Today I'm thrilled to finally be able to share this footage with everyone. This comes courtesy of Lance Watsky and the Sherman Grinberg Film Library. I'm
  starting with REEL ONE. While I've embedded it below for
  convenience, this is HD quality so I encourage you to watch it on YouTube
  where you can enlarge it for best results.
      This first reel is made up of footage that will be familiar to some. But
      the quality is what makes it so remarkable. For comparison, check
      out the way this footage is normally seen compared to the Sherman Grinberg
      footage (below). Yes, this is the same shot! This is just an example of how much
      quality matters and how it can reveal details we never knew were
      there.
    
    
      The quality also helps us identify and date some of these clips for the
      first time. Mostly notably is the footage of Houdini and magician Harry
      Kellar. From the now visible landmarks, this appears to be New York's Times
      Square in November 1917. Kellar was in town to participate in a
      benefit that Houdini
      was producing at the New York Hippodrome.
    
    
      In the photo below you can see the landmarks that appear in the footage, such as
      the Variety office, Loews New York, and even the subway
      construction crane Houdini would use for a suspended straitjacket      escape on November 5, 1917, to promote the Hippodrome show. Houdini and Kellar are exiting the
      front door of the Hotel Astor (red arrow). 
    
    |   | 
| It's only a single frame, but there's the crane! | 
      The Kellar footage continues at Hardeen's home in Flatbush, where the
      Houdinis were living at this time. How do we know this is Hardeen's house?
      Check out the now very visible address on the steps behind them!
    
    
      Below is a full breakdown of Reel One with some insights this
      footage provides.
    
    00:00:13 - Houdini is tied to a table by monks. Shot in 1921 on the set of Haldane of the Secret Service (Houdini Picture Corp., 1923). Not part of the movie. One of the monks is Houdini's chief assistant, Jim Collins.00:02:00 - Houdini and magician Harry Kellar exit the Astor Hotel in Time Square, New York, and get into a car being driven by Houdini’s brother, Theo Hardeen. November 1917.00:02:26 - Harry Houdini taking bows in 1917.00:02:35 - Close shot of magician Harry Kellar in 1917. Notice his vanishing eye glasses.00:02:41 - Houdini, Bess Houdini, and Harry Kellar greeting each other in front Theo Hardeen’s home at 394 East 21st Street, Flatbush, New York (the Houdinis were living with the Hardeens at this time). 1917.00:02:45 - Harry Kellar shows Houdini how to tie a knot. Filmed at 394 East 21st Street, Flatbush, NY. 1917.00:03:11 - Houdini, Theo Hardeen, and Harry Kellar in front of Hardeen’s Flatbush home performing the Kellar Rope Tie. 1917. Dog seen in background is Houdini’s dog, Bobby.00:03:34 - Houdini performs a stunt on the set of The Man From Beyond (Houdini Picture Corp., 1922). Filmed in 1921. This does not appear in the final movie.00:04:32 - Houdini and director Burton King review the script on the set of The Man From Beyond (Houdini Picture Corp., 1922). Filmed in 1921. Note the cameraman writes scene number 54 on the slate.00:04:49 - Bess touches up Houdini's makeup on the set of The Man From Beyond (Houdini Picture Corp., 1922). They share a shy kiss. Filmed in 1921.00:05:15 - Overboard box escape from The Master Mystery (Octagon Films, 1918). This footage appears in Episode 5. [Trimmed by YouTube due to a copyright claim.]00:05:33 - Close shot of Houdini’s handcuffed hands. Date unknown. This shot is sometimes seen inserted into Houdini’s short film, The Merveilleux Exploits du Célébre Houdini à Paris (Films Lux, 1909).00:05:43 - Houdini in water holding handcuffs. Red bathing suit. Date unknown. Likely filmed to be inserted into existing footage of past bridge jumps.00:06:12 - Houdini in water holding handcuffs. White bathing trunks. Date unknown. Likely filmed to be inserted into existing footage of past bridge jumps.
      Next up is REEL TWO which contains footage that has never appeared anywhere before. It's "the Houdini film you weren't supposed to see."
    
      Thanks again to Lance Watsky. This footage is available to license for use. If interested,
        you can contact Lance via the Sherman Grinberg Film Library website.
    
    
      Additional thanks to Joe Notaro at
        Harry Houdini Circumstantial Evidence
        and the
        Houdini Museum in Scranton.
    
  




 
Oh, darn... the film was right in the middle of showing Kellar doing his famous rope tie. It's too bad it doesn't show the entire routine.
ReplyDeleteWhat a great find John. I love those old films.
I know! But I've never seen that clip go beyond that point, even in the lessor quality versions online.
DeleteStill want to see the full routine? NOW YOU CAN!. Not the same quality, but complete. :)
DeleteFantastic! Thank you John!
ReplyDeleteThis post solved another HH mystery. I wondered where and when that short clip of HH bowing left and right in front of the tall hedges was taken. Must have been in the yard of Hardeen's house when Kellar visited that day. The clothing and hair are a perfect match.
ReplyDeleteYep, it make sense it's the same day. But, remember, that's the suit of clothes he wore for four years straight!
DeleteHe's also wearing some kind of medal on his suit jacket. You can also see it in the Kellar clip.
DeleteThe quality in the Kellar footage is so good you can almost see what that it. It might be a locket with his mother's photo. Or maybe his SAM pin. In the movie FairyTale they recreate this look and use a small watch. Could be that.
DeleteHurry up Friday!
ReplyDeleteThis is a first. YouTube temporality blocked the video because of a copyright claim.
ReplyDeleteCopyrighted content: Magic and Beyond | Season 1 | Episode 4 | Michael York | Kristi Sindt
Claimed by: Lasso Group
Fortunately, it was just a couple seconds from The Master Mystery clip, which is nothing we haven't seen, and YouTube has a feature where they will trim out the clip for you, which is what I did. Still, not sure their claim was valid.
It's not. Anything before 1926 is indisputably in the public domain. https://copyright.cornell.edu/publicdomain
DeleteThank you John, for this wonderful look back into the past!!
ReplyDelete