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| Patrick Culliton and I examine the Milk Can as homeowner José Nazar looks on. |
- Milk Can and Iron Box surprise at auction
- Houdini relics resurface in Santa Monica
- Houdini Estate sees wedding of owner José Nazar
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| Patrick Culliton and I examine the Milk Can as homeowner José Nazar looks on. |
"I found it interesting as to how small the WTC looked on display; I knew it was small, but it looked even smaller in person."
Johnny Eagle was the speaker and would get the audience, he would show his strength by bending a piece of 1.5 inch by 0.25 inch steel bar simply by hitting it on his forearm. He had the ability to take the 30 foot of heavy chain and crack it like a whip. His assistant Johnny Kedeno had huge wrists and standard pair of Hiatt 1960 cuffs would not fit him!
Chapter 4: Tony Pastor's
Tony Pastor's is a familiar name to Houdini buffs and an important part of theater history, so seeing its marquee at the start of this sequence is a thrill. However, what we see inside is not the Tony Pastor's of history. Tony Pastor's was New York's first vaudeville house and a typical theater experience. What we see in Houdini '53 is more of a dinner club. Once again the movie is fusing past and present, evoking the nostalgic name of Tony Pastors (sans apostrophe), but showing an entertainment venue that would have been very familiar to audiences of 1950s (less so today).
The real Harry and Bess performed at Tony Pastor's at least twice during their early years (more here). This is well documented in the Harold Kellock book, which is probably why it gets a nod in the movie. But here it is the setting of Harry of Bess's third fateful meeting.
Once again Bess in on a date with the unfortunate Fred (Peter Baldwin). However, an old man keeps leering at her from another table, much to her annoyance. The dinner show begins with a Professor Allegari (Hungarian actor Ernö Verebes) who promises to "rejuvenate" a willing audience member. The leering old man is the volunteer. With the help of a special potion, a circle of showgirls, and some smoke, the old man transforms into the young Houdini! (Notice his suit has also somehow "rejuvenated".) He then proceeds to chase the showgirls off the stage Harpo Marx style. End of show.
While all this might seem like pure Hollywood invention, there is some real Houdini history embedded in this odd performance. During their early years Harry and Bess traveled with the California Concert Company, a medicine show headed by a Dr. Hill. One of Houdini's many jobs was to play the embedded audience stooge who would be first to buy a bottle of the magic elixir being offered by Hill. So here we see the same thing--although a sanitized version--in which Harry is playing the stooge to a medicine show huckster throwback.
Houdini being disguised as an old man is also familiar territory. Houdini would frequently don disguises to challenge rival Handcuff Kings and later to ensnare fraudulent spirit mediums. This is the only Houdini biopic to date that shows his fondness and skills at disguise.
Fred notices this is the same man they saw at Coney Island and suddenly becomes suspicious and accusatory. Bess says she had "no idea he'd be here" and asks to leave. When Harry comes out, he once again finds Bess gone. "They didn't even order anything," says the headwaiter played by character actor Torben Meyer.
As the dejected Houdini turns, he suddenly comes face to face with a radiant Bess. It's a beautiful moment. On the soundtrack, we hear "Meet Me Tonight in Dreamland," which will reoccur several times. Bess says she doesn't know why she came back this time. But Houdini says he does and explains, "Everything happens to me in threes. This is the third time we've met."
This idea of things happening in threes is not from Houdini history nor does it ever come back again in the film. But it is an important character-building block, showing Houdini is a man who is aware his life is guided in ways that he doesn't entirely understand but has come to trust. The real Houdini frequently stated that he was a "fatalist," believing he was living a life that was predetermined. Hence, he had little fear. Houdini (1953) is the only biopic that depicts this key philosophy.
Bess has also now experienced this same strange pull of destiny, and she will now trust her instincts. The idea that the Houdinis lives are guided by mysterious forces is something that will come back several times.
That's when Fred comes back to reclaim his date. Bess refuses to leave and Fred is ejected from the club (and the movie) for causing a disturbance.
"I've only got one more show to do, then where would you like to go?" asks Harry.
"Wherever you go," answers Bess.
HOUDINI’S SPIRITED ESCAPEIn October of 1924, Master Magician Harry Houdini visited the Winchester Estate during his nationwide spiritualism tour. His intention for his visit? To debunk the legends and lore that were circulating around Sarah Winchester’s mysterious home. He left with more questions than answers.Now, it’s your turn to solve the mystery. In Houdini’s Spirited Escape, you will solve puzzles and search for clues in an immersive themed room. Can you solve the mystery and escape in time?This 30 minute escape room experience is great for all ages!
The poster was found among hundreds of other silent movie era posters in a movie theater in France. No other Houdini or magic related posters though. The owner discovered my website regarding my book research on Houdini's time in Kansas, www.houdinikansas.com. While the poster is unrelated to my book research, he did notice that my business, www.oldhelmet.com, is buying and selling authentic antique diving helmets.When he sent me the image of this poster, I couldn't believe my eyes! Not often does an antique make me physically shake on first sight, but this did! After a number of months talking with the owner an agreement was made, bringing it to my collection of magic posters and diving helmets in Wichita, Kansas.
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| The Houdini Shrine on the seance table in 1986. |
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| The 1986 Houdini Shrine today. |
The Aladdin employed African American women cooks and young women from San Francisco’s Asian community as servers. The decor had a Chinese theme with lanterns and dragons, but the cuisine was strictly American.
Houdini’s crusade against fraudulent mediums brought him into conflict with Sir Arthur Conan Doyle, the creator of Sherlock Holmes and the spokesman for Spiritualism. And it pitted him against a rogues-gallery of rascals. Among them were Pierre Keeler, who produced ghostly messages on slates; George Valiantine and his shenanigans in the dark; the escape artist Nino; and the Reverend Mrs. Josie K. Stewart, pastor of the Independent Church of Truth and a master of sleight-of-hand.But his prime antagonist was Margery the Medium. “It is your wits against mine,” she told him. Was Margery a fraud? Did she despise Houdini—or admire him for his astuteness and manliness? And was Walter, her late brother, responsible for Houdini’s deathIn this compelling history, the full truth about Spiritualism is at last revealed—by none other than Sherlock Holmes himself!
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| Click to enlarge. |
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| The Baltimore Sun, April 30, 1915. |