Wednesday, June 17, 2015

How Houdini almost went 20,000 Leagues Under the Sea

Unmade Houdini movies are a favorite topic here at WILD ABOUT HARRY. But we've mostly discussed abandoned biopics [see: The men who almost played Houdini]. What about the movies Houdini might have made during his own lifetime?

One of the earliest and most intriguing of these near misses occurred in 1915 when Houdini was approached by the still young Universal Film Company to star in an adaptation of Jules Verne's 20,000 Leagues Under The Sea. Presumably, Houdini was being considered for the lead role of Captain Nemo.

This clipping from Variety was uncovered by our friends Dorothy Dietrich and Dick Brookz at the Houdini Museum in Scranton. It suggests why the project never went forward...at least not with Houdini in the lead.

VARIETY
February 20, 1915
HOUDINI WANTS $40,000

Harry Houdini was approached by the Universal this week to appear in its production of "Twenty Thousand Leagues Under the Sea." When it came to the money talk Houdini took the film men off their feet upon demanding $40,000.
In explaining why he asked the big money Houdini explained his vaudeville prestige would be damaged by appearing on the screen. Houdini offered to be handcuffed and then placed in a coffin and buried underneath the sea by divers, all in full view of the camera.

The offer made Houdini, the film men stated, was the same as Annette Kellerman's salary, which they said was $400 weekly with a small percentage of the profits.

In today's money, $40,000 was almost a million dollars in 1915 ($929,948 according to DollarTimes). Even Houdini admitted, "I'm afraid I want too much money."

It's interesting to see that at the start of 1915 -- a year in which Houdini embarked on a nationwide Vaudeville tour -- he considered filmmaking a career liability. But by year's end, he was visiting stars and movies studios in California, and would soon plunge into the movie business with his own Film Developing Corporation.

Universal's 20,000 Leagues Under The Sea would be made in 1916 with Allen Holubar as Captain Nemo. For the role, Holubar wore a long white bear and wig. One wonders if Houdini would have gotten the same treatment? The final film was a combination of the book and another one of Verne's adventure novels, Mysterious Island. The film was produced by the "Williamson Brothers Submarine Film Corporation" and much was made of the underwater photography, a real novelty in these early days of cinema.


Even though Houdini wouldn't take the plunge in 20,000 Leagues, in 1917 he made a deal with the Williamson Brothers to star in another underwater spectacular tentatively titled "Houdini's Sub-Sea Miracle." This time they met his salary demands, which was said to be "the largest sum of money ever paid to any one performer for a single motion picture." Thriller writer Arthur Somers Roche wrote a script, but for reasons unknown, the project never went before the cameras.

But the idea of Houdini in underwater action proved irresistible, and when it came time to make his second feature for Famous Players-Lasky, Houdini turned to Williamson Brothers technology and featured several underwater scenes in Terror Island. In fact, Terror Island bears a striking resemblance to Universal's 20,000 Leagues in that it features an inventor with an experimental submarine who sets out a rescue an abducted girl from a "mysterious island."


Universal's 1916 version of 20,000 Leagues Under the Sea survives and is available on DVD and via Amazon Instant Video. It's fun to watch and imagine what this film could have been with Houdini in the lead.

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8 comments:

  1. Great photo of HH in that white tank top! He looks like an action hero.

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    1. It's a great shot, isn't it? Don't think it has ever been published.

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  2. I wonder if HH really believed that his vaudeville prestige would have been damaged by the silver screen. Could have been bluff on his part to ask for the higher pay. If he really believed it at first, he changed his mind pretty darn quick.

    He's got a mean "Don't mess with me" stare in that photo.

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    1. I discuss in my "Houdini in Hollywood" talk that I think it was his 1915 vaudeville tour of the U.S. that changed his mind about the value of cinema. It was a breakout year for movies and it must have became clear to Houdini, city by city, that the popular entertainment tide was turning. This offer came in early 1915, so it might not have entirely hit him yet. But by the end of the year he was rubbing shoulders with movie stars.

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  3. Wasn't 1915 the year of Charlie Chaplin's breakout in the movies? The pieces are falling into place, as you noted.

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    1. Chaplin had just signed his big money deal with Essanay and was making films at their studio near Sacramento where Houdini met him in 1915. 1915 was also the year of A Birth of a Nation.

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  4. HH met CC in 1915? I didn't know that. I thought they met years later when HH was filming the GG in Hollywood. Evidently, HH caught a whiff of CC's $10,000 a week contract with Mutual.

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    1. Yep, 1915. That is when the famous photo of HH and Chaplin was taken, and it wasn't in Hollywood. It was most likely November when Houdini was playing Oakland. The Essanay studio was in Niles near Sacramento. That is where Chaplin was making his shorts. There's a museum there now.

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