The genesis of this classic movie lay with a pair of film industry novices. In 1950, a former drug store operator, Joseph Raboff, and a real estate man, Earl Cohen, formed a company called, Film Producers Inc., and acquired the film, radio, and TV rights to Houdini from the late magician's estate. They also acquired the rights to the book, Houdini His Life Story by Harold Kellock.
It's unclear what happened to Film Producers, Inc. ambitious project, but it's likely Raboff and Cohen found they had bitten off more than they could chew, and used Endre Bohem's connections to sell their valuable Houdini rights to Paramount.
The result was the big, bold Technicolor treat we know today as HOUDINI. Producer George Pal and director George Marshall cast real-life husband and wife Tony Curtis and Janet Leigh in the roles of Harry and Bess Houdini. Angela Clarks plays "Mama", and Torin Thatcher plays Harry's fictional assistant and manager Otto. Dunninger receives a lavish credit as technical advisor, but according to Tony Curtis, the true technical advisor on the film was George Boston. "Dunninger was a blow hard," Curtis would tell a Magic Castle audience in 2009. And speaking of The Magic Castle, that's co-founder Bill Larsen, Jr. (uncredited) performing the Guillotine act at the SAM convention in the film.
The film also beautifully recreates many of Houdini's most famous escapes, including the straitjacket escape both onstage and suspended, a safe escape, a metal straitjacket (said to be an authentic Houdini pro), a jail escape, and Houdini's ordeal trapped below the ice following his escape from a submerged metal box. This is one of the most dramatic and memorable scenes in the film, and while Houdini himself was responsible for this fiction, it was actually first slated to first appear in an unmade RKO film in 1932 (click here to read about RKO 581: Hollywood's first Houdini film).
Most interesting to long-time fans of HOUDINI is the recent revelation of several cut scenes. Set photos posted on the LIFE magazine website show Curtis and Leigh performing the Cremation illusion, and a recreation of Houdini's Milk Can escape (the prop can used in the film now resides in the Houdini Seance Room at The Magic Castle). Also, the plane to plane transfer from Houdini's silent film The Grim Game was re-staged on the Paramount backlot for this film, making it the only biopic to acknowledge Houdini's silent movie career (well, it made an attempt to, at least).
|The Milk Can and Grim Game airplane stunt were cut from HOUDINI|
While HOUDINI starts off light and breezy with wonderful romantic byplay between Harry and Bess, the movie actually grows quite dark as Harry's obsession gets the better of him. One of the best scenes in the film is when Harry and Bess have an argument in an empty theater with a bubbling Water Torture Cell in the background (here called the Pagoda Torture Cell). "I wish it was another woman who took you from me, Harry, that I can fight. This I can't," says Bess. Faced with losing his wife, Harry promises to cut the Cell from his show.
HOUDINI was well received by the critics of the day. However, the magic community was less enamored. Magician and Houdini biographer Milbourne Christopher (Houdini The Untold Story) led the charge in a review that took the movie to task for its many fictions and inaccuracies. Said Christopher, "I won't attempt to list the anachronisms and inaccuracies in the film. Generally speaking, if any phase of Houdini's life is shown on the screen you can be sure it didn't happen the way it's pictured."
Happily, HOUDINI is also the most accessible of all the Houdini movies. It has been released on VHS, LaserDisc, and DVD. The film is often shown on television, and is even periodically screened in theaters. In the final years of his life, HOUDINI was one of the films that Tony Curtis was most fondly remembered and celebrated.
Be sure and check out Shep Hyken's wonderful website devoted entirely to Houdini - The Movie.
|A beautiful French poster (houdini-movie.com)|