represents the largest compilation of timeline events associated with Houdini when it is used in proper noun form. Webster's timelines cover bibliographic citations, patented inventions, as well as non-conventional and alternative meanings which capture ambiguities in usage. These furthermore cover all parts of speech (possessive, institutional usage, geographic usage) and contexts, including pop culture, the arts, social sciences (linguistics, history, geography, economics, sociology, political science), business, computer science, literature, law, medicine, psychology, mathematics, chemistry, physics, biology and other physical sciences. This "data dump" results in a comprehensive set of entries for a bibliographic and/or event-based timeline on the proper name Houdini, since editorial decisions to include or exclude events is purely a linguistic process. The resulting entries are used under license or with permission, used under "fair use" conditions, used in agreement with the original authors, or are in the public domain.
Houdini: Art and MagicOpens at The Jewish Museum on October 29thFirst Major Art Museum Exhibitionto Explore Life, Career and Lasting Influenceof Legendary Magician
New York, NY – Harry Houdini (1874-1926), the renowned magician and escape artist, was one of the 20th century’s most famous performers. His gripping theatrical presentations and heart-stopping outdoor spectacles attracted unprecedented crowds, and his talent for self-promotion and provocation captured headlines on both sides of the Atlantic. The Jewish Museum will present the first major art museum exhibition to examine Houdini’s life, legend, and enduring cultural influence from October 29, 2010 through March 27, 2011. Through 163 objects, exhibition visitors will be able to explore the career and legacy of the celebrated entertainer while considering his lasting impact on contemporary art and culture.
Included are 26 recent works of art in a variety of media by such artists as Matthew Barney, Jane Hammond, Vik Muniz, and Raymond Pettibon; historic photographs; dramatic Art Nouveau-era posters and broadsides; theater ephemera; and archival and silent films that illuminate Houdini’s role as a world-famous celebrity who commanded a mass audience in the late 19th and early 20th centuries. Magic apparatus – rarely exhibited together – handcuffs, shackles, straitjacket, a milk can and a packing trunk will be showcased in the context of their original presentation. A recreation of the famous Water Torture Cell (much of the original was destroyed in a fire in 1995) will also be on view. Two of Houdini’s private diaries, never before shown in a public exhibition, will be displayed. Visitors will learn about his evolution from a fledging circus performer in the 1890s, to a stage magician at the turn-of-the 20th century, to a daring escape artist in the early 1900s. The exhibition will not reveal the “how-to” secrets of Houdini’s magic performances. Rather, it will describe his audacious innovation in endowing common items with the aura of magic.
Following its New York City showing, Houdini: Art and Magic will travel to Skirball Cultural Center, Los Angeles, CA (April 28 – September 4, 2011); Contemporary Jewish Museum, San Francisco, CA (September 26, 2011 – January 15, 2012); and Madison Museum of Contemporary Art, Madison, WI (February 11 – May 13, 2012 ).
Contemporary art from the 1970s to the present will be integrated with the historic objects, as the exhibition examines how the magician has served as an inspiration for a significant number of artists. Their works, including video, photographs, drawings, installation, sculpture, paintings, and conceptual works, cite different aspects of the Houdini legend: his straitjacket, handcuff and jail escapes; his metamorphosis and illusionist effects; his magic props and techniques; his physical endurance and masculine prowess; and the fables about his sudden death.
The exhibition is drawn from private and public collections, including The Museum of Modern Art, New York; the Museum of the City of New York; the Library of Congress, Washington, D.C.; the Harvard Theatre Collection, Cambridge, Massachusetts; The New York Public Library; The History Museum at the Castle, Appleton, Wisconsin; The National Portrait Gallery, Smithsonian Institution, Washington, D.C.; the Whitney Museum of American Art, New York; the Harry Ransom Humanities Center, University of Texas at Austin; and Tate, London.
Born Ehrich Weiss in Budapest, Hungary, Houdini was the son of a rabbi who immigrated with his family to Wisconsin in 1878. From the beginning, Ehrich was drawn to illusion, performance, and spectacle. When he was 12, he ran away from home with the intention of joining the circus. Instead, he spent his teenage years doing odd jobs to help support his impoverished family, now living in New York City. Passionate about athletics, he trained as a runner, swimmer, and boxer. These early workouts paved the way for Houdini’s rigorous training routine as a magician and illusionist.
Ehrich’s career as a professional magician began after his father’s death in 1892. He changed his name to Harry Houdini as a tribute to the French magician Jean Eugène Robert-Houdin and married Bess Rahner, a Coney Island song and dance performer who became his on-stage partner as well.
Over the next decade, Houdini rose to international fame through daring feats that involved seemingly superhuman physical strength and stamina. Throngs of spectators watched as he flailed upside down in a straitjacket or was tossed, handcuffed, into an icy river in a padlocked crate. He freed himself every time to wild ovations. Houdini’s breakout performances had real life significance to the American immigrant population who identified with the act of escape.
Houdini’s death, which occurred on Halloween in 1926, has inspired many myths: that he was poisoned; that he died in the Water Torture Cell, and that he faked his death and escaped. It is more likely that he had been suffering from appendicitis and died of peritonitis after suffering a blow to the stomach by a student visiting his backstage dressing room. He is buried in the Machpelah Cemetery in Queens, New York, in a bronze casket fabricated for his buried-alive stunt.
Houdini: Art and Magic has been organized for The Jewish Museum by guest curator Brooke Kamin Rapaport. Gabriel de Guzman, the Museum’s Neubauer Family Foundation Curatorial Assistant, has served as exhibition coordinator.
A 288-page catalogue will be co-published by The Jewish Museum and Yale University Press. The clothbound book contains 157 color and 45 black and white illustrations, and contributions by Ms. Rapaport, Alan Brinkley, Hasia R. Diner, Mr. de Guzman, and Kenneth Silverman. Essays on Houdini’s life and work are accompanied by interviews with novelist E.L. Doctorow, magician Teller (of Penn and Teller), and contemporary artists including Matthew Barney, Jane Hammond, Deborah Oropallo, Raymond Pettibon and Allen Ruppersberg, documenting Houdini’s evolution and influence from the late 19th century to the present. The catalogue will be available worldwide and at the Museum’s Cooper Shop for $39.95.
Houdini: Art and Magic is made possible by major gifts from Kathryn and Alan C. Greenberg and the Blanche and Irving Laurie Foundation, with additional generous support from Rita and Burton Goldberg, the National Endowment for the Arts, the Skirball Fund for American Jewish Life Exhibitions, and other donors.
Corporate support is provided by Bloomberg.
The exhibition catalogue is funded through the Dorot Foundation publications endowment.
About The Jewish Museum
Widely admired for its exhibitions and educational programs that inspire people of all backgrounds, The Jewish Museum is the preeminent United States institution exploring the intersection of 4,000 years of art and Jewish culture. The Jewish Museum was established in 1904, when Judge Mayer Sulzberger donated 26 ceremonial art objects to The Jewish Theological Seminary of America as the core of a museum collection. Today, the Museum maintains an important collection of 26,000 objects—paintings, sculpture, works on paper, photographs, archaeological artifacts, ceremonial objects, and broadcast media.
General Information
Museum hours are Saturday, Sunday, Monday, and Tuesday, 11am to 5:45pm; Thursday, 11am to 8pm; and Friday, 11am to 4pm. Museum admission is $12.00 for adults, $10.00 for senior citizens, $7.50 for students, free for children under 12 and Jewish Museum members. Admission is free on Saturdays. For general information on The Jewish Museum, the public may visit the Museum’s website at http://www.thejewishmuseum.org or call 212.423.3200. The Jewish Museum is located at 1109 Fifth Avenue at 92nd Street, Manhattan.
Artists Represented in the Exhibition
Matthew Barney
Whitney Bedford
Joe Coleman
Petah Coyne
Bruce Cratsley
Jane Hammond
Tim Lee
Vik Muniz
Ikuo Nakamura
Deborah Oropallo
Raymond Pettibon
Sara Greenberger Rafferty
Allen Ruppersberg
Christopher Wool
Carol Heimberg Yeh
