Friday, August 9, 2019

Houdini gold is coming

Recently I made a spectacular discovery in the newspaper microfilm archive at the Los Angeles Central Library. At long last I've uncovered a full account and several unseen photos of an escape Houdini did in Los Angeles that has proven frustratingly elusive.

I'm just putting the finishing touches on a post that I will likely share this weekend. Can't wait to take you all on the journey and show you the gold I found in this gold box. GO NOW.

'Before Houdini' art exhibition in Vermont

An exhibition called Before Houdini: The Making of a Graphic Novel beings today in the Jackson Gallery at the Town Hall Theater in Middlebury, Vermont. The exhibition examines the work of Jeremy Holt and his new graphic novel, Before Houdini. It runs through September 22, 2019.

There will be an opening night reception with artist Jeremy Holt tonight from 5pm-7pm. For more information visit the Town Hall Theater website.

Before Houdini is available from Amazon.com and Amazon.co.uk.

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Thursday, August 8, 2019

My Houdini letter and a 100 year mystery

Here is one of my first and most cherished Houdini collectibles; a letter he wrote exactly 100 years ago today. I got this around 1980 and it has hung framed on my wall(s) all these years. Today seemed like the right day to share it.


But this letter has also baffled me from the day I received it. Who was Col. Flinn? What was the "shark stunt" that was "on the square." And what does "on the square" even mean? And if "all the newspapers copied the advert", why have I never been able to find any of those ads or any mention of anything to do with Houdini and a shark in 1919?

In 1916 Houdini announced plans to fight a live shark, and this was picked up by the papers. But the demonstration never happened (thankfully). Could this somehow be referencing that? Might Houdini have been sending Flinn old newspaper clippings about past stunts? One pet theory I have is Flinn was the ghostwriter of his "Nearly Dying for a Living" article that appeared in the December 1919 Hearst’s, and this letter marks the genesis of that project. A theory.

One thing I do know is the timeline around when this was written. Houdini had just returned from Hollywood after filming The Grim Game. This was written during his first week back in New York. Houdini wrote this on Friday, August 8, and would have met with Flinn on Tuesday, August 12 (unless he was "otherwise phoned"). But apart from this, my chronology for these first three weeks of August are a blank. The next notable event was a private screening of The Grim Game the Famous Players-Lasky offices on August 18. The movie then opened on Broadway on August 25.

But this may not have had anything to with The Grim Game. Houdini always had a dozen projects going at once, so this could have been anything. The key, I believe, is finding out who Col. Flinn was.

So does anyone out there that has anything else that mentions Col. Flinn? It would be fun to finally solve this 100 year old mystery.

Related:

Wednesday, August 7, 2019

Mystifier, Fourth Quarter 1998

Continuing my issue by issue look back at the Mystifier, the newsletter of the Houdini Historical Center that ran from 1991-2003.


The bulk of the Fourth Quarter 1998 Mystifier is taken up with a delightful Q&A interview with Houdini's niece Marie Hinson Blood. In it Marie shares many memories of her Uncle Harry and Aunt Bess. Some of the stories are familiar ones, but at the start she reveals some biographical details about Bess and the Rahner family that I don't believe have appeared elsewhere.

Marie: Well, there were eight children, one boy. The father died when Bess was twelve years old, and my mother was 8 months old. The oldest child in the family was engaged to a young man that was a tailor. They married, and luckily he had a big tailor shop. All the girls, when they were old enough, worked in the tailor shop. Aunt Bess hated this. She hated sewing... it was to her advantage, because she made patterns and she designed them, and she was very, very good. Aunt Bess designed the clothes that [she and Houdini] had in the show. So it did help them. At the beginning she sewed the costumes, but later she had other people sew them.

There's also this interesting exchange:

Mystifier: What kind of person was your Aunt Bess? Was she optimistic and positive, or moody? Could you describe her? 
Marie: Never moody. Oh, no. Very vivacious. In fact, he [Houdini] was the one who was quiet. I don't think I ever heard him tell a joke in his life.

It's interesting how Marie and Dorothy Young, who both experienced the private Houdini, describe him as "quiet."

The newsletter also contains an article by Mick Hanzlik describing his work on a half-scale replica of the Water Torture Cell that's part a new Houdini display at The Magic Circle headquarters in London. The model was created by art design student Andrew White as a school project and purchased by The Magic Circle. Mick added special lighting effects and a motor that allows the feet of a figure of Houdini inside to move. Mick says the straitjacket Tony Curtis wore in Houdini (1953) is also part of the new display. Is that display still there, I wonder?

The museum shop then announces the arrival of new Houdini mouse pads and a 80-piece puzzle depicting the Water Torture Cell.

Sid Radner begins his "Backstage" column with a reproduction of a poem about Houdini by Sharon Olds. It's called "My Son the Man" and appears in the book The Wellspring (1996). Sid says it was brought to his attention by Ken Silverman.

Sid then reports on that year's Official Houdini Seance held in Las Vegas. Attendees included actor Johnathan Schaech and director Pen Densham who premiered their new TNT Houdini biopic at the seance. Sid says it was "very well received." As always, Sid is proud of the publicity the seance generated, noting that it got an "exceptional story in USA Today."

Sid closes with the news that a new play, The Great Houdini, is set to open at the Stella Adler Theater in Hollywood in April 1999. Sid reports that playwright Alan London spent 12 years writing the play. [!]

Mystifier
Volume 8, Number 4
Fourth Quarter, 1998
6 pages

Contents:
A Conversation With Houdini's Niece, Marie Hinson Blood
The Houdini Exhibit at the Magic Circle, London
Museum Shop News
Backstage with Sid Radner


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Tuesday, August 6, 2019

Houdini in the Los Angeles Times crossword

Houdini found his way into the Los Angeles Times crossword puzzle on July 16, 2019.

  • 22 Across: Singer Styles and illusionist Houdini
  • Answer: HARRYS

Believe it or not, this is not the first time Houdini and Harry Styles have been linked.

Thanks to my dad (Ron Cox) for this one!

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Monday, August 5, 2019

Jules Traub remembers Houdini

Recently Joe Gargano shared with me a story about meeting Jules Traub in the 1980s. Traub performed magic professionally as Stuart Jules. He also worked briefly for Houdini. I love a good "eyewitness" story, so I'll let Joe tell his tale:

Jules Traub in 1968.
It was September 1988, and my wife and I were in Coronado on our honeymoon. My wife was laying out by the pool, and I in my typical fashion was too antsy to sit still, so I decided to go into San Diego to look through some antique shops. I was in a shop, and talking to the owner, who of course asked what I was looking for. I told him magic and Houdini memorabilia, and he told me that he knew this man that had worked for Houdini. The man was into Art Glass and would come into the shop periodically. I asked if he could put me in touch with him and he told me he would try and contact him and would call me if he reached him. 
A short while later he called me and gave me the gentleman's number. I called him and he invited me over. His name was Jules Traub. He was a magician in New York as a young man, and I believe he subsequently owned Fun Inc. in Chicago. He had a very dignified and refined air about him, even at that age. He did have COPD, and I could see the struggle in his breathing at times. 
He told me that when he was 17 or 18, he was working in a magic shop in New York, I don't recall if he told me which one. As he told it, "I was at the counter wrapping up a package to send out. I was tying the package and I had wrapped the string around the package and had brought the string up to tie it at the top. As I was doing this the door to the shop opened and a couple of men walked in but I didn't look up as I was in the process of making the first tie. The men approached the counter and were just in front of me, and I said: Mister, would you mind putting your finger here so I can tie this not? And in a loud voice the man says, 'Everywhere I go, people want to tie me up.' I looked up and it was Houdini."
He was there with Jim Collins, as they were getting ready for the 1926-27 tour. They were there to get some things, and as Houdini was busy, Collins told Traub that they needed some help on the tour, someone to help with loading and unloading and putting things on stage. He asked Traub if he would be interested and he was and went on that last short fateful tour. 
His recollections of Houdini, was that he was very egotistical, and didn't like his pushy, boastfulness. Jules seemed to like Hardeen much better as he felt he was more kind and personable. He also felt Hardeen was a better magician, and kept up a correspondence with Hardeen for many years. He showed me letters that he had from Hardeen. 
He was very kind, and generous in sharing stories of his past. He also told me a very funny story not related to Houdini, but to Max Malini, with him and Dai Vernon in New York. It was a wonderful visit with a kind man willing to share his personal memories.

Thank you Joe. And thanks to Joe Fox at the William Larsen Sr. Memorial Library at the Magic Castle for finding me a photo of Jules (from the Jan. 1968 Genii).

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Sunday, August 4, 2019

Posting comments

Hi everyone. I know some of you have had trouble posting comments here on WILD ABOUT HARRY. I've done a little research and it appears this could be because I was using an embedded comments design option. According to Blogger Help:

"This option (embedded) uses third-party cookies to connect users to comments. Many people disable third-party cookies on their browsers, and that is the usual cause of this problem."

I've now switched to a pop up option. You'll need to click "Post a Comment" to bring up the dialog box. One thing that has been lost is the ability to reply to individual comments. This is a shame, but if it helps more people share, then maybe worth it.

If you are having issues commenting from a phone, know that just might not be doable. Blogger is still a nice free platform, but it's barely supported anymore, and I'm not sure Google is keeping up with the next generation mobile interface. That's the price of free.

So if you've had trouble commenting in the past, maybe give this new way a try and see what happens. Thanks!


UPDATE: I've not received any feedback that this has made anything easier for folks. But what I have noticed is the pop up option is now giving me issues with my own comments. So I've switched back to an embedded format, but I will continue to experiment. One thing I would suggest to those of you who would like to make frequent comments is to create a Blogger account. You don't have to provide personal info, and you can stay signed in and comment easily. I'd also recommend using Chrome. Thanks!

Circus Busch Houdini poster for sale at Magic Live

An original poster for Houdini at the Circus Busch in Berlin is being offered for sale by Nielsen Magic at the MAGIC Live convention which kicks off today in Las Vegas. The poster is from 1908 and is a beauty.


Variants of this poster exist. Some have alternate typeface, but the version below has always intrigued me. Here Houdini's head has been replaced showing him at an older age (we also see this in a German Cologne Trial poster). This is likely from 1912 when he again played an extended engagement (two months) at the Circus Busch.


UPDATE: According to Lupe: "The Houdini did sell, but I won't be disclosing the sale price. Do know that it did go for a mid level five figure amount."

Related:

Saturday, August 3, 2019

Gresham turns 60

Today marks the 60th anniversary of the publication of Houdini: The Man Who Walked Through Walls by William Lindsay Gresham on August 3, 1959.

Pictured here is my battered 1975 paperback edition from Manor Books. This was the first Houdini biography I ever owned. While other biographies have now surpassed Gresham, it will always hold a special place for me, as I bet it does for others.

Feel free to share your own Gresham memories in the comments.

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Friday, August 2, 2019

Houdini's broken wrist and the San Diego connection


I'm always excited when I discover a new date for my ever growing New Houdini Chronology. But it's even more exciting is when that discovery unlocks a new story or solves an old mystery. And this one does all of that!

We all know Houdini re-broke his wrist while filming The Grim Game in 1919 (he had first broken it while making The Master Mystery). But the exact day of the accident was unknown. Houdini wrote to Oscar Teale on June 30, telling him of the accident and saying it would delay completion of the movie by two weeks. So the best we had was that it was sometime around the 30th.

But recently I discovered a news item in the San Diego Union that finally provided the exact date: June 28, 1919 [or not, see UPDATE]. Why was this in a San Diego newspaper? Because Houdini was scheduled to make a personal appearance at the Pickwick Theater in downtown San Diego for the opening of The Master Mystery. But as the paper reports:

The San Diego Union, June 29, 1919
HOUDINI IN ACCIDENT; UNABLE TO APPEAR HERE 
Managing Director H. E. Malaby of the Pickwick theatre was informed late yesterday morning, by wire, that Houdini the king of entertainers and star of The Master Mystery, who was to be this week's feature at the Fourth street playhouse, had met with an accident when he first began work at a Los Angeles studio Saturday morning and would be unable to make his appearance in this city until June [sic] 6. Houdini had wrist broken.
However, Mr. Malaby has provided a musical act to complete the bill and Fred Olsen, violinist, and Richard Malaby, pianist, play during the coming week.

The manager of the Pickwick also published a special notice to patrons explaining why Houdini was unable to appear, which nicely confirms the date.

Click to enlarge.

The Pickwick Theater opened in 1905 as a vaudeville house. It stood at 1029 4th on the East side of Fourth Avenue between Broadway and C Street in downtown San Diego. By 1919 it featured a combination of movies and live performance. In 1922 it switched to movies only. It was demolished in 1926. An office building now stands at the site.

Now let's move on to the mystery that I believe this finally solves.

The Pickwick manager says Houdini would appear on July 6. While I couldn't find confirmation that this happened (but I'd like to think Harry kept his promise), I did remember this photo from Doug Henning's Houdini His Legend and His Magic (right).

Back in 2012 I did a post explaining how this photo had me and San Diego historian Richard Crawford, author of The Way We Were in San Diego, stumped. On it Bess has written: "On our way to San Diego Calif." But Houdini's only recorded appearance in San Diego was in 1907, and this is clearly Harry and Bess at a later time.

I'm now thinking this is Harry and Bess in 1919 when Houdini traveled back to San Diego to make his appearance at the Pickwick. That is clearly his dyed movie hair, and you'll also note his left hand is concealed behind Bess. In many photos taken at this time he conceals that hand because he had a cast on it. In fact, you can see there's some kind of dark cloth draped over his wrist. I think this might be his sling. In the one photo of the sling that I have seen (below), it was dark in color just like the cloth we see here.


Finally, this refutes the idea that Houdini's broken wrist was the reason he couldn't perform The Grim Game airplane stunt. This had been an assumption made Houdini historians, myself included. But the airplane crash occurred on May 31, 1919, a month before Houdini's accident. So his broken wrist didn't keep him out of the sky. It kept him out of the Pickwick!


UPDATE: I recently found an account of the wrist break accident reported in the June 27, 1919 Los Angeles Times suggesting it actually happened on June 26.

Related:

Tuesday, July 30, 2019

"For a minute the air was full of flying bracelets"

Here's a wonderful cartoon from The Philadelphia Inquirer illustrating Houdini's act at B.F. Keith's Theater on January 8, 1912. What I especially like here is that it tells us Houdini would throw handcuffs from his cabinet as he freed himself from each pair. I can imagine the applause with the appearance of each cuff, and how it would build as a rain of cuffs appeared. And then Houdini would bound free at the end. Fantastic.

Click to enlarge.

You might be wondering how it's possible that this shows Houdini doing handcuff escapes in 1912 when he had famously abandoned the Handcuff Act years earlier. This is not a mistake. In November 1911, Houdini broke a blood vessel while doing a straitjacket escape in Detroit. The injury was serious enough that he cancelled a week's engagement in Toledo and rested on doctor's orders.

When he returned in the first week of December, he brought back the handcuffs to replace what was normally an opening straitjacket escape. So this cartoon also nicely captures a unique moment in time. The temporary return of the "flying bracelets."

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Monday, July 29, 2019

Houdini goes into the Hamburger box

Here's a terrific photo of Houdini that I've not seen before. This appeared in the December 1, 1915 Los Angeles Evening Herald and shows D.C McIvers of Hamburger's department store doing his best to hold Harry.


This challenged took place at the Los Angeles Orpheum Theater on November 30, 1915. Ten men from Hamburger's shipping department built the packing case on stage and sealed Houdini inside. He escaped in less than five minutes. As you can see, McIvers vowed to build a stronger box next time.

Hamburger's had also challenged Houdini with a packing crate during his 1907 Los Angeles engagement.


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